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Music and text, ethnicity and setting, culture and society are all combined to bring forward a penetrating insight into the American West and its composite cultural and historical evolution. Keywords: Western American Studies, music, lyrics, minorities, the American West ——— 1. Introduction: Music, Voices and the American West The American West could be understood as a vast expansion of land that held the coming-ofage process of a new nation. Today, revisionist approaches to the American West tend to underline the significance of different active subjects and their ideologies in the construction of a cultural paradigm that has traveled beyond geographically-defined borders. However, it is not only now but also then that this occurred, as Clyde A. Milner II highlights when he describes the origins of the American West “as an international borderland between native peoples” (1994, 6). This region became a zone of tension where different peoples (cultures, communities, ethnicities) met, coexisted and negotiated that gathering and blend; sometimes, in unfair or unbalanced terms. The region, both as an ideal and as setting, was shaped by “traditional views of the conquest of this territory” (Rio 2014, 20) and one way to revise those “traditional views” was by giving voice to those that were neglected. It has been customary to illustrate this revisionist spirit through the analysis of different cultural products, mainly literature and films. We believe that there is a necessity to approach and vindicate other genres and cultural products as sources and targets that enrich and complicate multiform approaches to the American West. Thus, Angel Chaparro focuses on Mormonism in the first section, providing a general overview of how certain bands have married their faith and their art. Then, Amaia Ibarraran engages in a study of African-American work songs to disclose how music develops through different historical circumstances that alter their content, social function and emotional charge. Finally, Monika Madinabeitia analyses the connection of music and the BasqueAmerican identity construct through the case of Boise, Idaho. These three supplementary views illustrate the statements that we make in this introduction. 2. Mormons and Popular Music: From The Osmonds to The Killers Mormons have been often forgotten when emphasizing the importance to hear neglected voices in the American West: “no history of the United States nor of the American West fully incorporates the Mormon experience and its relevance to understanding of the broader American Experience” (May 1999, 9). It is necessary to unveil Mormon participation in the culture and history of the American West, also by focusing on their engagement in the field of music.

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