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The first talkie film Alam Ara was produced in 1931 by Ardeshir Irani. India tops in the world in respect of production of feature films. The film producing centre in Mumbai (Bombay) is known as Bollywood. The most prestigious award in the Indian film world is Dada Saheb Phalke Award instituted by the Government of India. The name of the award given to male actors in India is the Bharat Award and the award given to actresses is the Urvasi Award. Swarna Kamal (Golden Kamal) is the name of the award given to the best film of the year by the Government of India. Adi Shankara directed by G. . Iyer is the first Sanskrit film in India. Satyajit Ray was the world renowned Indian director. The first cinemascope film in India was Kagaz ki Phool. The National Film Archieves of India is located at Pune. The first actress of the Indian cinema to win a Padmashri Award was Nurgis Dutt (1958). Sivaji Ganesan was the first Indian to win the Chevalier award instituted by the French Government. The first winner of the Dada Saheb Phalke Award was Devika Rani Roerich (1969).

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hey fight, but wimpy, wishy-washy love (nearly) saves the day by breaking the spell. Dewhurst the Dick shows up to cock-block love though and, assuming Jim killed Brandon, pulls a gun on him. Spooky Linda takes Dickyboy out with a fireplace poker and Jim gets his gun. He's smart enough to not buy it and shoots the Ouija board, so possessed Linda shoves him out the window in an elaborate tracking shot that follows him down to the hood of a car. This is followed by a dumb ending that implies the evil Ouija board will live to haunt another day, but at least features one more appearance by Rose Marie. I remember it being a scary, shudder-filled flick, but those were memories as densely fogged as that shower scene was. I share life with a brilliant, droll and dry-witted, Volvo-fixin' Bass-playin' Renaissance Man. We report to a truly-odd Calico who has us fully house-trained. BIG LUG LAND is where I share my opinions on entertainment and, occasionally, whatever strikes my fancy. Legion Abstract: Legion of Super-Heroes analysis and commentary. Operator Game Judi Online BetVictor mengungkapkan Taruhan Terjamin baru pada pacuan Kuda. Scaricare Rings on Her Fingers Film Streaming Italiano. The Gag Man: Clyde Bruckman and the Birth of Film Comedy: Now Available! Watch: Advocacy group aims to “end the awkward” when interacting with disabled people. My message to Jean Schmidt regarding the debt ceiling.

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On the other, they are expected to present a comprehensive framework for their art. Listeners need to hear intention and drive; otherwise, their attention will be lost. Pinto's strength is that he seems to know exactly where each piece is headed and how to get there. While there's no predicting what sounds will appear and where they will turn, nothing on Ars Abscondita seems random. In daily life, our minds attempt to make sense of auditory inputs, but in sound art, the guideposts are absent. The narratives we discern may not be the narratives that are intended or even available. Includes 12-page full color booklet with English liner notes. Since that time we have been working on the release, we made several recordings in different spaces, listened and discussed all the details with the composer and the performer. In 2015 we entered the final stage when in June we recorded the version which you can listen to on this album. Music sometimes falls into cacophonic epilepsy, sometimes lines up into curved melodic lines, very different in tempo and spirit, from abstruse to stupidly funny. At the same time this track is more experimental, it reveals more weird playing techniques, samples, and sometimes even really noisy fragments. In general, this is quite a nice and playful disk. Snapshots of ambient sound inspired by a Victorian Himalayan trekking diary, arranged into a series of music pieces. The album was recorded in 2010 and inspired by Russian steppe and shores of Azov and Black seas. The music combines mild guitar drone ambient with electroacoustic elements and raw yet somehow soft and unobtrusive field recordings made in these regions.


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After Asha left Winterfell, leaving Theon with only seventeen men, Ramsay suggested to bring reinforcements; and Theon reluctantly agreed, though he did not fully trust him. Theon went to parley with him, after ordering his men to put a rope around Beth Cassel's neck. Theon spoke arrogantly to Ser Rodrik, demanding him to swear fealty to Balon as the king and to Theon as the prince of Winterfell. Theon threatened to hang Beth and an additional hostage every dawn and dusk. Returning to Winterfell, he was aware of his hopeless situation: hanging Beth would provoke the storming of Winterfell, and failing to hang her would hollow out future threats. Maester Luwin suggested to Theon that he surrender and take the black. Theon liked this suggestion, albeit not as the selfless act of redemption as Luwin intended. Instead, Theon fancied himself becoming the chief of rangers, or even the glorified Lord Commander. As Lord Commander, Theon believed he could captain ships, and have sex with many wildling women. While he reminded himself that Benjen Stark and Jon Snow both voluntarily joined the Watch, he fails to consider that Jon might kill him for the latter's atrocities. What followed was not a true battle but a massacre as Rodrik and his army were killed in their own camp. Having broken the siege, Ramsay rode into Winterfell - only then did he reveal his true identity to Theon. Without provocation, Ramsay punched Theon with a mailed fist so hard that it broke his jaw, then ordered his men to kill the remaining ironborn, as well as the Stark servants and commoners of the castle, and to burn everything. As he faded out of consciousness, Theon watched helplessly as the Dreadfort soldiers killed Black Lorren and Maester Luwin. The last thing he saw was his horse Smiler, screaming and rearing, his mane on fire.

