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% in 1954. But since the mid-1960s, the labor force participation rate for those men has steadily declined. The rate has varied during economic booms and busts, but generally has been on a downward trend. The rate bottomed out at 88% in 2014 and has been hovering near there ever since. The figure was 88. % in October. The labor force participation rate for women rose sharply from the mid-1960s through the 1980s as it became more socially acceptable for them to work. But the rate for women has fallen off in recent years, too, to 56. % in October. The overall participation rate for men and women over 16 years old was 62. % last month. The Obama administration was concerned enough about the trend and its implications that the White House Council of Economic Advisors issued a 47-page report this summer examining the reasons for the decline and policies that could help address it. Eberstadt wrote a book on the subject, “Men Without Work, America’s Invisible Crisis,” that was published in September. Nearly two-thirds of those reported that they took prescription painkillers. When asked if pain prevented them from working at a full-time job, 40% of prime-aged men out of the workforce said yes, Krueger found. Video games have become more elaborate and sophisticated, while online gaming has expanded the universe of people to play against. Men ages 21-30 who were not in the workforce reported spending an average of 6. hours a week playing video games from 2012 to 2015, compared with just 3. hours from 2000 to 2007. The figures are higher for men in that age group with less than a college education.

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Some of you need to try and consider that before making such rash judgments. Disappointed that none of the old guard are back, though. I miss Alik Sakharov’s painterly cinematography, and Michelle MacLaren’s clever visual symbolism. They may have been able to bring back Michelle MacLaren, but if these directors are better for what they have envisioned I really don’t care. David, Dan and Bryan have always been there and always will be. Dave Hill was an assistant who got offered one episode last season. Adding another writer would be unnecessary at this point. But the moment you start counting how many employees of each gender and race you have is the moment you really become racist. The Dragon Demands wrote an interminable essay about it. He’s nothing if not thorough; you’ll see what he means exactly. He’s not wrong —When it was pointed out that Cersei grabs Jaime willingly, we’d all be forgiven to reply “What. Weirwoodtreehugger and JaaqenIsFaceful said better what I wanted to say on that. First off, your last paragraph seems to be making the implication that not hiring any female directors is inherently caused by discriminatory practices and couldn’t possibly be caused by other, unrelated issues. So please, state your evidence that GoT is discriminatory in their selection process. Oldtown in Episode 8 and the Wall in Episode 9, and the fallout from both in the finale. They didn’t wait this long to cast the Crow’s Eye for nothing, and there are a lot of other things going on there concerning. Sons of the Harpy was a bit less consistant, but the high notes were very high. It’s not about gender, it’s about who’s best for the job. But bear in mind that one would have to account for how many women apply for these sorts of jobs as well (along with a host of other factors). Serves to show you what happens when faux-political correctness and SJWs lose it and go crazy.

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His late younger brother, Gregg Fedderson, was also an act. Minor was married Linda Kaye Henning in real life for five years, but they had no children. A milestone year deserves big name appearances — and the show will be getting just that with this season’s latest musical advisers. Former American Idol contestant Tori Kelly will advise Adam Levine’s singers and, as someone who’s so far made a name for herself despite losing a singing show competition, she could prove to deliver the most invaluable advice of all. She was replaced by Gwen Stefani last year, who struck up a PDA-heavy romance with fellow The Voice judge Blake Shelton after both of their marriages ended in divorce in 2015. A thoroughly upsetting, immeasurably graphic depiction of human suffering wrought in real time—with something like a half an hour of near-dialogue-less torture—Laugier’s film seems designed to interrogate the audience, to push viewers so far as to wonder aloud what the actual purpose is of witnessing such visceral depravity, simulated or not. Are there any true benefits to obscenity? it asks, threatening over and over to tip from the grotesque into the pornographic. That in the end the film is left ambiguous is almost an indictment on Laugier’s part, resembling formal experiments like Michael Haneke’s Funny Games: You sat passively through all of that, he chastises. Instead, directed by brothers Kevin and Michael Goetz, the new Martyrs compromises on every level, ultimately coming off as pretty much just a feminine take on The Passion of the Christ. Yes: It is that stupid, that ugly and that pointless. When we catch up with the friends 10 years after Lucy escapes, we’re confronted with a picture-perfect middle class family who, upon answering the door one picture-perfect morning, is murdered by Lucy, all grown up and out for revenge. Putting down the shotgun, and done with deliriously crying for a bit, Lucy calls her still-best-friend Anna to confess that she finally found her torturers, and she needs help burying the bodies. Anna arrives, horrified (duh), but still not convinced Lucy found the right family. That is, until she discovers an underground facility and a gang of thugs show up to continue what they began with Lucy 10 years earlier. Laugier’s idea, it seemed, was to literally strip away (care of some gruesome scenes of flaying) the idea that the victim has her punishment coming, even if the morality behind that idea, as in most slasher films, is suspect (i. . because she engaged in premarital sex, is a hussy, etc. . In Martyrs, victims are ostensibly good, innocent people who deserve nothing in the way of such extreme pain—chaos definitely reigns.

