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A person can search for job listings and get tips on improving their resume. Their website includes resources for union members and information about an annual conference. Resources include advocacy and employment resources, scholarships and an annual event. Information includes an annual conference, with speakers and job search resources. Information on their website includes details about an annual conference, and tips on how to write about those in the LGBT community, such as tips on covering transgender people and military policy. Plenty of support and advice on a range of topics including jobs, careers and employment. The blog shares information on LGBT rights and ways to advocate and speak out for those in the LGBT community. In production since 2005, this podcast features interviews with LGBT celebrities and authors and random LGBT people who call the show’s hotline. Savage is the longtime writer of Savage Love, an advice column. In the book, Browne shares why he believes coming out earlier would have been an asset to him, and why it is important to bring one’s authentic self to work. Hindered by a thick fog and sheer fright, Holmes and Watson nonetheless shoot the beast and solve the mystery. Holmes notes that the date 1884, engraved on Dr. Mortimer's walking stick, is five years old. Most of the rest of the novel takes place in Devonshire, at the imposing Baskerville Hall, the lonely moorlands, and the rundown Merripit House where Stapleton lives. There is a sense in which all the clues serve as foreshadowing for later discoveries. Wowing Watson with his fabulous powers of observation, Holmes predicts the appearance of James Mortimer, owner of the found object and a convenient entree into the baffling curse of the Baskervilles. Entering the office and unveiling an 18th century manuscript, Mortimer recounts the myth of the lecherous Hugo Baskerville. Hugo captured and imprisoned a young country lass at his estate in Devonshire, only to fall victim to a marauding hound of hell as he pursued her along the lonesome moors late one night. Ever since, Mortimer reports, the Baskerville line has been plagued by a mysterious and supernatural black hound.

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Terry is a fan of a fairly obscure band (in Europe at least in America they are a bit better known) called TheyMight Be Giants (he has mentioned on a. . . that theirWhere your Eyes dont Go is the scariest song hes everheard not that scary is a word Id normally associatewith TMBG, mind you, but then I dont know thatparticular song). Anyway, Were Certainly Dwarfs appears to be theDiscworld answer to this group, or at least to their name,and it may be amusing to know that the name was firstsuggested to Terry by a. . . reader Mike Berzonsky,during an early discussion about Discworld popularmusic. Mike wrote, way back in february 1993: Totally off the subject, this came to me last night. Terryscovered tons of stuff, but other than metamorphizingtapes in Good Omens, little on Rock n Roll. Since hes afan of TMBG, maybe a dwarvish rock band, No, WeReally Are Dwarves. Since rock is so central to dwarf life,it makes sense to me that theyd have a band, although Iunderstand that rich dwarves hire trolls to bang onanvils, so maybe Detritus could be the percussion section. nd Dibbler could be their manager. And finding the references to the lastforty years of music could be a blast. Terry replied: Ive occasionally toyed with the Ankh music business. nd I can promise you that if it ever happens, therell bea group called We Really Are Dwarfs:) The rest is history. The song mentioned later on in the text, Somethingsgotten into my beard is not directly traceable to TheyMight Be Giants, or it would have to be to the trackFingertips on Apollo 18, which features the lineSomething grabbed a hold of my hand. In Daniel Pinkwaters book Lizard Music a majorcharacter is the Chicken Man, an apparently homelessman who walks around with a chicken perched on hishead (under a hat). A straightforward reference to the band The GratefulDead.

