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Then, we wade out into the water with Blake Lively and discuss the shark attack movie, THE SHALLOWS. Finally, we are in full blown franchise mode to discuss the politically charged threequel, THE PURGE: ELECTION YEAR. We also discuss Miley Cyrus, whether or not birds have shoulders, and which actor's best asset is his penis. For this episode, we discuss one of the biggest horror events of the year, James Wan's latest haunted house movie, THE CONJURING 2. For our Thrill List segment we list our Top 3 Horror Humanimals. Finally, for our Movie from the Crypt segment, we dig into the 1982 remake of CAT PEOPLE. After listening to this episode you will be convinced that we are fans of James Wan, Jeff Goldblum, David Bowie, women, the dad from Home Alone, and the jungle cat within all of us. You can now listen to and subscribe to future episodes on the iTunes, Stitcher, and Google Play platforms. Our Movie from the Crypt this episode came from a listener recommendation in an iTunes review. Please take a moment to leave us a review, and if you have a movie you want us to cover please let us know. For this episode, we are joined by a guest, Dash Kwiatkowski, to discuss the Native American ghost movie, THE DARKNESS, and attempt to uncover just some of the many problematic elements. For the middle segment, Dash shares his Horrigin Story and discusses his earliest horror memories and why he is still a fan of the genre. Finally for our Movie from the Crypt segment, Dash selected the 2004 SyFy original movie, FRANKENFISH, and we discuss the art of bad movies. We also discuss Paul Reiser, getting Wendy's delivered to your house, and whether it was Taye Diggs or Mekhi Phifer in I Still Know What You Did Last Summer. You can now listen to all our episodes and subscribe for future episodes on both the iTunes and Stitcher platforms. Please take a minute to leave us a review on whichever service you use. For the new film review we check out the claustrophobic Neo-Nazi movie, GREEN ROOM. For our Thrill List segment we list (and often agree about) our Top 3 Non-Franchise Masks.

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turned him into a cynic. Or to who else in WF he needs to be humble to or what about. r why he is worse than any of the others now gathered at WF. He didn’t have much of a relationship with the children, Cersei had forbidden it. He only flung him out the window after looking at Cersei, who was hysterical (“He saw us! ). Saying, with loathing, “Things I do for love. Later, Cersei, of course, rewrites history and makes it all Jaime’s fault. They won’t allow any character development on Jaime because for them, Jaime is forever and always bad, bad, bad. GRRM himself is wrong in writing Jaime’s story the way he does. Ho hum. I think her fear would have reminded him of the implications. They have been a couple for a long time, he would have estimated the implications if caught. (Actually, if they were caught in KL they would have a better chance of escape than at WF! I think we readers were meant to focus on the implications for the children because when GRRM made Ned think about the incident he considers the children and asked what he, Ned would do. Jaime would have loved them more even if he had to behave only as an uncle. We are discussing Tyrion getting into a wild plan with Cersei because a baby is coming. Actually many aunts and uncles would also kill to protect their nieces and nephews.


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Working on a script for a short video for hire project. OK, long story short, the remaining last two scenes that Tom needed to shoot for BLOODY RED LIPS OF BLOOD was postponed for the zillionth time last Friday when Tom called to tell me that one of his actors was in the hospital with a heart attack. I am coming up on deadline and after waiting since April I couldn't wait any longer. I managed to find someone who could jump in and play the role with no notice - Floyd! - and I was on the road to make the 90 minute drive to pick him up and bring him to town. As it turns out the guy playing the other detective (whom I'd already shot scenes with the last time I took over for Tom's half of the shoot) was unreachable all day. So I rewrote the two characters into one and we shot the two remaining scenes and reshot the one I'd already done before. After a quick dinner of hot dogs, I drove Floyd back up to Salem, then drove back home. What a crazy whirlwind, but the bottom line was that all of Tom's scenes were DONE. I worked the rest of the weekend uploading footage, editing and doing sound effects and music, some stuff I'd done previously as well as a few new bits including a funky theme song. I made the logo below for some stuff seen on a TV screen in the movie. It is an homage to KPTV Channel 12 out of Portland, Oregon - I saw so much great stuff on good ol' channel 12 - Silent Running, Dark Star, Green Slime, The Alien Factor, Planet of the Apes, Phase IV, Fantastic Voyage. Good times. One tiny shot left to get in the next couple of days. So much craziness happened with the BLOODY RED LIPS OF BLOOD project over the weekend, I can't even bring myself to talk about it right now. Postponed an editing session for BLOOD CREEK WOODSMAN due to work scheduling issues, but hope to get back at it towards the end of the month. Finished shooting a freelance video project and am just about done editing - hope to deliver by this weekend. Was able to borrow a digital8 camera (THANKS, WARREN!


