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Strand quietly passes along the location of Madison and Nick to Alicia, but given the situation, there’s nothing either can do at the moment. The fire didn’t kill him, the Infected haven’t killed him and this won’t take him down either. They both realize that the Dam is beyond saving and agree to leave, but Lola decides to go search for Efrain first. In the secure room, Madison and Nick get into a tense argument over the killing of Troy; Madison states that it was justifiable for all of the trouble he had caused, but Nick believes that he could have been redeemed. Nick questions if Madison would ever be able to kill him if the situation presented itself, something that she doesn’t give a definite answer to; he also wonders if she ever wished him dead during the midst of his active addiction. Madison flat out says “fuck you” (the second F-bomb of the season) to Nick, leaving me to believe that she would be able to kill him if she had to. Strand interrupts their chat and tells them to prepare for an escape, but Madison is hesitant to trust him; Strand tells them what he did to Daniel, angering them even more, but they ultimately have no alternative exits and must tag along with him. They change into Dam worker uniforms to “disguise” themselves from the Proctors; this is not the best disguise considering the Proctors are slaughtering all of the workers, but there really aren’t any other options. This scene showcases the fact that even though they may not get along always, our survivors are stuck with each other. Lola sneaks around and makes it to the office where she finds Efrain gunned down; this fills her with so much rage as she was extremely close to Efrain, who was pretty much the most pure character in the series. Lola arms herself with a gun and heads to the top of the Dam after seeing a collection of Proctors on the security camera. Strand leads Nick and Madison across the top of the Dam, managing to get past the Proctors that are massacring the workers and throwing their bodies into the water. It seems as though they are actually going to escape until Lola arrives and begins firing her gun, killing multiple Proctors until John arrives and shoots her in the chest and head; Lola went down like an absolute badass, defending her home from the evil forces that wished to ruin everything. That being said, her last stand causes Strand’s plan to be foiled and Madison and Nick are captured; Alicia is present and the Clarks are together again, but these circumstances are grim and there really doesn’t seem to be a way out. He orders their execution and has them lined up in the center of the Dam, but Nick takes a moment to hug his friend Strand first; in a last move to regain control, Strand tells Proctor John about the explosives and threatens to blow the place if he doesn’t let the Clarks go. Madison and Alicia flee from the top of the Dam with Strand as Nick holds Proctor John and his men hostage. Nick’s relationship with his family has always been rocky, but one thing is certain: fuck with them and you’re dead. Strand, Madison and Alicia sail away from the Dam in their raft, but this proves to be difficult as the motor stops working; I get that there are few exits from the Dam, but why would they go into the water when they know Nick may blow everything up, effectively sucking them downstream.

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agents excited about a low budget film like this so it helped a lot to get the script directly to actors we wanted. Kit Williamson who plays the character Travis in the film was a big help as he put us in touch with both Van Hansis and Briana Brown who both had worked on his web-series ? astsiders. Hollywoodflip: How was your collaboration with David Michael Barrett. When did the story and the writing first come into fruition. CA: David and I worked great together and I think really complimented each other during the making of this film. He first sent the script to me and asked if I was interested in directing. I indeed was VERY interested in directing since the type of film it is. For a while we were looking for someone else to produce it however as I was kind of burned out on producing and really wanted to just focus on directing. But in the end we decided to just produce it together ourselves and get it done. I think David and I made a great team and we are still on speaking terms:). We had planned to shoot it already end of 2014 so it got pushed a bit. I had pretty free hands to cast whoever I wanted as the executive producer James Balletto just wanted me to find good actors and wasn? worried about the name-game. So I did end up casting several actors I already knew in many of the roles. Then we put out some roles on the breakdown service and I picked actors from the submissions to do self-tapes. Then I called in the ones I liked the most for callbacks in NYC. During callbacks I had many of the actors read with each other to see if they had chemistry and how they played off each other, etc.

