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Made in an edition of 50 copies on high quality CDR's, the album is represented by 12-page booklet with arts, lyrics, texts and translations which makes it look like some scientific brochure more than something music-related. Yet, the music here exists in a strong context of linguistic, cultural and philosophical studies — sometimes being more than serious and sometimes layering sardonic smiles and Dionysian sneers. This is 'on the go' ultra high-tech electronic music. How does he sound, this composer, since his debut in Paris in 1969. The Crow guides the Neophyte through the Four Ways towards transmutation in the Midnight Sun, which is also the Morning Star. The concept was deeply inspired by the thelemic works of Frater Perdurabo (Aleister Crowley) the medieval mysticism, hermetic and alchemic symbolism and the heathen wisdom. During a recent travel to that region, Kazeria conceived the album to express its impressions on archaic traditions and the great symbolic heritage found there. The album was composed by the fruitful collaboration between Kazeria and Aphlar, a rustic and energetic neofolk act, also from Buenos Aires. These elements create an evocative atmosphere, dealing with pre-christian and medieval times. Space with broken laws of logic, perception, eventfulness - space between the worlds of Reality and Unreality. And this state of being between the worlds is very interesting to feel. Reflections of fire on tree trunks, something comes close to silence. Weird forest psych-ambient, coming in and out of the woods. Under his own name, James doesn't change his music radically. Keitai Denwa Chudoku making tracks that used only mobilephone and effect pedals. One operated mobilephones, and another one operated effect pedals. Her main musical inspiration comes from classical music, especialy Bach's piano works she's studying endlessly. Yukiko's first musical creations consisted in piano improvisations.

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Better examples probably exist as antitheses of the auteur theory, but Kotcheff will do just fine. Kotcheff originally directed Duddy Kravitz as an hourlong installment of Armchair Theatre on ITV in 1961, starring Hugh Futcher in the title role that, in Kotcheff’s follow-up feature, was a stepping stone for Richard Dreyfuss. Kotcheff directed 15 episodes of that anthology, and directed several provocative hour-long dramas of the mid-1960s, including Dare I Weep, Dare I Mourn (1966), the Stanley Mann adaptation of a John le Carre tale about the smuggling of a spy in a coffin through the Berlin Wall checkpoint to the West, starring James Mason, Kay Walsh, Hugh Griffith, and Jill Bennett; and Jean Cocteau’s The Human Voice (1966) with Ingrid Bergman in one of her rare TV appearances. Kotcheff won a British Academy of Film and TV Arts Award for best single drama for Edna, the Inebriate Woman. Kenneth Spencer was Kotcheff’s The Emperor Jones, using Terry Southern’s adaptation of Eugene O’Neill’s play. Kotcheff threw in with producer David Susskind and George Segal in efforts to adapt plays for TV in the mid-1960s, directing Segal, Arthur Hill, Teresa Wright, and Yvette Mimieux in The Desperate Hours, as well as John Steinbeck’s Of Mice and Men, with Segal as George, Nicol Williamson as Lenny, Joey Heatherton as Curley’s wife, John Randolph, and Moses Gunn. Back in England, Kotcheff’s Edna, the Inebriate Woman struck a sorrowful chord in the hardscrabble story of an alcoholic bag lady. Family of Cops was a minor Charles Bronson vehicle. He started directing TV shows in the mid-1950s: Boots and Saddles, Broken Arrow, The Rifleman. He was hired by Gene Corman, lowbudget kingpin Roger Corman’s brother, to direct Hot Car Girl (1958), Night of the Blood Beast (1958), Attack of the Giant Leeches (1959), and the World War II picture Blood and Steel (1959) with Ziva Rodan as “Native Girl,” enlisting the Seabees to battle the Japanese on a Pacific atoll. Kowalski directed episodes in the action genres: Perry Mason, The Untouchables, The Virginian, Rawhide, Mission: Impossible, Gunsmoke, Banacek, The Rockford Files, Baretta, Airwolf, Magnum, P. . Jake and the Fat Man, Baywatch Nights, Thunder in Paradise, and many more. He directed the pilots for Richard Diamond, Private Detective, The Monroes, and NYPD. Kowalski’s later features include Krakatoa, East of Java (1969, an infamous title, since the volcano is west of Java), Stiletto (1969), Macho Callahan (1970), and Sssssss (1973) with Strother Martin and a serum that turns men into cobras. Terror in the Sky, one of the group-jeopardy plane epics that hit the small screen after the success of George Seaton’s Airport (1970), starred Doug McClure as a Vietnam War helicopter pilot who is drafted out of the passengers of a commercial flight to take over the controls when the pilots are poisoned. In Black Noon, Roy Thinnis and Yvette Mimieux are terrorized by a satanic cult. Kowalski favorite Lois Nettleton and the director’s B-film past converged when she played a parole officer who goes undercover to investigate prison conditions in Women in Chains, which co-starred Ida Lupino, Jessica Walter, Belinda Montgomery, and Penny Fuller.

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