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That scene was spectacular. And it doesn’t surprise me in the least that Tormund would want Brienne haha. Even if dead, they owe it to their kin to take Winterfell back. Sansa obviously doesn’t know if Arya is alive either, so it’s not like she would be spreading that news. I was wondering how all the information stew between her and Davos and Mel would play out but she intimidated them. Jorah and Daario had another lame conversation and the Vale stuff was hard to believe but Kings Landing was very good. But it was serviceable enough that I can’t outright complain that it “detracted” or anything. Brienne has already, ALREADY had more to do this season than last season. Anyways, yeah those kind of remarks would be annoying but as for reading different opinions on how people want events to play out, that doesn’t bother me at all. It’s kind of normal that everybody won’t like the same things. I don’t let other people’s views dampen my own enjoyment of something. It shows the dirty complex morally difficult side of ruling. The other NW men seem to know it’s already out of style. Distinguishing himself as not part of the Watch and seeing things more clearly without the locks in his face. Embarrassed that Mel clipped his hair in an uneven fashion. Reading the Pink Letter while having a quiet lunch is kinda underwhelming. I tought he would go crazy when he reads it but he was so depressed (even more than he was before) it takes Sansa to encourage him on. LOL was i guess better than Drogon coming to the rescure for the third time. The Kingsmoot and Bran learns something about the Night’s King. I can’t wait, the show’s moving at such a speed now.

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Far Cry 5 I grew up fly-fishing with my dad, a method for catching trout in which the fisherman wraps a bunch of feathers and fur around a small hook to resemble a bug and whips it around like a bullfighter. He calls it 'the philosopher's sport', probably because you spend a lot of time sitting around doing nothing or untangling your line from the brush. Far Cry 5's take does away with the brush and the long waits but gives you a character that can cast line across a damn football field with the grace of an Olympic javelin thrower. It feels and looks amazing, propped up by a detailed rendition of Montana. Catching fish is easy and satisfying, but any meditative properties are gutted by Far Cry 5's insistence on entertaining you. Expect to bag as many dead cultists, bears, and mountain lions as you do trout. It's frustratingly difficult at first—the bar is tiny, the fish flail wildly, and the control scheme is unconventional. It feels like one, initially: you cast your line and see what happens. The issue I have is that once you're there, the game will immediately send other Sims to fish beside you: friends, neighbors, strangers, pets, they all flock to your location as if they're answering a distress call. Your personal needs begins stacking up, relationship meters begin appearing, and the zen experience quickly becomes lost amidst a clouds of distracting icons. When a fish bites, you reel the fish in while keeping your mouse cursor over the struggling creature. My issue is that a fish always bites, and always bites at pretty much the same amount of time after you've cast your line. It's not particularly relaxing, I think because the fish bite so quickly, and it's not terribly exciting, either, because you pretty much know exactly when the fish will bite. Fishing in Portia is very respectful of your time, which is nice, but I'm not here for tightly scheduled fishing. There’s nothing really to it: Just cast your line, click on the bobber when it wiggles around a bit, and voila, you have a fish. There’s a skill system tied to it, obviously, but it doesn’t really mean much since you can still fish wherever you want. Luckily, Ice Lakes has a non-competitive free-fishing mode as well. It's a novelty to use a giant hand-cranked drill to bore a giant hole in the ice, but there's something a bit graceless about the fishing experience itself. It can be a bit exciting seeing your pole bend when a fish nibbles, and it's satisfying, after a catch, to see the fish plop onto the ice next to you. You'll also need a chair to sit in, but once your line is in the water it's plenty relaxing and enjoyable to watch the fish nose around.