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Oklahoma City police say Buie fired the deadly shot from the fourth floor of a parking garage at 52-year-old Michael Winchester, who was about 50 yards away. Buie was later found dead in his pickup truck in the garage from what authorities say was a self-inflicted gunshot wound. Records show Buie obtained the rank of specialist before he discharged from the Army in November 1995. He then started his hedge fund Vinik Asset Management and posted annual returns of 17 percent before closing it in 2013. Vinik is the owner of the Tampa Bay Lightning of the National Hockey League. The money manager also discussed: To watch the exclusive broadcast interview in its entirety, you must be a CNBC PRO subscriber. If two agents work for the same real estate company — one representing the buyer, the other the seller of a house — each must safeguard the interests of the other’s client as well as his or her own, the state high court unanimously decided. The seller’s agent, also with Coldwell Banker, said in a flier that the house had 15,000 square feet of livable space, but the building permit put the square footage at under 10,000. When the buyer learned of the difference two years after purchasing the house, he sued the seller’s agent and Coldwell Banker. Justice Leondra Kruger, writing for the court, said the seller’s agent owed the buyer “a duty to learn and disclose all facts materially affecting the value or desirability of the property” because Coldwell Banker was representing both sides in the transaction. Real estate industry experts warned that such a decision would hurt large brokerage houses and interfere with the agents’ representation of their clients. A seller’s agent who knew the seller was having financial problems and needed to sell quickly might have to disclose that to the buyer, the industry said. Similarly, a buyer’s agent might have to inform the seller that the buyer stood ready to pay even more for the property. Frederic Cohen, who represented the buyer in the case, said the ruling would help ensure that brokerage companies “actually take their responsibility to represent both sides more seriously. “If the brokerage company owes a fiduciary duty to both sides, then the sales people do as well,” Cohen said. Hiroshi Horiike, Cohen’s client, purchased the Malibu property with an ocean view in 2007. Horiike was represented by a Coldwell agent based in Beverly Hills. The seller was represented by Chris Cortazzo, a Coldwell agent who worked out of Malibu and who Horiike said was known as “the agent to the stars.

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The deal also secures pay-per-view (PPV), video-on-demand (VOD) and over-the-top (OTT) rights for CTE’s channels, Celestial Movies and cHK, in Malaysia, Brunei, Indonesia, Singapor. WINNIE MANDELA US and African Theatrical Release - available in all other territories Starring Aca Meeting Request from Fairway Film Alliance. Following its world premiere in Cannes, April’s Daughter went on to screen at the Toronto Internati. Shuttles: Complimentary shuttle service is available from the Civic Center Parking Structure and Lot 4 South to the Loews and Le Merigot hotels from 7:00am to 10:00pm beginning Tuesday, October 31. Parking: Due to extremely limited valet parking at the Loews and Le Merigot Hotels, the AFM encourages attendees to utilize the public parking options available throughout the city. AFM Screenings On Demand, which is free for invited viewers, will begin screening films on October 23, 2017, one week before AFM, and conclude on March 31, 2018, o. These immersive workshops, with instructors from top Universities including USC and UCLA, will take place on Sunday, November 5 and Monday, November 6. Revenues were up significantly for all sectors save one: U. . independents whose Box Office share reached just 1. % for the period. (See appendix 1) While animation films have in the past been one of the most important re. With over 50 location-based organizations already confirmed to participate, LocationEXPO brings AFM badge holders the ease and ability to meet with Film Commissions, Production Facilities and Services from around the world right inside the Loews providing a great informational and networking opportunity for producers, location scouts and all those involved with production budgets, incentives an. IFTA’s Executive Committee will continue to be headed by Chairperson Michael Ryan (GFM Films), who was elected for a second term. Joining him are Andrew Kramer (Lionsgate), who was elected as General Vice Chairperson, and Cl. From Rising Star nominee, Director Tom Paton, Redwood will make its Market Premiere at AFM (see screening schedule belo. Summer Hill Entertainment (formerly TomCat Films) is now setting appointments for the American Film Market to be held in Santa Monica at the Loews Santa Monica Beach Hotel from November 1st to 8th. Our phone at the show will be 310.


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Experts say such programs, which have access to victims of violence following traumatic injuries, can help prevent retaliation, reduce the chance a patient will be violently injured again and put people on track for success. The programs often work like this: A patient is treated at the hospital for a violent injury and, shortly thereafter, receives a bedside visit or sometimes a call from an official with the program — be it a social worker or violence-intervention specialist — offering services that could continue for months to a year or more. Help can include everything from providing bus tickets to training for job skills to counseling. For patients with criminal histories, help may also include contacting a parole or probation officer or court officials while the patient is hospitalized. Some are run by hospital personnel, while others are run by outside groups. To help clients, programs sometimes utilize or partner with outside organizations. Louis and Baltimore, which, like Detroit, are among the most violent cities in the country. Erin Walton, a licensed social worker and clinical supervisor of the Violence Prevention Program at the R Adams Cowley Shock Trauma Center in Baltimore, said most of the patients who are seen by caseworkers in the Violence Intervention Program have had multiple injuries from crimes such as assaults, stabbings and shootings. Walton said counselors will make contact with patients after police get their statements about the violent acts that led to their hospitalization. Even if a patient is under guard by police and going to be arrested, program case managers will try to visit, Walton said. She said they are only unable to help those who end up incarcerated. Being tucked away safely in a hospital, sometimes after surviving a life-threatening injury, creates a moment of vulnerability and contemplation, she said. “So as the violence escalates, they realize they’re not going to get that many more chances,” Walton said. In April, a hospital-based initiative launched in Detroit — called Detroit Life is Valuable Everyday, or D. L. I. V. E.

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