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What are your thoughts about the second trailer of season six of Game of Thrones. What do you think of the new Game of thrones teaser trailer. Is the Game of Thrones season 8 teaser visually stunning. What do you think the teaser trailer for Game of Throne Season 8 is hinting at. What is the music in the Game of Thrones season 3 teaser trailer. Related Questions What do you guys think of Game of Thrones Season 6 teaser trailer. Is Jon Snow dead according to the teaser for “Game of Thrones,” season 6. You can discuss the show and book openly here without spoiler boxes. One thing I will ask is that if there's what's traditionally considered a spoiler - like if a script is leaked, or an actor in an interview reveals some plot point - some new information that's new to book readers and show watchers alike - that you spoiler box it so that people can decide for themselves whether to read it. I'm a book reader, but managed to miss the clues that Melisandre was using glamour ( ). Do we think this means that Doran is going to get axed in the books. Wow, she's 39? Maybe she has some sort of illusion spell that works in real life. She must have the youngest looking body I've ever seen on a 39 year old. That seems to run counter to the base premise of the whole world, though. I thought the idea was that magic has been gone for a long time, and only recently reawakened, coinciding with the comets return. A 400 year old woman doesn't really make sense in that context. Which means that all that Dorne has left is simply to be a military antagonist to the Crown, which is territory we've thoroughly covered before. I guess some sort of military or sand snake rule of Dorne could ultimately serve the same function of allying with Dany, but it's more dramatically interesting to reveal that Doran was biding his time and planning it all along. Do we think this means that Doran is going to get axed in the books?

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As Star Wars: The Last Jedi has proven, surprising an audience simply by defying expectations is a lazy and frustrating method of storytelling and no less so with this film. It wants to be classic noir mystery mixed with quirky Coen brother's violent comedy, then it is trying to be a rumination on the late 60s zeitgeist with added ultraviolence. The Christian overtones are only bolstered by Chris Hemsworth's GQ Charlie Manson character, an antagonistic gnostic who espouses self-determinism, moral relativism, free thinking, oh, and random murder. The earnest attempt at an emotional conclusion mixed with the gleefully gun-heavy gore makes for some odd tonal and ideological dissonance, but much like The Boondock Saints, the more you think about it, the less you'll enjoy it. I don't care if Damien Chazelle is using it to stylistically compare the instability of Earthly life to the clarity gained by achieving greatness on the moon. Sure, a rocket launch sequence warrants it, but a funeral scene? No thanks. It sucks to look at, and it sucks even worse to look at in IMAX. Even Claire Foy's last major motion picture appearance, shot on iPhones mind you, had stable camera work for the most part. It should be a crime to film the majority of a movie in 70mm without stabilizers or tripods. I digress. Other than that, this is one of the most perfunctory historical dramas of the last few years. The Goose is in full stoic mode here which makes for some great 1950's fatherly brusqueness, and placed in dynamic contrast is Foy's nuclear housewife, a chance for her to really dig into the antiquated ideals of a bygone era of femininity. However, even though Chazelle didn't write this one, he still can't manage to grasp onto what makes a strong female characterization tick, and the emotional anchor of the Armstrongs' daughter passing away is about the only thing that colors Neil as anything more than the all-American egg-head space cadet he is. It's a movie that makes even the overwhelming pile of corpses that NASA climbed all the way up to the moon seem blase. For the heroism that much of the marketing has espoused, it makes the golden era of space exploration appear clinical and nearly incompetent. After being caught in a car making hanky-panky with her same sex BFF, her crushed prom date sniffles, defeated as a man boy, while her family reacts by sending her off to conversion therapy camp. Things go as one would expect in a place like this. You have dweeby Christian youth group types pseudo-psychoanalyzing children, probing their insecurities and unsureties about how they perceive the world and how the world perceives them, then gaslighting them with whataboutisms, clunky metaphors, and the almighty, pervasive fear of Sin(TM). All the while the stewards of the camp have so much cognitive dissonance mixed with naivete mixed with improvisational rationale that you can't help but feel bad for all of the parties involved.

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