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Film Festival, combating the misinformation, wide shots, parenting is the key, I like going and eating popcorn as much as the next person, Runoff, adapting a screenplay, opening a door correctly, Jackson Kramer, three takes per set-up, injecting humor, color helping to tell the story, Alexa vs. Red, winning best film at the Rome Film festival, self distribution, beating Harvey Weinstein to the punch, sell th script to a studio. Brooks, I love my movie and I know that it can change people's lives, anything is possible, seeing something all the way though, already hyper in a resting state, unproduced rom-coms bought my house, laugh and cry. With a musical career that spans 24 years, Jon has been in bands like Pussy Galore, Boss Hog, The Honeymoon Killers and Heavy Trash - but is still probably best known as the front-man for The Jon Spencer Blues Explosion. But in addition to his innovative music and creative videos, Jon also grew up as a big movie fan, and was inspired equally as much by filmmakers. So we discuss his early influences in both music and movies, and along the way we assemble our own impressive collection of songs. Mitchell from Nellie Pearl and Shadwick Wilde from Quiet Hollers. Both bands were featured at this year's Wes Fest celebration, so we address the choices for what songs they would cover from one of Wes Anderson's films. Plus we discuss Wes as a director and the subgenre and fanbase he's created over the years. All the while building a soundtrack recorded live by Nellie Pearl and Quiet Hollers, plus a few other songs along the way. And Catherine also sits in with us to discuss this week's Sofa Theater feature: Midnight Cowboy. Pat has been building an amazing career over the years, appearing in Magnolia, Ghost World, Rescue Dawn as well as an impressive amount of television appearances. But in the last decade, he's moved into the leading man role in a terrific string of smaller films like The Great World Of Sound, Compliance, The Innkeepers and Cheap Thrills. We examine what's it's like to be a working actor in Hollywood as well as how to delve into some of the super dark subject matter he has in recent films. A nightmarish science fiction story about changing your identity and starting your life over. It’s way more chaotic and generally insane then even we USUALLY are. So if you are not already familiar with the Meltdown gang, and the way Oscar Meltdown operates, this might not me the right episode to start with. Plus lots of other random talking of smack about the Oscars.


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Her dimples and beautiful eyes are her best assets. Dishani is the daughter of the renowned actor of yesteryears, Mithun Chakraborty. She was adopted by Mithun and has turned out to be a gorgeous girl. Krishna Shroff became the talk of the town with her topless pictures on social media. Daughter of Anil Kapoor, Sonam is one of the top names in the list of gorgeous daughters of Indian celebs. Born to Saif Ali Khan and Amrita Singh, Sara has grown into a beautiful lady and is royalty personified. She is known for her tehzeeb and tameez that has been transferred to her through her bloodline. Among the gorgeous daughters of Indian celebs is this charming daughter of the legendary cricketer Sachin Tendulkar. She has often been spotted cheering for her dad on the cricket field and is a popular name in the celebrity kids circle. Having made news for having graduated recently, Navya Naveli Nanda is the daughter of Shweta Bachchan Nanda and grand daughter of Amitabh and Jaya Bachchan. She has good looks and fine personality, thanks to her lineage. One of the gorgeoustest daughters of celebrities is Aalia Ebrahim, daughter of Pooja Bedi. Her bikini pictures speak oodles of her glamorous personality and makes her a sensational name in the world of celebrities. Rumoured to be soon making a debut in Bollywood, Jhanvi Kapoor is the daughter of the female superstar of yesteryears, Sridevi and popular producer Boney Kapoor. Sridevi has high expectations of her daughter as she looks after her grooming and style herself. One of the most prolific opening batsmen from New Zealand, Glenn Turner, married Indian Sukhinder Kaur Gill on July 1973. More popularly known as Sukhi Turner in New Zealand, she was the Mayor of Dunedin from 1995 till her retirement in 2004. She is one of the most eminent politicians from the Indian community in New Zealand.


