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After a heart attack puts him out of work he tries to claim benefits until his doctor deems him fit to go back to work. Excluded from claiming benefits since a “health care professional” considers him fit to work, Daniel finds his efforts to appeal frustrated. When he meets Katie (Hayley Squires), a young woman with two children who is also being denied benefits, the two strike up a sweet friendship borne out of adversity. THE VERDICT: Ken Loach returns to the Cannes Film Festival with a a powerful film about those who find themselves ignored by the institutions put in place to help them. The characters at the heart of the film are engaging and warm, but this is a film filled with tragedy and heartbreak. Dave Johns and Hayley Squires lead the cast here as ordinary people who don’t want to be in the situation they are in, but find it nigh on impossible to get out. Johns makes Dan a gentle man whose constant source of frustration throughout the film is the feeling that he is being treated as a statistic rather than a person. It is this that leads to all of the character’s justified anger, as well as a fierce desire to protect those he sees as victims of injustice. Both actors’ performances feel honest and raw, and the chemistry between them is sweet and warm. The rest of the cast features Dylan McKiernan and Briana Shann as Katie’s young children, Kate Rutter, Sharon Percy and Kema Sikazwe. Screenwriter Paul Laverty shines a light on the benefits system in the UK, and those who want nothing more than to be self sufficient, but their cries for help are ignored by the State. The highs of the film are emotion based, as are the lows, and it is this that makes the film so powerful. A feeling of hope in the face of helplessness permeates the film, making the audience root for these likeable characters that could well be any one of us if our luck were to change. There are a couple of issues with pacing here and there however, and some jumps in the timeline toward the end of the film are a little jarring. Starring Lupita Nyong’o, David Oyelowo, Madina Nalwanga, Martin Kabanza, Taryn Kyaze THE PLOT: Living in a Ugandan slum and selling vegetables to support her mother, Phiona (Madina Nalwanga) doesn’t see how her young life could possibly change, until she is introduced to the game of chess. Madina Nalwanga leads the cast as Phiona, and she makes the character stubborn, confident and charming. Nalwanga shows great range in the role, although there are times she struggles with the character’s more arrogant traits. David Oyeolwo plays Robert, the missionary who introduces Phiona and otherkids in the area to the game of chess. Oyelowo makes Robert caring and kind, and his relationship with the younger actors in the film is lovely. The rest of the cast features Taryn Kyaze, Ivan Jacobo, Ronald Ssemaganda Ethan Nazario Lubega and Nikita Waligwa.

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Each day will consist of teaching, examples, and hands on work, with a focus on building a solid foundation for creating one's own light art works. This class was commissioned to highlight our current Anthony McCall exhibition entitled Solid Lights Works. Audience: Open to all adults regardless of experience. At times bordering on painful, at other times like bathing in a sea of lush harmonies, Sadja melds pristine electronic tones with romantic synthesizers and dark noise to construct hyper-emotive sonic architecture. Although each of Sadja's works are striking in their singular and focused approach, his output is diverse: spanning everything from 25 speaker sound works to stroboscopic smoke and light shows, Immersive projection pieces, and custom built motorized speaker systems that can precisely track sound around a room. Sadja has performed and exhibited throughout Europe and the US, including Atonal Festival and Hamburger Bahnhof in Berlin, PS1 MoMa Museum in NYC, Norberg Festival in Sweden, and the Institute for Electronic Music and Acoustics in Austria. From this fairytale beginning, three resolutions are made — one sister walks one way to find purpose, one the other to find adventure, and the third stays right where she is to create a home. Years later, having circumnavigated the globe and fought Vikings, crossed oceans, tamed wilds, and achieved greatness, the three sisters meet again, as women. A moving and irresistibly charming modern-day fable for the whole family. Viewing Only tickets assign seating at the time of purchase. If you plan on attending in a group, please make sure to purchase together or select seats near each other using the seat selection tool. Start off March mornings at the Museum with a reading of some our favorite transportation tales! We enter the home of two centenarian sisters: Sadie Delaney, a retired teacher, age 103 and her kid sister, Bessie Delaney, a retired dentist, age 101. Like molasses and vinegar, these daughters of a former slave were always temperamental opposites, but together they grew up in the Jim Crow South, lived in Harlem during its renaissance and had professional careers. When subways emerge from underground to travel on elevated tracks, it's so much fun to look out the window and see the sky. Sketch out your blue-sky visions of New York City and we'll share our art by posting them along the windows of the Museum's Bluebird subway car. With the trickiest of tricks and the craziest of ideas, he is certainly loads of fun. US Premiere Play of the Royal Court Theatre production of. In his small pub in the northern English town of Oldham, Harry is something of a local celebrity. But what's the second-best hangman in England to do on the day they've abolished hanging.

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. s stylish set. And after he dresses up the tables for dinners hosted by Jessica Alba, jewelry designer Jennifer Meyer or super-stylist Rachel Zoe, Buterbaugh joins the party as one of the most-sought-after guests in town. Now he's bottling the essence of what he does into his first fragrance collection, Eric Buterbaugh Florals. Read more. I then had a 10 hour flight from there on two hours of sleep and then we got stuck on the runway for two hours and by the time I got home I was barely alive and I fell asleep and woke up 14 hours later. But here I am, functional once again, and ready to give you the final photos from my trip to a Transylvanian rave. It was an under an hour walk and we got to see a little of the city. We got there and ate food and hung out a bit, but I didn’t shoot a ton of photos. Suddenly I realized it was 5:30 and the fest was taking us back to our hotel at 6 so I only took a few photos during the day. We went back to the hotel, packed up and took a little break because we all had stupid early flights the next morning and would be out late. I was a pretty big fan of them before they became huge pop stars. Before Elepunk was released in 2003 they were sort of considered “Backpack Rap” and was a white college student I of course loved them along with groups like Jurassic 5 and all the Native Tongues stuff. I was notably not a fan of the Fergie era BEP, but I was really surprised how much of their set I knew most of the words to. Fergie is no longer in the group, but they have someone doing her parts. Also, for the record Fergie was super nice to me when I met her and on two different occasions nearly a decade a part Will. . m has completely ignored me when I asked him if I could take his photo. I am respectful enough to not do that paparazzi shit and the least you could do is make eye contact and tell me no. I don’t know if it was the jet lag or just three days of walking around a massive festival, but I was pretty beat.