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A. and many other cities are grappling with amid the housing crunch. Often, good design that incorporates existing facades or varying heights can help ease that tension, she said. So can the addition of parking and open space. “What are you going to do. She was only three or four years old when they came to the city, but her father soon arranged a job for her, as a maid for another family. But like many young girls in Bangladesh, she faced a different future: marriage at 13, in a union arranged by her father. In this South Asian nation, it is illegal for girls under the age of 18 to marry. But despite government campaigns, many parents do not heed the law. According to data published in 2015 by UNICEF, the U. N. children's agency, 29 percent of Bangladeshi girls were married by the time they were 15, the world's highest rate. The figure has since dropped, in part because of efforts to end the practice, but remains at a worrying 18 percent. Experts, however, fear that growing migration to already overcrowded Dhaka, as climate change pressures exacerbate poverty, could result in a new surge in child marriages. Early marriage not only deprives girls of education and opportunities but increases their risk of death or severe childbirth injuries if they have babies before their bodies are ready, experts say.
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Arya's reunion with Sansa was bad as well in the crypt. I get he's always supposed to have been a comedic relief character with witty remarks, but they're just terrible now. She flew around and burned shit, wow. Amazing. Oh yeah, we've already seen that previously. Dragons burning people when she gets the unsullied army, dragons burning people in Daznak's pit, dragons burning ships in season 6. ut OMG GREATEST BEST EPISODE EVER DRAGONS BURNING THINGS GUYS! Yeah right. The storyline is as straightforward as you can get now. It's just a basic TV action show that feeds fan service. We know damn well he'll survive and won't drown to death. I mean who here legitimately thinks that was Jaime Lannister's death scene. It can melt Harrenhall, yet humans just look like they have been set on fire, by regular flame. So it's probably safe to assume that it was a massive convoy of food caravans. It was also nice to see LF finally shaken up a little by someone.
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Of course, Cesare Lombroso’s criminal anthropology will be the most well known example, to criminologists at least, of how photography was used to classify bodies into distinguishable types in this era. Alan Sekula (1989) and John Tagg (1988) have each argued that the photographs taken for police and prison records should be understood in relation to the boom in portraiture, whereby people were encouraged to measure the respectable citizen against the criminal body and visualize social difference. His filing-card system helped transform what had been an uneven and inconsistent practice into a disciplinary technology that rapidly expanded and remains pivotal to contemporary biometric databases devised to identify and classify increasingly mobile populations. In each, the emergence of the photograph as evidence indicates how the documentary gaze is bound up with techniques of control, observation and order. Much recent work has been devoted to examining the ways in which the camera helped shape imperial power and domination. Photography presented to metropolitan consumers images of distant people that firmly placed them as barbaric, bizarre, primitive or picturesque—permitting Victorian notions of progress and superiority to flourish. These ideas have been put in the following way: Despite claims for its accuracy and trustworthiness, however, photography did not so much record the real as signify and construct it. Indeed, as a practice of representation, photography did more than merely familiarise Victorians with foreign views: it enabled them symbolically to travel through and even possess those spaces. ( Ryan 1997: 214) At the same time, documentary photography was not only concerned with this kind of anthropological exploration, but it was also used to promote social reform and sought to change social conditions. Thomas Annan exposed slum housing conditions in Glasgow in a series of photographs published between 1868 and 1877, while Jacob Riis reported on the crime and crushing poverty experienced in the East Side tenements of New York from the 1880s. Figure 1, from Riis, is one of his most well known and is entitled Bandits’ Roost at 59. It is by no means a neutral representation, but plays upon the danger of, and the desire to know, the outcast. Riis, Bandits’ Roost, New York, bromide print, 1888 (Museum of the City of New York) F IG. 1 View large Download slide Jacob A. Riis, Bandits’ Roost, New York, bromide print, 1888 (Museum of the City of New York) The Golden Age.