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Thanks to all the fans that joined us at the Saturday, January 16, SOLD OUT concert. ----- Thank you to all the fans and new fans that came to the 2015 Rockin' The Holidays with Felix Cavaliere's Rascals shows! 2016 is looking great. The first-ever Flower Power Cruise is officially SOLD OUT. Felix can't wait to see everyone aboard the high seas for an amazing adventure and fun-filled musical journey. Come join in the season of miracles and warm your hearts with the soul, the sounds, and the spirit Felix and the gang will bring this year. Felix is so pleased to have received the 2015 Harry Chapin Legacy Award from WhyHunger. Cavaliere will receive the ASCAP Harry Chapin Legacy Award for his humanitarian contributions. Previous honorees include Yoko Ono, Peter Noone, Wyclef Jean, Elvis Costello and many more. “I’m incredibly humbled by this honor and pour my thanks to the WhyHunger organization,” Cavaliere, who’s 50-year reign in the music industry includes the Songwriter Hall of Fame, Vocal Group Hall of Fame and Grammy Hall of Fame. “I believe in their mission, I admire the late Harry Chapin’s social activism. Cavaliere’s solo career flourished as he released his self-titled debut album. The message has always been to stand for peace, love, and happiness. Few artists can claim they defined a generation; FELIX CAVALIERE continues to remind us to keep listening for the world’s beauty. The classically trained pianist, born in Pelham, New York, idolized Ray Charles, Marvin Gaye, and Sam Cook. FELIX CAVALIERE embraced the Hammond Organ and pioneered a fresh, rock and roll sound. Upon leaving Syracuse University to form the Escorts, and become a backup musician for Joe Dee and the Starliters and later Sandy Scott, who knew that his legendary next stop would be the beginning of an illustrious hall of fame career. By the early 70s, The Rascals experimented with more jazz-influenced sounds, and moved to Columbia Records. FELIX CAVALIERE’s solo career thrived during this decade.


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Waymar orders Will to climb up a tree and watch, which he does reluctantly. A White Walker emerges from the woods, which Waymar challenges for a duel and suddenly, more of them start following. As soon as his blade strikes the White Walker’s sword, it shatters. The White Walker’s shard hits his left eye and he is blinded. All of the remaining ones then charge at Waymar, killing him. An undead Waymar then grabs Will’s throat with his icy cold hand. First of all, the mutilated corpses that Will saw were arranged in a strange pattern or symbol. We can hear it being spoken to Will (perhaps, warning him) by the one who killed Gared. In the books, it is described as sounding like “crackling ice”. Also, upon looking closely, we can see that there were other White Walkers in the background as well. While observing Ser Waymar spar with a Walker, Will acknowledges the number of other Walkers present. This suggests that he had been slashed a dozen times, perhaps by a dozen White Walkers. This suggests that they all possibly have a hive mind and were waiting for a command to start attacking Royce. So, what was your take from the opening scene from the TV series and the prologue from the book. I think it’s important that she looks like what the night queen was supposed to look like long blonde hair and blue eyes even before she is transformed into an undead wight or possibly a female walker. HBO has released a teaser trailer and confirmed the date via Twitter. Each house enters the fight before crumbling away at the end, as we see a top-down shot of the stone circle where the Children of the Forest first plunged a dragonglass dagger into the heart of a man, creating the Night King. While the only genuinely new piece of information is the release date, the trailer implies that we’ll be getting closure, and that several great houses won’t be making it out of this new season intact. The first episode will release the day after in the UK (July 17), although it’s unclear what time that will be.


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Presence is central in the consciousness literature. Hunt (1995) distinguishes the role of immediate awareness in two fundamental forms of symbolic cognition: referential and presentational symbolism. As he explains, consciousness enters representational thought primarily as felt meanings in order to choose and direct our thought and not as its substance. In presentational symbolism, “meaning emerges as a result of an experiential immersion in the expressive patterns of the symbolic medium. It appears as spontaneous, preemptory imagery and is fully developed in the expressive media of the arts” (p. 42). A receptive, observing attitude allows such meaning to emerge. Hunt notes that representational and presentational forms of symbolism are necessarily intertwined. For example, intonation, gesture, and emphasis are presentational aspects of referential language use. The other is manifested in “spontaneous presentational states” that are more intuitive and linked to the individual’s personal meanings. With development, our abstract self-referential capacity resolves into spatial metaphors detached from the array. For Lakoff (1987) and Hunt (1995), not just representation but the existence of feeling states require these abstract spatial metaphors. So enhanced self-reference allows the experience of “Being as Presence—a realized state, not a concept” (Hunt, 1995). That is, our experience of Self is ultimately based in ecological information, and existence or presence is “real. If media are going to be able to facilitate the development of consciousness, we will have to understand the spatial and perceptual aspects of the mediated environment. As well, it is clear that, in addition to individual differences among media participants, mediated events differ in the degree to which they evoke referential versus presentational symbolic cognitions. We need to understand which visual information and styles of presentation facilitate presence as well as vital presence or flow. In unmediated perception, presence is taken for granted. Preston medium (although the need to establish and maintain one’s orientation presumably precludes simultaneous presence).