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It even made the list of “video nasties” assembled by Britain’s Broadcasting Standards Council. Taggart and co-star Lenore Zann recall how the movie was condemned by then-prominent critics as being misogynistic. Back then, critics kicked that adjective around like a hacky-sack, especially in the context of exploitation films. In this case, anyway, they were wrong. The DVD also adds interviews with Zann and producer Pierre David. The footage was recovered from unauthorized psychological experiments conducted by Dr. Helen Jara (Merce Montala), who hoped to prove that hallucinations experienced by schizophrenics could be traced to paranormal phenomenon. To do so, Jara gathered a small group of patients and boarded them in the vicinity of a terrible crime years earlier. Although Jara wouldn’t live to see her findings published, investigators recover videotapes and recordings containing EVPs not listed in the research documents. To re-enact the events leading to her death, investigators turned to original subjects of the tests, as well as re-creations of seances and other hocus-pocus. Xavier Berraondo’s film won’t come as a revelation to genre fans or re-spark much interest in the found-footage sector. Viewers are encouraged to buy tickets to see it, but, really, the filmmakers don’t care if it makes any sense to anyone outside a small circle of friends and one or two critics. This isn’t to say there’s anything intrinsically wrong with the picture, just that very few people are likely to have the patience to decipher the hieroglyphics. Either way, the filmmaker already is on course for his or her next project. Or, so it seems. M. Blash’s thoroughly enigmatic “ The Wait ” sets his family drama against the backdrop of a forest fire within eyeshot of a posh Oregon hideaway for the nouveau riche. The blaze is as tangible as the characters are remote.


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He had an utterly desperate need to BECOME - through. The other odd thing about the movie was that there was no Gun Club performance in it. But it was a huge obstacle to make a movie about a purported rock god and then never show him revealing his gifts. Fortunately for US shobos, that actually made the audience hungrier for some live musical excitement at the end of the evening. I was too nervous to actually watch Thalia do her performance. But I could hear from back stage the thunderous applause and the wild whoops and screams that greeted every song. They seemed genuinely thrilled to be hearing this music being played by so many original members, and being given voice by such a capable charismatic performer. As I sat in the dressing room, I brooded about what I loved about the movie, and what it showed about Jeffrey that I could use. But then I began to have the usual pre-show misgivings. They were records some junkie had stolen from one of my Grand Street parties, and now I had to buy my own records. gain! A very NYC experience, but one they never showed in Felicity. No one came in on time, and we came screeching to a graceless halt. Maybe there WAS something to this shambolic shaman thing after all. I had no mocassins, so my Lakota war dance had to be in Italian pimp shoes. I recited in rather unconvincing witch doctor style, etching an imaginary circle in the stage. Because I went right back into the remainder of the song, and Cave or no Cave, they continued rocking and screaming right through to the end of it. I was totally seduced by my moment of faux celebrity.


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Unranked least favourites include: - Charlie's Angels (and sequel) - Catwoman - Movie 43 - I Don't Know How She Does It - Crossroads (the Britney Spears film that I was forced to see) I think films like The Room or Birdemic have some kind of amateur charm in which you can find amusement but ones like the above just make me sad for various reasons. I rewatch it every now and then just to try to unravel the lunacy of it. I find it hard to believe he didn't make the film as a completely intentional horrific mess but he seems legit and to have embraced the fact everyone thinks his film is the greatest error in the history of cinema, it now has a cult following. She doesn't say enough to be considered an objectivist. -I didn't see that version of Crossroads, but I liked the Crossroads movie directed by Walter Hill with Steve Vai as the Devil. I think the film tried WAY too hard to satisfy the Original trilogy fans. While that may sound fine and dandy on paper, it's really stupid in reality. I'm not quite sure which one but I know it had something to do with a bear. If they wanted to be cheap then why didn't they just recycle the planets from both the prequel and original trilogy only with slight changes. It just shows how desperate the film is in trying to trick and exploit the often nerdy original trilogy fanbase! 3. Why destroy Starkiller base? - Of all the crappy planets I've seen in this movie Starkiller base was one of the best planets in terms of both appearance and concept; a combination of both Hoth and the Death Star. Honestly I think what the film itself embodies is the fact that there's a lot of original trilogy fanboys who think that Star Wars is limited to the films that came around 1977 and 1986 and that the rest of what was produced beyond that doesn't exist. And being a fan of both trilogies, I think that is wrong. Not only because it is simple human bigotry towards the people who grew up with the prequels (myself included) but also because they are doing a disservice to a franchise that means a lot of different things to a lot of different people. I'm hoping to do an review on it on YouTube someday. I know it's a well-made probably fine movie.