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If you’d like to check out current user demo submissions, look for their name to the right in the track title in the Soundcloud Player. You can see credits for the non-user submitted demos on our Soundcloud page, by clicking the Song Title to go to the track page, where you can see track info. On the podcast we discuss: - How he got into building his own instruments, - Inspiration for his lyrics - The importance of a record label versus self releasing, - Why you should be touring to develop your fan base and much more. He has been playing since a very early age and was excepted into the Julliard school of music at the age of 9. Even though he started off playing classical piano he later developed an interest in synthesizers and progressive rock which led him to play with The Dixie Dregs and eventually progressive metal legends Dream Theater. In this podcast we discuss: - The progress of Dream Theater's new album - The upcoming Tour with Al Di Meola - His thoughts on orchestration - Getting into film scoring - The future of synthesizers and much more. Who’s intuitively inventive style has brought him to work with award winning composer William Goodchild. David later went on to create rhythm ensemble recordings for National Geographic wildlife documentary Ultimate Honey Badger, which received its highest number of Nat Geo views. In this podcast we discuss: -David's musical background -The genesis of what became Rhythmic Odyssey -How he chooses various instruments -How he became a media composer and much more. Gareth is an award winning British composer for film, games, and commercials. He has composed the music for games like Ori and the Blind Forest, which was reviewed as one of the highest rated games on Xbox One and has won tons of awards, as well as ARK Survival Evolved, The Unspoken, and a ton more. We talk about. - Why he relocated to California from Germany - Working in production music and the pro's and cons - His DIY approach to building his own acoustic panels in his home studio - His most recent video game score for Sony VR's Eden Tomorrow - Why he uses Cubase and VE Pro as his many composition tool of choice - and much more. Watch the full video interview on our YouTube channel. Craig Peters, Spencer Nunamaker and Nathan Boler sat down to just talk about a few things near and dear to our hearts about music. -They talk about their musical background and should you go to music school - Writers block (Does it exist or is it only in our heads? - The importance of setting deadlines to get things done - Being proactive about your craft - What DAW's we use and why - Working with MIDI vs. Jason tells us about his most recent project Moss which he wrote the music for as well as his new studio, gear and some insight to his process. We talk about some of his approach for writing strings and orchestration from a drummers perspective.

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She then asks him what wife would do for him the things she had done for him, including poisoning her husband's wine, thus killing him, and then writing a letter to her sister Catelyn claiming it had been the Lannisters who did it, all of this at Littlefinger's behest. He starts to kiss her before anyone can overhear her. Although Littlefinger states he will inform a septon the following day, Lysa then brings one into the hall to wed them immediately and says that she will scream loudly as her husband, Lord Baelish, is making love to her that night, even being able to her across the Narrow Sea. He adds that in a different world she might have been his child. He dismisses the notion and states she's more beautiful that Catelyn ever was. Later, Petyr prevents Lysa from throwing Sansa out of the Moon Door after she saw the kiss. After, Lysa is more subdued, Petyr tells her he has always loved only one woman, her sister. The lords don't believe him, given Lysa's devotion to her son. However, after confirming that Baelish can stay for her testimony, Alayne reveals her true identity, the tale of her captivity and flight from King's Landing. She then speaks of Lysa's mental instability, jealousy, and death, changing only a few details: saying Littlefinger only kissed her on the cheek and that Lysa did throw herself from the Moon Door. Sansa breaks down in tears and the lords are convinced, but while none of them are looking, she gives Littlefinger a stony, almost triumphant gaze. The boy, he claims, needs to learn to ride a horse, to swing a sword, and to become the lord the Vale needs. He offers to take Lord Robin on a tour of the Vale in order for him to become acquainted with his domains, a request that the lords agree to. Without looking up from the dress she is mending, Sansa explains that she has no idea what Royce, Corbray, and Waynwood would want from her if he were eliminated, but that she does know what it is he wants. Littlefinger seems impressed that she made such a calculating decision, but attempts to cast doubt on her certainty. At that moment, a raven-haired Sansa appears at the top of the stairs in a feathered black dress with a plunging neckline. Littlefinger attends a sword jousting session for Lord Robin at Runestone, along with Alayne and Yohn Royce. Royce remarks on Robin's weak skills at swordsmanship, but Petyr insists his name is all that matters, not his skill. A maester delivers him a raven message, which he reads discreetly.

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