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As to the icky incest factor, Jon and Sansa are less related (cousins) than Jon and Dany (aunt and nephew). They don’t have modern pregnancy test kits in Westeros, it could take her up to 4 or 5 moonturns to realise she’s pregnant, so she can ride her dragon and swoop down on the wights and White Walkers to her (and yours) heart’s content. Or how long did you think the Great War is going to last. It’s only during the last few weeks that you have to leave off the more strenous activity, if the pregnancy progresses normally. The most we’ve seen at one time or in one scene is 13 plus the NK (baby on the pedestal scene: 12 in the distance behind the NK and the one that delivered it). Jon has destroyed two, one by Sam (before baby scene) and one by Meera. What has been said on the show and what was written in the books there should be many more. Craster alone had been sacrificing his sons for years. Were there no living baby boys among the masses outside Hardhome. Allowing first for the whole politics of him arriving with a Targ in toe and the resentment from Sansa, and positivity of meeting Arya again. Episode 2 I would assume Dany finds out and this will create initially some sort of rift whilst at the same time the White Walkers are rampaging through the north. The baby surely comes after this (if it happens) and is the thing that brings them back together in episode 4 or 5. They clearly also know the fate of some minor characters (Shireen, Hodor and probably Stannis) but not others such as the Hound. In 707, Jon explicitely stated that Dany’s belief in her infertility was based on an unreliable source of information. So, it was very clearly implied that he wanted children and marriage, not just a casual romance. And she has no reason to oppose Jon’s marriage to Dany. As Littlefinger have said, the alliance makes sense and indeed it does in every possible way.

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Untitled Claudia Sparrow Documentary, documentary feature, Claudia Sparrow. Film Independent Artist Development has also selected two additional filmmakers and their projects to receive support that will include participation in select Fast Track meetings and mentorship: Experience Designer, documentary feature, Mackenzie Fegan. On a routine doctor visit to get antibiotics, she is diagnosed with a rare condition that leaves her permanently voiceless. As her world turns upside down and she struggles to communicate and adapt, she discovers that this limitation leads to the opening of a new world. Fast Track is supported by Film Independent Artist Development Lead Funder Time Warner Foundation, Alfred P. For more information or to become a Member, visit filmindependent. rg. ABOUT THE ALFRED P. SLOAN FOUNDATION The New York-based Alfred P. Sloan Foundation, founded in 1934, makes grants in science, technology, and economic performance. Sloan's program in Public Understanding of Science and Technology, directed by Doron Weber, supports books, radio, film, television, theater and new media to reach a wide, non-specialized audience. Sloan's Film Program encourages filmmakers to create more realistic and compelling stories about scientists, science and technology and to challenge existing stereotypes about scientists and engineers in the popular imagination. Over the past 15 years, Sloan has partnered with some of the top film schools in the country? ncluding AFI, Carnegie Mellon, Columbia, NYU, UCLA and USC? nd established annual awards in screenwriting and film production, along with an annual best-of-the-best Student Grand Jury Prize administered by the Tribeca Film Institute. The Foundation also supports screenplay development programs with the Sundance Institute, Tribeca Film Institute, the San Francisco Film Society, the Black List, and Film Independent's Producing Lab and Fast Track program and has helped develop such film projects as Morten Tyldum's The Imitation Game, Mathew Brown's The Man Who Knew Infinity, Michael Almereyda's Experimenter, Rob Meyer's A Birder's Guide to Everything, Musa Syeed's Valley of Saints, and Andrew Bujalski's Computer Chess. The Foundation also has an active theater program and commissions about twenty science plays each year from the Ensemble Studio Theater and Manhattan Theatre Club, as well as supporting select productions across the country.

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“The first thing I do in the morning is brush my teeth and sharpen my tongue. -- Dorothy Parker. Helen was a prostitute of great beauty and considerable intelligence, making her living in a rapidly transforming city. Among her client list were presentable gentlemen and rowdy young men alike -- their kind fueling the rise of illicit pleasures throughout New York City in the 1830s. Young single men with a little change in their pocket hit the streets of New York after dark, looking for a good time. For some single young women struggling to survive, the sex industry -- from the 'high end' brothels to the grimy upper tiers of the theater -- allowed them to live comfortable, if secretive, lives. The prime suspect for Helen's murder was a young Connecticut man who worked at a respectable New York firm. His trial would captivate New Yorkers and even interest newspaper readers around the country. ALSO: Find out how this incident helped shape the nature of American journalism itself. You can find it the same place you found this show. In this second part of our two-part show on New York as the first federal capital of the United States, we roll up our sleeves and get down to business. (In the first part, he moved the capital to lower Manhattan and inaugurated ourselves a new president George Washington ! The men of the first Continental Congress -- which first met in the Spring of 1789 -- had a lofty job in front of them that year. They needed to not only construct the tools and offices of a brand new government, they were also tasked with defining the basic rights of American citizens via a set of amendments to the U. . Constitution -- the Bill of Rights. Now imagine doing this in your post-Colonial era garments during a hot summer, all crammed into a few rooms at Federal Hall, the former City Hall building on Wall Street.

