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Indeed, such play can be helpful to instill in a child the reality of the Christian s life-long warfare against Satan and sin. The question of portraying an evil character in a drama is also raised. May a Christian legitimately play Lucifer, Mephistopheles, Ted Bundy or Charles Manson. Clearly, the character s place in the entire context of the work is the decisive factor. If a play celebrates the perversion of its character, there can be little justification for a Christian playing the role. Another significant question is the factor of identification with the role. This is evidently a sinful level of identification. If that is indeed the case, what does it imply about the psychic power of fictional characters. The question arises: Was Heath Ledger so intensely involved in his portrayal of The Joker in The Dark Night, to the extent that The Joker took over his mind and eventually ends his life in a horrible, ironic twist, worthy of his green haired alter-ego. The following lines from the Rolling Stone, seems to reinforce, if only subtly at times, the idea that the Joker killed Ledger: 1. Ledger had no formal training, and there s this to be said for acting school: it teaches you to approach a role as foreign, as a language you ll temporarily speak. He needed to dig for (and inhabit) the part of himself that was the character. Performance comes from absolutely believing what you re doing, he said.

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