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Whatever Arya is thinking, Nymeria clearly thinks it a bad idea. Horace Slughorn is very sorry, but Greyscale cannot be cured - it’s against the rules, dammit - so, if Sam wants to cure Greyscale, there’ll be no playing it by the book. Patients with Greyscale get shipped to Valyria to be with the Stone Men - Jorah should have already have been couriered, but because he is a Noble Man, he gets One More Day. Wait. Valyria is one of the big mysteries of ASOIAF. Nobody sails to Valyria and survives ( - BookEuron might have, but then he does have a tendency to boast and make things up). Valyria is unknown. But thanks to an off-hand, casual comment, we now know that Valyria is actually a retirement home for people with a disease that the Citadel can’t be arsed to do any research on. The Citadel are shipping people to Valyria all the time. No problem. Gerion Lannister is likely working as a dinner lady there. He is like a primary school teacher at carpet time. What do we need to do to defeat the Army of the Dead. Yes, yes, you with your hand up -yes, dragons - well done. But there’s something else - this is a bit harder - what has fire, but looks like it doesn’t have fire.


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Emma. I don't know, Emma but my guess is, they leave him alone. Maybe because he is focused on nothing but the children. Just curious; is he teaching spelling in these schools, or advanced evolutionary biology. I'm going back through my library reading books I had never gotten around to reading. Finally got through Fawn Brodie's bio on Thomas Jefferson. It focuses on the non-public side of the man and the many internal contradictions his writings and life style reveal. I had already developed a healthy skepticism about our great hero of democracy, especially from Chernov's bio of Hamilton, but this was most revealing. Just about done with Dee Brown's Bury My Heart at Wounded Knee. Dug up all manner of source documents from archives and Indian tribes and wrote their side of the story. I had always thought he was from one of the tribes. Surprise! Tried reading it decades ago but could not force myself to come face-to-page with the horrific behavior of our government and some of our national heroes who took active, and sometimes leadership, roles in the systematic extermination of the native Americans. What I did not realize was how planned and intentional much of that extermination was. A horrifying book, not to be read by anyone prone to depression.

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inches deep when it went critical, and could have easily been missed by a bridge inspector. In the months and weeks preceding this disaster, sightings of a humanoid figure with wings, often flying and chasing cars riddled the news. Reports were of a 7-8 foot tall creature with glowing red eyes came forth with multiple witnesses. Additional high strangeness ensued with reports of UFOs and aliens, as well as other cryptid and supernatural encounters. All of which was happening preceding this horrific event. Looking back, many believe to this day that the people of Point Pleasant had been visited by this creature, who we’ve come to know as the Mothman, as a warning, and others believe the disaster occurred as part of a Native American curse that was placed on the land. You might recognize some of his work like the Beast of Whitehall and the Minerva Monster. But he’s here today to talk about his latest film, which I’ve already watched several times, the Mothman of Point Pleasant. Seth’s documentary takes a deep dive into the Mothman sightings from eye witness accounts among the residents of Point Pleasant, focusing on the many sightings and strange events in the 13 months that preceded the collapse of the Silver Bridge in 1967. Intro music for Deviatus: Creepy Night by Melody Labs. Chris found Deviatus through friend of the show, Ryan Sprague of Into the Fray fame, and I should mention that Ryan has actually started his very own podcast called Somewhere in the Skies, named of course after his book which I interviewed him about way back on episode 3. Today, Chris is going to share some of his own terrifying personal experiences, including an encounter with multiple alien greys and repeat encounters with unidentified craft. He also shares some information about some of his own research on UFO phenomena. We will even discuss the highly controversial Tom Delonge and why Chris considers it wise to avoid discounting him so quickly. For some of us, these things can be easily dismissed as an active imagination, a hallucination or pareidolia - where the human mind assigns context to randomness.

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That is, when recording while humans are sleeping, absent, or looking the other way, the always-on cameras “know” and “see” more than the characters, and thereby we viewers do as well, as long as we assiduously do the extra work and pick out by our own effort what is important in the frame. In the next section, I examine some of the other kinds of extra work the Paranormal movies assign to their viewers. Without the assistance of editing to direct our attention to the burning pan, viewers must actively scan the frame to find it. But still uncounted is the added value of the fan labor as a significant component in the marketing of the movie. The specifically 21st-century variety of dynamic online fan participation serves as a contrast—and perhaps an antidote—to the affective register of the movie, consisting of helplessness, fear, and anxiety. Just as the movies’ post-cinematic aesthetics enact a peculiar form of bodily control over viewers—making us actively search within the frame to locate suspicious movement, the movie’s branding entails a variety of viewer activities in addition to simply buying access to the film (in the form of a cinema ticket, DVD purchase or rental, or streaming event). Thus the executives could see the buzz around Paranormal Activity grow day by day and were able to pinpoint specific locales where it was attracting more attention. Eoin O’Carroll points out that just urging “the small, initial commitment of clicking on a button makes that person more likely to follow through and go see the film. But the other reason the “Demand It! marketing campaign was (and continues to be) so successful is the way it drafts the fans into unpaid labor as marketers themselves, targeting viewers like themselves. This campaign exemplifies what Sarah Banet-Weiser argues is a hallmark of the new “brand culture” of the 21st century, in which. This form of immaterial labor—which binds the consumer to the product through monetized, unpaid online activity—also blurs the boundaries between consumers and producers, employing “the emotive relationships we all have with material things, with products, with content, and seeking to build culture around those brands” (Banet-Weiser 42; 45). The studio expected it would take weeks to attain one million “Demand It! clicks, but the fervent online horror fans did it in four days (Evangelista). The movie corporations thus profit not from their ownership of copyright, which they still hotly defend in the current battles over intellectual property laws, but they also accumulate capital in the form of voluntary, even enthusiastic, online immaterial labor.