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After that the good guy and the girl (with a baby, I think) come out of the station and start walking through the street and in the background you can see the statue of Liberty in decay, so it must be set in New York. While a guy sleeps a weird guy in his whitey tighteys comes out from under the bed. lays with himself while giggling and puts his fingers in the sleeping guys mouth then crawls back under his bed with out the sleeping guy waking. I also think there is a kind of wall that separate the junk robots from the real city and it is in the junk part that the robot kill himself. I am not sure but I think that the protagonist is not alone in his adventure. Movie is American, and this scene has humorous tone (problably the whole movie is a comedy, but I'm not sure). Main character (he is male, and he still don't know much about how that company really works, he just took leadership role or something like that) is briefed by a company employee, who informs him that the company just sold many modern fighter jets to some small African country, and to the neighbouring country as well (those two small African countries are in war). The country which has more surviving aircrafts is the winner. And the main language was not english, it was french or spannish but I am not sure. There is a famous business man cheating his wife with another woman. They were driving in forest then they crashed another car. So the businessman took the dead boy and his car to hide them. The girlfrien was left with the car which was not working and there was a repariman passing through the road and stopped to help her. (The repairman was the father of the dead boy) Repairman took the car to their house and repaired it. By the time dead boys mother and father (repairman) were trying to reach their son by the phone because he did not call them for hours.

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They are seeking a new language with which to describe their angst and their thrills, the highs and lows of their love life and indeed their life itself. So, the English lines are often suggestive of action and movement while the Hindi lyrics explore inner feelings in a more descriptive, metaphorical and romantic manner. Sexy is fun and cool in English, while it is the fire of a burning lust in its Hindi expression. It is hard to place this soul into an elitist cultural hierarchy or indeed on to a salvation quest that follows the dictum of “Know thyself” in order to be true to yourself. Is their story to be written as one of eternal angst, forever caught between two places. Or is it to be a story of freedom and choice and a celebration of the human spirit in a new avatar. Given that until recently more than fifty percent of the population was under 15 years old, Saudi youth and their drive to adopt technology have become a considerable force. Cultural meanings associated with technology have evolved over the years through a number of stages. In recent months, in the hands of a new generation, it has even become the focus of a new kind of activism previously unheard of in the kingdom. The Arabian Peninsula under Ottoman rule was largely ignored, except for the power gained from controlling the holy lands. So it declined culturally into something like a dark age. When the oil money started to come in and people were able to afford some twentieth century technology, the initial reaction from the older generation was to be suspicious of the new arrivals, e. . radios, to the extent of considering them the work of the devil. Thus technology started also to convey status, accompanying the kind of wealth which was then necessary to have a car, television, VCR etc.

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