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This episode we take a look at Brandon Cronenberg’s directorial debut Antiviral, and we round the bend on the Friday the 13th franchise with Friday the 13th Part 8: Jason Takes Manhattan. Devour the Podcast 108: Friday the 13th Part 7 and THE BEST AND WORST OF 2014 - Welcome to the first official episode of DTP for 2015. This episode we’re tackling the Cronenberg classic They Came from Within along with Friday the 13th Part 7. We also gorge ourselves on a gaggle of listener questions, including the relevance of Kwanzaa, terrible horror remakes and Glen Campbell. NEWS: -Del Toro gives update about Pacific Rim 2 and Justice League Dark -Bradley James takse the lead in that terrible Omen series coming to Lifetime -Lucky McKee joins Tales of Halloween anthology -Grindhouse releasing is giving us THE BEYOND on blu-ray. This episode we’re joined by Duncan McLeish of The Podcast Under the Stairs to help us discuss Friday the 13th part 5 and The Town that Dreaded Sundown. News: -Don’t Look in the Basement coming to DVD -Violent Shit is getting contemporary giallo overhaul -Evil Dead TV series is a thing. Joining us this episode is writer Brian Sammons and Bo is back after his big move. Welcome back to another episode of Devour the Podcast and part 3 of the Friday the 13th retrospective. This episode Bo gets stuck at work so Ryan Lewis of Graveshift Radio steps up to the plate. EVEN BILL MURRAY DOESN’T CARE! -Paranormal Activity gets a new title to distract from the fact that it’s fucking Paranormal Activity 5, somehow even dumber than slapping a number on the end of it. Fucked if I know. -The man behind Oculus and Absentia is doing that I Know What You Did Last Summer remake no one asked for. -Simon Barrett and Adam Wingard are going to write and direct the remake of I Saw the Devil that no one asked for. This episode kicks off 12(!

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( June 2013 ). The songwriting duo includes singer-songwriter and guitarist Brent Orndorff and drummer Dustin Richardson who joined the band in 2008. The duo currently focuses on recording, Record producing, publishing and licensing. New music is recorded in Orndorff's home recording studio in Indiana as well as various studios in Nashville, Tennessee. Dustin is also an audio engineer, mixing engineer, and music producer at House of Blues Studios, Nashville. The Blue News have become well known for several music licensing placements, touring (1992-2012), and college radio and AAA radio campaigns. The band's original music style includes soulful male vocals, electric guitar, acoustic guitar and creative songwriting featuring drums, and an eclectic blend of several musical styles including blues rock, American blues music, pop music, alternative rock, post-grunge, gospel, rock and roll, reggae, and classic rock. The Blue News has also gained 'high-profile' celebrity fans including Sublime with Rome, Sheryl Crow, Isaac Hayes, acclaimed producer Sylvia Massy and Stephen Wrench, former RCA Records executive and original music manager. The band's most recent release is a remastered greatest hits album released digitally in September 2017. The album includes 17 of the most popular songs from the band's previous albums. Brent Orndorff founded the band after signing a recording contract for a record release deal with Statue Records Hollywood of Hollywood, California. He accomplished this by opening a studio in downtown Terre Haute called “Blame Records” where he recorded other artists to help pay for manufacturing and promoting his first solo album. The band's signature sound began with a few songs recorded that combined live instruments and vocals with samples and drum loops programmed with the ReBirth RB-338 software. Orndorff self-produced the band's debut LP, titled Blue News recording in a bedroom using a PC and the band began to tour, averaging 2-3 shows per week in several cities around the Midwest United States. The album was self-released as The Blue News Project to reflect that the songs were the result of a collaboration with multiple musicians. During this period, however, the band primarily performed live as a duo, featuring drummer Kraig Kerins.

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It’s the first thing I think about when I wake up in the morning. It’s the last thing I think about when I go to bed at night. And I won’t be satisfied until every American who wants a job can find one, and until workers are getting paychecks that actually pay the bills, until families don’t have to choose between buying groceries and buying medicine, between sending their kids to college and being able to retire in some dignity and some respect. (Applause. . And although some progress has been made, there’s no doubt that this economy has not recovered as fast as it needs to. And the truth is, it’s going to take more time because a lot of the problems that we’re facing right now — slow job growth, stagnant wages — those were there even before the recession hit. Those at the very top saw their incomes going up 50 percent, 100 percent. But those in the middle, the vast majority of Americans, they had been struggling to keep up before the recession hit. But as John F. Kennedy once said, “Our problems are manmade, therefore they can be solved by man. . The question we have to answer, though, is: Where do we want to go. What’s our vision for the future, and how do we get there. Now, in the short term, I’ve been urging Congress to pass some proposals that would give the economy an immediate boost. And these are proposals, by the way, that traditionally have had support in both parties.

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Vector. Beginning with old German Expressionist films like The Cabinet of Dr. Caligari and Nosferatu, there was suddenly a new place in cinema for dark and eerie films that conveyed never-before-seen themes. These films, grouped in with the “Golden Age” of horror in the 1930’s, created most of the movie tropes and cliches that we see today. From Lugosi’s Dracula to Karloff’s Frankenstein, this era contained the architects of the genre. Whether it was the intricately designed graveyards or the picturesque yet haunting castles, the directors knew how to portray their vision perfectly. Today, some horror fans may find these films boring or slow-paced; they rely heavily on dialogue and set design to create the mood, with jump-scares being few and far between. However, numerous lines, performances, and scenes continue to be remembered and heralded. The famous transformation scene in Dr. Jekyll and Mr. Hyde, Frankenstein’ s monster meeting the little girl by the pond, and Imhotep arising in The Mummy are a few of the many that have stood the test of time. And throughout the years, these classics have been remade, not as a disrespect to the originals, but to introduce the stories and archetypes to a new generation. After the “Golden Age” came the “Silver Age,” known for its monster flicks. These films focused more on building up a monster and creating a sense of dread around it. When audiences finally saw the monsters in all of their stop-motion glory, screams echoed throughout theaters. Now, we often watch B-movies as novelties, yet we have modern versions of them like Sharknado and Birdemic that still attract heavy attention.

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The Brothers without Banners are the ones doing the hanging however, and they try to recruit the Hound to their cause. Jon’s initial plan falls to pieces when Ramsay murders Rickon right in front of him. Instead of sticking to his plan of drawing Ramsay out, Jon runs in, sword raised and his forces are sadly outnumbered. In what seems like the final moments, Lord Baelish and the knights of the Vale come to their aid. With Ramsay’s forces defeated Jon, Tormund, Wun Wun (the giant), and a few others storm the castle. Jon beats Ramsay to a pulp and ties him up to a chair near the dog cages. Later, Sansa releases said dogs and they eat his face off. To teach the Masters a lesson she uses her dragons to burn their fleet. As they watch helpless from the cliffs, Grey Worm slits two of their throats and leaves one alive. Later, Theon and Yara get an audience with the mother of dragons and offer her their ships and allegiance. Using the insane amount of dragon fire barrels placed in the underground of the city, Cersei sets off a chain reaction that blows the entire center of the city sky high. However, her plan doesn’t go completely according to plan. Tommin thinks that everyone he knows and loves was in that explosion, so seeing no reason to go on, he throws himself out one of the highest windows he can find, making the number of children Cersei still has living 0. She admits it was from her influence and she is exiled as a result. Jon is later proclaimed King of the North, mostly due to a moving speech by Lady Mormont. Arya reveals herself and shows him what he’s just ingested, then slits his throat.

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