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The other panels weren’t recorded (though some panelists took it upon themselves to do so. I’m not sure when any of them will be uploaded, though. You know when His Shining Baldness Jean-Patrick Picard Stewart causes the very anomaly he’s trying to prevent. It’s brilliant how your lyrics catch the NK’s defiance, solitude, determination, arrogance. Well done. Would you mind sharing your Arya lyrics too. House of the Rising Sun is such a classic we will ALL hear it in our heads. Thanks. Isaac rarely gets much to do, acting-wise, even as his plot line seems increasingly geared toward exposition over everything else, but I thought this episode’s wordless reactions as he realizes what’s going on are some of his strongest work. I know there are many in the fandom who would like to see more outward manifestations of grief for everyone Bran’s lost, but I’m firmly in the camp that believes his journey is one in which both shock and grim determination prevent him from engaging in raw emotionality. I actually appreciate the choke-down-your-emotions aspect of his story, which (to me, anyway) makes for a nice contrast with Arya’s boundless expressiveness. No great name, no great wealth, no supernatural powers, no sense of entitlement over what she is owed. If the writers wanted to keep Sansa in Littlefinger’s orbit longer, they needed to not change the plot in ways that make that absurd. Beyond which, the things that derail the plot going forward are mostly not even directly about Littlefinger, but that the writers treat Sansa like she’s growing as a player of the game of thrones even though the plot they stuck her in doesn’t actually do that. Notwithstanding that this is the same opinion previously expressed by Varys, Olenna, Littlefinger, Tyrion, Tywin, Roose and Ramsay from episode 302 to episode 602, the writers have now decided this is both wrong and dreadfully naive, so she is wrong. Davos saves the day — Sansa later snarks on Davos for recruiting 62 men, despite this being 62 more men than she has recruited at that point or will recruit at any point going forward. But we meet Lord Cerwyn in episode 610, and he acknowledges Lyanna Mormont’s accusation that he was too scared to join, even though Ramsay murdered his family in front of him. Season 1 Episode 1 Sansa could have said “yes” just as easily, and would probably have done so without any of the bluster about being strong and independent that Season 6 Episode 5 Sansa proved totally unable to back up.

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5:1-16 Maher-Loughnan G P, Kinsley D 1968 Hypnosis for asthma: A controlled trial. British Medical Journal 4: 71-76 Maher-Loughnan G P, Macdonald N, Mason A A et al 1962 Controlled trial of hypnosis in the symptomatic treatment of asthma. British Medical Journal 2: 371-376 Wilkinson J B 1988 Hypnosis in the treatment of asthma. Croom Helm, London, ch 14, p 146 DERMATOLOGICAL COMPLAINTS DuBreuil S, Spanos N P 1993 Psychological treatment of warts. American Psychological Association, Washington DC, ch 28, p 623 Ewin D M 1992 Hypnotherapy for warts (verruca vulgaris): 41 consecutive cases with 33 cures. American Journal of Clinical Hypnosis 35: 1—10 Price M L, Mottahedin I, Mayo P R 1991 Can psychotherapy help patients with psoriasis. Clinical and Experimental Dermatology 16:114-117 Shertzer C L, Lookingbill D P 1987 Effects of relaxation therapy and hypnotisability in chronic urticaria. Archives of Dermatology 123: 913-916 Sokel B, Christie D, Kent A et al 1993 A comparison of hypnotherapy and biofeedback in the treatment of childhood atopic eczema. Contemporary Hypnosis 10:145-154 Stewart A, Thomas S E 1995 Hypnotherapy as a treatment for atopic eczema in adults and children. British Journal of Dermatology 132: 778-783 Zachariae R, Oster H, Bjerring P et al 1996 Effects of psychological interventions on psoriasis: A preliminary report. In: Burrows G D, Stanley R O (eds) Contemporary international hypnosis. International Journal of Clinical and Experimental Hypnosis 44: 292-306 Gibson H B, Heap M 1991 Hypnosis in therapy. British Journal of Experimental and Clinical Hypnosis 6: 55-56 346 MEDICAL AND DENTAL HYPNOSIS Hoogduin A L, Reinders M C 1993 Hypnotherapy and dystonia. Hypnos: Swedish Journal for Hypnosis in Psychotherapy and Psychosomatic Disorders 20: 198-204 Kohen D P 1995 Ericksonian communication and hypnotic strategies in the management of tics and Tourette syndrome in children and adolescents. In: Lankton S R, Zeig J K (eds) Ericksonian monographs number 10: Difficult contexts for therapy. Contemporary Hypnosis 14: 121-125 Murphy J K, Fuller K A 1984 Hypnosis and biofeedback as adjunctive therapy in blepharospasm: A case report. American Journal of Clinical Hypnosis 27: 31-37 Reinders M J, Hansen A M D 1991 Hypnosis in the treatment of writer's cramp. Hypnos: Swedish Journal for Hypnosis in Psychotherapy and Psychosomatic Disorders 18: 45-51 Spiegel H S, Spiegel D 1987 Trance and treatment.

