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Thus, I would, obviously, join games to that category. I'm not convinced you understand what objective and subjective mean. If it's subjective, it depends on the subject or subjects. Notice that this requires subjects and so cannot be objective. It's a slight distinction, I know, but it is an important one when discussion a whole medium. Again, news, which is a medium, would not be considered art, but journalism by my definition. I mean, I know people who outright will not tolerate certain art styles. For example, plenty of people here hate all anime, regardless of specific tone. There are people who feel that way about any genre. Journalism isn't or at least shouldn't be about personal expression, that's why most people don't consider it an art form. The fact that the appreciation of aesthetic quality is subjective has nothing to do with it. My point is that when something is creative and SOLELY made in the interest of aesthetic quality (as in there is nothing else to take interest in), then it should be considered art. Few would claim a Big Mac is art, but some people would say that a finely made, snobbish dish is. Whether or not something has aesthetic quality is dependent on whether or not people like it. Having people appreciate your aesthetic quality and having aesthetic quality are the same thing. Everything that you have said continues to require a subject, making it subjective. Being solely designed for aesthetic quality is not a subjective feeling (that's an absurd statement to make), but an objective requirement. I'm not interested in going further down that road, because it seems obvious enough to men. I'm more interested in the potential literary merit of video games, which I think could equate works of literature (maybe). What about art that is made to explore the self, without respect to how other people will view it.

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Dying fighting against nameless mooks for no particular cause beyond saving Grey Worm, in order to ensure that Tyrion will have no one to actually talk with in season 6. It also had the very artificial taste of simply making room for Tyrion, a significant portion of whose screentime is then spent on making eunuch jokes. Then, a few scenes later, the Sand Snakes are helping Ellaria kill Prince Doran, back in Dorne. That was a boat off the coast of Dorne, was the impression I got. Still too easy to pull off assassinations that season, but not AS crazy as you suggested here. There, he promises Jaime that he does not want a war with the Lannisters and that he will send Myrcella back to King’s Landing. However, Trystane and Myrcella’s betrothal is to stand, which means Trystane will accompany his betrothed to the capital. He will also take up Oberyn’s vacant seat on the Small Council, to further cement the alliance between Dorne and the Iron Throne. It would make sense if the Lannister party was on one boat and the Dornish party was on a separate boat, both headed in the same direction. That way they could control all aspects of security on their respective boats without needing to trust the other party during the voyage. I’m not sure how the Snakes get back to Dorne in time to kill Prince Doran, but maybe the Dornish ship never leaves the harbor. Maybe it heads back as soon as they get the news that Myrcella is dead. Its even implied Roose begins to commit to betraying Robb right around the time Ramsay sacks Winterfell because he knows that would come back to bite him in the ass if Robb succeeded against the Lannisters. So as much as I like Roose SO much better than Ramsay for his subtle sadism( the Jaime, Brienne dinner scene really shows it off beautifully) his death and Ramsay’s temporary rise makes sense for the characters. My sense of where the characters are going in the books is that Ramsey is soon going to use up his last chance and fall down a flight of stairs onto a spear while Roose is conspicuously present in an entirely different city. He never imagined what he would do to Theon or how badly he would screw up by sacking Winterfell. He protects Ramsay only so long as he remains his only heir and with Fat Walda with child, Ramsay knows his position is under threat. Ramsay killing his father would be exactly the kind of stupid wildcard action Roose wouldn’t expect, its kinslaying and it would alienate the few supporters they actually have. That’s why Stannis will( probably) actually succeed in taking Winterfell, in the chaos surrounding Roose’s death. He keeps getting taken somewhat off-guard by how badly Ramsey can screw things up, but he must anticipate Ramsey will try something.

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