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Here Vale learns that Pierce uses his art to quiet the telepathic voices in his head. My art keeps me sane, the eccentric sculptor explains to his fellow scanner. As they converse inside one of Pierces works, an enormous human head, Revok, who wishes to remain hidden, sends a hit team out to murder them. Pierce is mortally wounded before Vale can use his psychic repower to dispatch the assassins, but before dying Pierce gives Vale a line on a group of benevolent, unafliated scanners led by the elusive Kim Obrist (Jennifer ONeill). Contacting the New-Agey scanner group, Vale participates in a sancelike telepathic meditation session with Kim and the other scanners, but their group mind-meld is interrupted by Revoks henchmen, who break in on a killing rampage from which only Vale and Kim manage to escape. Seeking refuge at ConSec, Vale contacts Dr. Ruth in an attempt to come in, but no one at the corporation knows that security chief Keller is secretly working for Revok. When Vale and Kim are brought in to headquarters, Keller isolates Kim and attempts to murder her. The couple manage to scan their way out of ConSec and eliminate Keller, but not before the security head murders Dr. Ruth in order to keep him quiet. On the run again, Vale uses his psychic powers to hack into ConSecs computer network and learns that ConSec subsidiary Biocarbon Amalgate, a pharmaceutical rm, has been taken over by Revok and is manufacturing ephemerol in large quantities. Vale and Kim pay a visit to one of the pediatricians who is prescribing the drug, and Kim experiences the unsettling feeling of being scanned by an unborn fetus in a pregnant mothers womb. In the nal confrontation, Revok tells Vale the bitter truth: they are brothers and their father was Dr. Ruth, who experimented with ephemerol on his own wife decades earlier and unwittingly produced the rst 190 Cinema of the Psychic Realm Jennifer ONeill and Stephen Lack as paranormal scanners in David Cronenbergs Scanners (1981). Revok is using the ephemerol manufactured at Biocarbon Amalgamate to create a new race of scanners that will bring the world of normals to its knees. The script for Scanners, penned by Cronenberg, recycles plot elements from both The Power and The Fury such as psi-induced nosebleeds and tachycardia, and mano a mano paranormal duels between warring psychics. As a horror-oriented director, however, Cronenbergs treatment of the theme is characteristically darker and more perverse. Makeup whiz Dick Smith concocted the lms shocking gore effects, including the money shot of the ConSec psychics head exploding. While the screenplay is sometimes confusing and reportedly went through numerous rewrites during production, Cronenbergs directorial execution is masterful, creating an atmosphere of brooding dread that sets the nerves on edge. A moody 80s-era synth score by Howard Shore creates an eerie aural counterpoint to the horric visuals.

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