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Keep in mind this film premiered a full four years before Stephen King would publish his novel It and write his version of a clown dragging a child to the depths below — in King’s case, a sewer. Hooper and writer-producer Steven Spielberg tapped into a fundamental trauma that’s been passed down generations and now lives on in the films of James Wan and Leigh Whannell, particularly in the Insidious and The Conjuring franchises. — AW. Campbell Jr. s short story “Who Goes There? Campbell presented an alien that consumes and perfectly imitates other life-forms, and attempts to take over the crew of an Antarctic research station. In Carpenter’s vision, when the duplicated body is physically threatened, it mutates in gruesomely grandiose fashion. The filmmaker hired Rob Bottin, the young creature creator who had won notice for his werewolves in The Howling, to come up with those transformations. The biggest showstopper arrives when Norris (Charles Hallahan) passes out, Dr. Copper (Richard Dysart) attempts to revive him, and the defibrillators punch right into Norris’s chest cavity, which becomes a hungry mouth. That’s just the beginning of an effects sequence that keeps topping itself and stands as Exhibit A for anyone arguing that practically created monsters are superior to CGI. (Exhibit B: The misbegotten 2011 “premake” of The Thing, in which the originally shot physical manifestations were replaced by substandard digital critters. It’s one of many moments that have allowed Carpenter’s film to make a transformation of its own, from reviled box-office failure to inspirational classic. — MG. For all its insane gore, the most impressive part of Raimi’s mise-en-scene is the dynamic camerawork, frequently taking the hurtling point of view of the unseen, unearthly force possessing the friends of hapless hero Ash (Bruce Campbell). With no money for a Steadicam, Raimi and his crew jerry-rigged a primitive “shaky-cam” to achieve these shots, which have influenced many more expensive movies. The most powerful example is The Evil Dead ’s very last shot: The camera races down a hill, through the entirety of the cabin, and out the front door to pounce on a screaming Ash. While Raimi technically refined his style and upped the sneaky, snarky humor in Evil Dead II and Army of Darkness, his initial outing into those haunted woods remains his scariest achievement.

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Below, is the view north again from next to the bollard on the splitter island. The ASL is for people wishing to stay on the road through an area where weaving drivers get into lane on another part of the gyratory. The dropped kerb leads to the splitter island through a pair of narrowing sections of guardrail which have been provided to slow people cycling to walking pace. The dropped kerb is not quite flush and so it creates a risk of grabbing wheels which could throw people off their cycles. I jokingly called the guardrail the Crawley Fish Catcher on social media - because that's what it reminded me of frankly. Looking north again (above), we've slowed people cycling down so they can use the toucan crossing to the rest of the High Street. Finally, a view south looking at the fish catcher (above). The exact details of the layout are largely irrelevant, but the point is that over a relatively short distance of street in one UK town, we have found several of the features of 'traditional' UK cycling design which either has one squeezed in with people walking or having to blast along at traffic speed before being abruptly slowed to use a shared crossing in order to maintain motor traffic priority. Unless you are fit and brave, you are not going to use roads like the one I have shown here - you are certainly not going to ride there with kids, or slowly with some shopping. The painting of the footway to provide for cycling is not direct and convenient, it forces people cycling close to people walking and above all, it's faff because you cannot cycle at a reasonable speed and you have to stop to cross roads all the time. It is a distinct mode which needs distinct design decisions and details. How to sort out places like the Crawley Fish Catcher. The Twelve Steps To Become Daily What You Think Cache Translate Page God speaks to you at the speed of thought. As quickly as light illuminates a room, a single thought can illuminate your life. Thoughts are the ever-present currents that move you either closer or further away from your best future. The Steps: 1. The Law of Attraction: Like a short-wave radio signal, your thoughts send messages out on a specific frequency and are transmitted back to you as an experience or occurrence in your life. What you think has the power to literally transform your life.

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Mirror, Mirror was a 20-episode children’s serial about time travel through a mirror. BOB BANNER b. August 15, 1921, Ennis, Texas Producers’ Showcase: Rosalinda (1956) Banner won an Emmy Award for best direction of 1957 for The Dinah Shore Chevy Show and was nominated for producing My Sweet Charlie (1970) and A Special Sesame Street Christmas (1979). Primarily, he was a producer of TV movies and variety specials. Apollo 11 followed on the afterburners of the success of Ron Howard’s feature Apollo 13 (1995), stepping back in time to 1969 for that giant step for mankind on the moon, 25 featuring Xander Berkeley as Buzz Aldrin and Jeffrey Nordling as Neil Armstrong. Terror in the Mall had a group of unlucky folks in the retail trap during a flood that creates poisonous gas seepage and a script that creates a killer among them. ERNIE BARBARASH Movie: Stir of Echoes 2: The Homecoming (2007) Barbarash directed the features Cube Zero (2004) and They Wait (2007). In the sequel to David Koepp’s Stir of Echoes (1999), Barbarash presents Rob Lowe as an Iraq War returnee who sees specters of the dead. Barclay threw in with the writing and acting Wayans brothers for the feature Don’t Be a Menace to South Central While Drinking Your Juice in the Hood (1996). Barclay won Emmy Awards for directing NYPD Blue in 1998 and 1999 and received nominations both years as a producer of that nominee for outstanding drama series. He received another Emmy nomination for best direction for The West Wing in 2002. Barclay won a Directors Guild of America Award for NYPD Blue in 1999. He was also nominated for DGA honors for ER in 1997, The West Wing in 2001, 2002, and 2003, and House M. . in 2004. Consisting of a trio of mini-films about the black experience in mid-twentieth-century America, America’s Dream won two CableACE’s for Danny Glover, as producer of the best special and as best actor, and for writers Ron Stacker Thompson and Ashley Tyler. Barclay’s segment was Reunion, written by Maya Angelou, about a girl who became a jazz pianist after a childhood of being forbidden to touch the piano in the home of the white folks who employed her family. America’s Dream also starred Wesley Snipes, Carl Lumbly, and Jasmine Guy.

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