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Who do they think they are, throwing their banana peels everywhere? Ill take your bet. of course it depends on where you are. In one weekend in about a square block area I saw about 40 different banana peels. There were some that I studied and saw that they were very visible for more than a month (shows how often those parts of the city were cleaned as well). This was basically Swifts satire on the wars between England and France in his own time which were based on points just as silly as the Big-Enders vs the Little-Enders and their quarrel. Yes. My Asian teacher showed her how You know how some bananas just wont break at the stem. Well, grab the bottom, squeeze it and it will crack open and peel easily. cool! Mostly because Ive never actually had a big dog of my own. Ill rattle off some topics, feel free to help me out with any good taxis princes risborough advice. Im thinking a xl crate with dividers maybe until he gets bigger? Puppy Chow. Wow. I had no idea how many kinds of puppy chow there are. Is this something you can get at a regular grocery store or do I have to get them at a pet store or vet?

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As I said, this is very minor and doesn’t matter at all, but it’s odd. Overall, probably the second strongest 2nd episode of a season, after 4. 2. Alas, it was more important to Sansa to use Brienne as a bodyguard for secret meetings with DouchebagFinger and as a glorified messenger to Uncle Blackfish, than to find her little sister. Who knows how things would’ve played out if Theon had been treated decently and remained “intact”. That was Roose’s objective, but Ramsay selfishly messed it up. There is no “good vs evil” and it is surely not a predictable show. bout Jon’s resurrection, I think it was well done. I was worried it was going to be some huge production but it was just perfect. I was a little unsettled that it was not brought up by others after episode 3, seemed like it should have effected him or others in some way. But on further watching, I felt like more wasn’t nec. The politics, revenge, sex, cunning, fight scenes. Was it perfect, no but it was still fookin awesome and anyone who says otherwise deserves the Euron Silence treatment. She just advocated not invading the mainland and provoking the Northerners by attacking their strongholds. If this whole red witching thing doesn’t work out she can always open a spa next to Tyrion’s vineyard and Hot Pie’s bakery. Then my father told me the last dragon had died a century ago. Or maybe Arthur Dayne (if Ned hadn’t tainted his reputation) or Ser Barristan.

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Michael Pearce This little British film - shot mostly on location in Jersey by a first-time director - was easily the biggest (and best) surprise I’ve had so far at the cinema this year. I literally had no idea this film existed until a day or so before I watched it, and that made the experience of viewing it even more wonderful. Moll (Jessie Buckley) is an isolated young woman who is stifled by her controlling family and quiet life on a remote island, as well as a secret sin that bubbles away underneath the surface. Her life is predictable - safe, repetitive and dull - until she meets Pascal, a mysterious local man who she finds she has an affinity with. However, there is a murderer haunting the island, taking the lives of young girls in the night. Who’s to blame, and what impact will the killings have on Moll and Pascal’s swiftly escalating romance. While that is a synopsis more than a review, I felt it necessary to explain the premise to try and compel you to seek this one out. Beast is raw, woozy and utterly absorbing - the love story between Moll and Pascal is one of the most passionate and gripping you’ll ever see on screen, and their chemistry is simply sensational. There’s a real gothic, fairy-tale edge to the story which appealed perfectly to my (admittedly rather niche) tastes. This is a real hidden treasure of a film - do yourself a favour and make it your mission to watch it. 3. Lady Bird, dir. Greta Gerwig This film was so, so relatable, despite my not really having experienced an adolescence anything like “Lady Bird’s”. While the details of her life are very different from mine, I think anyone can relate to the sweeping brushstrokes - the tensions that can arise between parents and children, the thirst for freedom and independence that builds the closer you get to the final days of school, and the feelings of love and loyalty that are always there even when they’re unspoken. Greta Gerwig captures all of this and so much more with marvellous delicacy, balancing little moments that add colour and spark with more serious scenes so deftly that it’s amazing to think that this is her first feature. Lady Bird is a very specific and very beautiful film, and it’s special precisely because it feels universal even as it feels small and personal to its director. 4.