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It would be too neat and clean if Sansa started sprouting strategy and Jon shaking his head “Whatever you say! €ť. They need to work together but they also have individual strengths and weaknesses that this battle can and probably will expose. Of course, any tension isn’t going to put a divide between them. They just found each other and aren’t going to start hating each other. They can disagree but the build up of taking Winterfell should be just as harried and tense as the battle. They know how lucky they are to have found each other how they did but I think Jon might question Sansa’s judgement, just like she might question Jon’s commitment. After all they have been through, family or no, both are probably scared shitless and that intensity could really feed right up to the start of the battle of the bastards. If Sansa set down the strategy and it fails, she is the fall guy. If Jon is the only one making decisions and it collapses, he is the fall guy. Any error in judgement, any misstep, will be equally felt. And no glove! I guess dying and being resurrected has its small side benefits. And more than “strategy” arguments, I think they’re going to argue whether or not it’s “wise” to go to war now and potentially lose a lot of men, when you need those men to fight the White Walkers later.

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This is perhaps a homage for the producer Guymon Casady. This is perhaps a reference to the Old West outlaw John Wesley Hardin, who allegedly shot someone to death for snoring. When the time comes to have them bedded, Tyrion demands that there will be no bedding and threatens Joffrey. In their bedroom chambers, Tyrion realizes that Sansa is petrified at the thought of losing her maidenhood to him, and he tells her that he will not touch her until she wants him to. Stannis throws three leeches with the blood from that bastard into the fire, saying the names of the usurpers Robb Stark, Balon Greyjoy and Joffrey Baratheon. She meets with the Second Sons, but they will not switch sides. Later, one of the three captains of a sellsword company, Daario Naharis, returns with the heads of the other captains, one of whom is Prendahl na Ghezn, and tells her that his sword, life, and heart are hers. The Hound then tells Arya he is taking her to The Twins to ransom her to her mother and brother. Stannis admits he does not like the idea of sacrificing the youth, but he feels he must do it for the people of Westeros. Aren't the Tyrells the second wealthiest family in Westeros now. Of course, ambitious climbers don't want to stop on the second highest rung. You'd be alone with nothing but blue sky above you. So Lord Reyne built a castle, as grand as Casterly Rock. He gave his wife diamonds, larger than any my mother ever wore.

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Never have. Probably never will. And, in spite of the poor domestic box office (huge numbers overseas have made it profitable) and mostly poor reviews, I wanted to see it. Also felt like Lord of the Rings in some spots with the way time was taken for certain things. Seemed more about serving fans than appealing to a wide audience. Power corrupts. Looks breath-taking, visually, and certainly does warrant the use of 3D and IMAX. Casting is good. Oh, and Ramin Djawadi, who composed “Game of Thrones” did the music for this film, giving it more of a derivative feel. Yeah, it wasn’t until I looked up the name of the kingdom when I was on IMDB. Also, when things begin to happen, we are thrust into it with little info on who people are, and what their relevance in the kingdom might be. Occasionally, there is a small bit of information that tells us stuff, then back to the action. A relationship between certain characters is barely there, and when it is there, feels forced. It isn’t until the end, when tension exists, that the connection has something tenuous or real.

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