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When the entire set was looked at sequentially, it told a story about a Martian invasion of Earth, during which a lot of people were slaughtered by the aliens, whose heads looked like giant brains encased in glass helmets. The cards were controversial because some parents objected to their children seeing somewhat frightening depictions of carnage, no matter how tongue-in-cheek it may have been. The story was largely true to its inspiration, right down to the distinctive look of the aliens, although Burton pushed the humor to the max. Over the years, though, appreciation for the movie has grown somewhat. Mars Attacks! isn't Burton's best work, but its off-kilter comedy has found an appreciative cult audience. The log flume ride had long been a popular attraction at Disneyland, but it didn't seem to possess enough raw material to support a feature-length motion picture. Riders got in a boat and sailed through a little adventure, during which there were songs, skeletal pirates, and a few steep plunges. It was not an obvious choice for the big screen, needless to say. It was a ride, too, albeit a cinematic one, full of high-seas adventure, swashbuckling action, and a dash of romance. Audiences went wild for it, especially the gonzo performance from Johnny Depp as Captain Jack Sparrow. Three sequels followed, with a fourth on the way this summer. Most agree that the quality level of the film series has steadily decreased over the years. It wasn't a fairy tale, like Snow White and the Seven Dwarfs, Cinderlla, or Sleeping Beauty.

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However, for the most part, the horror is well paced, and the moments like that which nudge towards silly or camp are few and far between because the horror is otherwise used sparingly and smartly, that it's not a huge problem. Origin of Evil may be one of the best paced movies I've seen in a long while. I never felt bored, and while the horror moments aren't all over the place, there is this ongoing sense of dread that is perfectly sold in the writing and acting. There are a number of deleted scenes on the DVD that have even more seance sessions showing things getting more and more powerful through the board, but they add nothing to the plot, and would have slowed things down with repetition of Yet Another Seance. The movie wisely removed those scenes, and told what needed to be told with what we got. When the horror isn't the centre point of the story, we focus on the characters, which I've already lauded as being great. Origin of Evil is such a wonderfully paced movie giving you just enough character and horror mixed together, all building towards a solid climax that leaves you fulfilled and satisfied, even if its not exactly a happy ending. And even beyond all that is just the aesthetic of the film, starting with the classic old Universal logo, a very dated 60s-ish title card, and the 60s trappings of the entire film. The style and fashion and decor was just all spot on. Keener eyes can surely nitpick, but it works for me as is, and sold the feeling and aesthetic they wanted. Also, some ways, a period piece makes the horror more believable, because people were less critical and things like mediums were far more common back in the day. Flanagan has yet to disappoint me, and every film of his I see is just better and better. He is easily one of the best horror directors working today, and Ouija: Origin of Evil is surprisingly a must see, even if you hated or straight up did not see the original, as it holds up on its own perfectly fine. Universal Pictures; 2016; Rated PG-13; 99 minutes.

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What gives many Christians fear and outspoken apprehension to horror is the depiction of the supernatural. His take on the subject is fascinating to me, and in my mind right on the money. And in my experience, that’s something that a lot of Christians don’t want to do. . However, I do know someone who came to Christ after seeing the chilling vision of hell’s dimension in Event Horizon. There may be a wealth of garbage in the horror realm (as with all other genres) but that doesn’t mean there aren’t worthwhile tidbits (as with all other genres). A movie that illustrates the most violent and scary things can be a good reminder that such things exist in the world, and that we need a savior. Horror is one of the few genres consistently wrestling with life after death, demons, and even God: a conversation Hollywood almost entirely avoids. The avoidance of these topics leaves most people engaging stories that focus solely on the material world. While not glorifying the supernatural or hell, our primary fictional diet depicts characters who live their lives as if these things aren’t even part of humankind’s thought or conversation, that they have no relevance or reality. By contrast, if we want storytelling to permeate our culture in a way that causes coffee conversations and meditations on what truly comes after death, this genre is one of the few places it may be generated. It can also remind the Christian that there is nothing titillating about playing with Ouija boards or dabbling in the occult. Derrickson’s film The Exorcism of Emily Rose was actually written with this in mind. It’s using a cinematic narrative instead of oratory vehicle to transmit a portion of the message.

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