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If it were close by, or even on the camp, then this would put a different complexion on things. North Korea has occasionally protested these drills — including recently — and claims dozens of shells fell in North Korean waters near the island, provoking it to fire. Hoguk and the other military exercises over the decades have taken place in South Korean territory or international waters. This one was being held in what the North considered to be DPRK territory. It was not merely provocative from a military point of view, but as they made clear in their statement of 24 November, from a legal one as well. That is a very important distinction which differentiated the Yeonpyeong exercise from others. We have satellite photos of destroyed houses, but nothing about the base, which is not even identified. Since the base was the main target of attack, and early reports focused on military dead and wounded, this is a rather suspicious omission. It would appear from this, and other sources, that the North Korean fire was not very accurate. These are, as the name suggests, basically a bundle of tubes which can fire rockets. Here, North Korea had no opportunity to register targets or adjust fire based on input from forward observers; South Korea has subsequently conjectured based on the targets that the North’s maps of military positions on the island may have been dated. The DPRK has not released any statement about casualties. Clearly the distinction between the two is often blurred in practice, and it is difficult, perhaps impossible, to be sure, but it appears from the available evidence that the target for the North Korean fire was the marine base and that civilian casualties and damage were accidental. There is little point in giving a warning unless it is reasonably explicit. I can find no indication that the DPRK has made any suggestion that the Yeonpyeong incident carried such a lesson for the people of the ROK. On the contrary, the public statement expressed regret for civilian casualties and laid the blame on the Southern side. The enemy side, however, has kept silent about all these facts. This inhuman atrocity of the U. . repeated itself on the Korean Peninsula this time.

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That, in turn, takes away any credibility that the plot may have otherwise had. A few gory moments to please the gore fan, but they are so few that by the time we get to them there's no point. If Luther's a geek, then the filmmakers must really be down on the food chain. It's fun, it's light hearted, and it's perfect family entertainment. Everyone, grab a Ouija board and call over some spirits. Go to your nearby video rental and rent Witchboard instead. Not because it's too scary, but simply because it's quite fun and it doesn't require a lot of your attention so some buddies to chat with would be a good idea. You know how some films try to have this sub-plot idea going, to enhance the main story and characters. Well this one has one of those too and it's quite well written i must say. Characters are believable, some are funnier than others, and the acting is convincing. Some of the effects are very nostalgic, particularly to those who love horror films from the 80's. We've seen lots of films where the lil' one goes bad (the good son, etc. but this one is quite cinematic i must say. The highlight for me was composer Alex North's score. Beautifully Eerie would be the word to describe it. North's scores have predominantly used contemporary harmonies and dissonances. Too bad we couldn't see 2001: a space odyssey, with his original score. Back to the Bad Seed: The lil' girls acting may seem over the top sometimes. Today she could've been diagnosed with Tourrett's syndrome or maybe overdosed on ADHD pills. But then she was just a nice little girl with a little temper every now and then.


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At the end of the first scene, they -- well, let's just say you'd produce the same effect on your players if you torched your game room. The rest of the adventure is more routine, but your heroes have many chances to mess this one up big-time, and that will transform your campaign in ways you may not want. COSMIC ENCOUNTER, by Eberle, Kittredge, Olotka, and Norton; revision by Barker, Guon, Rhoades, Sheaves, and Simon. Cast as one of 48 alien races, each with a unique power to break the rules of the game in one specific way, you move out from your home planetary system to conquer the Cosmos. Recruit allies and play Challenge Cards to establish bases in your opponents' systems, but beware of Edict and Flare cards that can send your tokens to the Warp. COSMIC ENCOUNTER is what Risk was meant to be, and this new Mayfair edition only improves it: more and nicer components; nine new alien powers like the Cavalry (plays a Challenge Card as an ally) and the Subversive (pulls opposing allies to its side after cards are revealed); and a rules cleanup that is eminently respectful and sensible. I love this game so much that I view any revision warily, yet this superb update wins me over completely. I've played the original COSMIC ENCOUNTER (from the late Eon Products) over a hundred times; every game was wildly different, and -- as Woody Allen remarked on another subject -- the worst one I ever had was right on the money. It's strongest in its extensive descriptions (with stats) of historical figures like Calamity Jane and the young Teddy Roosevelt, as well as a meticulous portrayal of 1876 Deadwood, South Dakota. Learn how to shoot from the hip, fight atop a moving train, and slide a bad guy down the bar. Enjoy the extensive campaign advice and many pages of scenarios. But ignore those ludicrous animal stats -- a mere scorpion, as written, could almost give a super-hero a run for the money. Stick with the people and you'll have a high old time on the range. Winter's revised rules are simple and abstract (though realistically, rather than cinematically, oriented) -- and smoother than the CHAMPIONS game that Western Hero supports (see above). If you can spring for both, these two Western books ride nicely together. Been YEARS since I've played this (and it shows lol ) but THIS is what made me want to play music. Despite warnings to halt his investigation, Webb keeps digging and uncovers a conspiracy with explosive implications. Don’t you know GODs ANGELS are recording you. Even at 88 years old he has perfected his craft. the fact that it's based on a true story makes it that much better too.