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Dani and Ser Jorah reconciled, and Hodor's touching sacrifice, with a bootstrap paradox to boot. Not sure I like Bran much any more though, after he threw his man's life away to save his own, after being so arrogant and foolhardy with the Night's King. Bran is the key for White Walkers to cross the wall. The reason WW couldn't do it in six seasons because of Children of forest did some wodoo magic on the wall so they can't cross the wall to attack the humans. That's what I think With the mark on his arm, the WW will be able to cross the wall if Bran crosses it. Could have gone just a little bit slower and made things a lot smoother and believable I think. Also the three-eyed raven did say that the past is already written and can? be changed right. Also the three-eyed raven did say that the past is already written and can’t be changed right. Very confusing. They are overcompensating for the previous rubbish season and the first 4 episodes of this season. The show is now living off past glory and the first 4 amazing seasons which set it up so well. Who in their right mind can watch Aryas part without wanting to cringe, laugh or fall asleep. Instead of quickly moving Arya's story along to something that actually serves a purpose they fast forwarded everything else:)). As in start from the beginning or just this season. Much more enjoyable than watching an episode a week. He'll be directing the next episode as well according to wiki The guy certainly knows how to mess with people's heads. Its probably most expensive too, you have to watch the whole thing cover to cover!

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Active as a director for almost 50 years, he is a key fi gure in Egyp-tian realist cinema. Collaborated with the No-bel Prizewinning novelist Naguib Mahfouz, whom he introduced to cinema, on eight feature fi lms in eight years, including Dead among the Living and Cairo 30. Director of the General Or-ganisation of Egyptian Cinema from 1963 to 1965, when he founded the Script Institute. Stud-ied at the Cairo Higher Film Institute, gradu-ating in 1994. Studied fi lmmaking at the Vsesoyuznyi gosu-dar stvennyi institut kinematografi i (VGIK; All- Union State Cinema Institute) in Moscow and made a number of fi ctional and documentary shorts. Feature fi lm: Hadda (1984) Achouba, Abdou (b. 1950 in Rabat). Moroc-can fi lmmaker, resident in France, working as teacher and critic. Studied fi lmmaking at the In-stitut des Hautes tudes Cinmatographiques (IDHEC) in Paris. Fea-ture fi lm: Sticky Fingers (English, 1977) Adeeb, Adel. Fea-ture fi lm: Papa Ajasco (Pidgin English, 1984) Aderohunmu, Bayo. Fea-ture fi lm: Kanna Kanna (Yoruba, 1986) Adesanya, Afolabi (b. 1956 in Kano). Nigerian fi lmmaker and critic. Studied fi lmmaking at the San Francisco Art In-stitute. Made a number of Yoruba documenta-ries and videos and worked as assistant on Ladi Ladebos fi lms Pariah (1994), Power (1998), and Baba Zak (1999). Feature fi lms: Vigilante (En-glish, 1988), Ose Sango (Yoruba, 1991) Adewusi, Gbenga. Aft er making his only feature fi lm in 16mm, turned to video and worked as director and producer (Bayowa Films).

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