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In 2014, he received the “Kerala State Film Award for the Best Director” for his debut feature film Oraalppokkam. Both the films have also received FIPRESCI and NETPAC awards in the International Film Festival of Kerala. Woman are considered as Devi in the Indian culture. But at the same time women are the one who is exploited most in this society. A girl named Durga can be a goddess if she is in a temple, but what will happen to her if she is out there in the street. Durga is running away from somewhere with a Muslim named Kabeer. What will be the circumstances are hidden but obviously loud. How fast the mentality of obsession and worship changes into the mentality of domination and exploitation in a male dominated society. I was experimenting with my idea of script less movie making and gone a little further to make a movie without a story as well. NIV is creating a legacy for the future as well as ongoing international exchanges through dialogue, collaboration and creative participation. Niv Art Movies is a part of NiV Art Center aiming to make experimental and artistic movies. This story-less, script-less experimental movie has got exciting responses from audience across the glob. It has got NFDC Film Bazaar DI award in the Film Bazaar at Goa in 2016. The movie will be premiered in the prestigious International Film Festival of Rotterdam 2017. It has been selected in the Tiger Competition section. Minimal, super edgy thriller - Anurag Kashyap, Filmmaker. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Integer tincidunt.

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The rest are busy signals, disconnected lines, and people who are simply not home to answer. (We were instructed not to leave any voice messages. Each person on the list had a name, phone number, age, gender, county, and the complete information about their polling location address. On the whole though, a lot of people were fired up about the election. Many had already voted early, in which case I thanked them and exchanged some pleasant and hopeful words. I said unfortunately I couldn't, being in Texas, but I suggested some alternatives (taxi, asking neighbors). Any time I talked to somebody who wasn't sure if they could make it, I simply reminded them of the importance of swing states and bumped up their resolve a bit. After each call I wound up checking a box for the outcome -- no answer, wrong number, don't speak English, or promised to vote, have already voted, promised to vote, did not promise to vote. After finishing each packet I brought them to a person who was responsible for collating the data and entering it into a computer to submit information about whether the leads were good or not. On Monday, they had an online program available called a predictive dialer. I hadn't had it on Saturday since the access has apparently been sporadic. With the dialer, you enter your phone number in a program and it calls you first. Then you click a button when you're ready to take calls, and it auto-dials numbers on the list. It filters out the numbers with no answer, or disconnected tones. This process was a lot more efficient, connecting me with a live person about every minute or so. But on the other hand, it was also a bit more stressful. I found that a high proportion of these people had been subject to regular calls and weren't happy about it. One guy said he's been getting ten calls a day, and it's tiring especially when he already voted. I wound up apologizing a lot and explaining why the Get Out The Vote effort targets them so much.

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The largest of them is the tech bag, and this is where I keep all my chargers, my charging cables, memory cards, memory sticks, and adapters. To own a computer today is to interface with all manner of different types of devices, and I try to leave the house with everything that I need in order to do that. I went to SXSW a few years ago, and when I got there, they couldn’t power my talk off of my own memory stick because I was using too new of a version of that presentation software. Luckily, I had the video adapter for my laptop with me, and we were able to plug it right into their system. That, to me, is a complete win in terms of preplanning. My axiom for packing is: what happens if I didn’t have access to anything for two days. Here at Comic-Con, I use my phone so constantly, walking around with a battery is going to be completely critical. Walking around with an extra powerpack is totally critical. It seems to be a hard thing for me to remove from my bag. I also have a ton of USB charging ports because I hate to run out, but I also love having extra chargers so that when someone says, “Oh, do you have a charger for your phone? I can go, “Yes. I write on my computer, but I ideate in the sketchbook. This includes everything from early, early designs for these bags, for advertising campaigns for the EDC One, layouts of my shop, and then other types of bags, things I want to build, like a dinosaur costume, things I’m currently building, like space suit drawings and layouts and blueprints, and then stuff that I was ideating a couple of weeks ago in Colorado for making an automaton bird. Sketching has become more and more a really important part of my life. I’ve never thought of myself as a very good draftsman, but over the years, through brute force and tons and tons of practice, I now have a line that I like. Each of these bags are sort of works in progress between me and Marcos Mafia, just sort of like what sizes work for me when I travel. This right now has tended to be a secondary tech bag. It’s housing some drawing stuff like a compass, some hearing aid batteries and an extra hearing aid, a little camera tripod for my phone, and extra flashlights. It’s part of my personal, everyday carry, and I need redundancy for that.

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I’m afraid it’s like football with me; I recognise the quality but find my attention straying. Plenty of history here, mostly from the Raj period, I think, no doubt detailing how the British all but destroyed the cotton industry in the sub continent by enforcing free trade for British exports whilst forcing out Indian imports with tariff barriers. Can’t find a photo online, though, so you’ll need to go and see it. Reminds me a bit of Gerhard Richter, in Betty mode. Storms, avalanches, slaves being thrown overboard to the sharks, sea monsters, Houses of Parliament blazing; I suppose he’s got a point. I blamed her for all that creaky, croaky, broken style of women’s singing that lots of young singers adopt these days; the sort where they move their hands up and down to different levels that go with the vocal stages they are croaking up or down to. Then, I saw her doing “Love is a Losing Game” with just a guitar accompaniment at the Mercury awards in 2007, I think. She was staggeringly good, which is a ridiculous understatement; and what a beautiful song. Good acting, good period feel, otherwise conventional. Found my attention slipping now and then (as in Carol); realised (I knew, of course, but didn’t know it in my bones) that criticism on TV and in papers is just part of the publicity machine. They’re all for sale, from the Guardian to the Sun and beyond. As Alan Bennett says, he’s not strong on humour, but the imagery is gritty and muscular and totally original. Awful title, impossible to remember the right order. Surprisingly restrained and almost Victorian prose at times. By the way, lovely exhibition of Mapplethorpe, featuring photos and film of the young Patti at Kiasma, Helsinki. It has one of the worst Picassos I’ve ever seen ( horrible, evil yellow with scrawls) and a terrific Tracey Emin figure on white over two or three panels. My favourites below, starting with the great Bay Area painter David Park. Should detain you for a minute or so, long enough to read them all. He also tends to make confident assertions about doubtful things.

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Learn more about the book and author at A. . Ahmad's website and Facebook page. Writers Read: A. . Ahmad (May 2013). My Book, The Movie: The Caretaker. --Marshal Zeringue. About the book, from the publisher: Will Rees is adjusting to life on his Maine farm in 1797, but he’s already hungering for the freedom of the road, and his chance to travel comes sooner than he expects. Lydia has just received a letter from her old friend Mouse, a soft-spoken and gentle woman who now lives in the Shaker community in Mount Unity, New York. To Lydia and Rees’s astonishment, she’s in trouble with the law. She’s kidnapped five children, claiming that their mother, Maggie Whitney, is unfit to care for them. Despite the wintry weather and icy roads, Rees and Lydia set out for New York, where they sadly conclude that Mouse is probably right and the children would be better off with her. There’s nothing they can do for Mouse legally, though, and they reluctantly set out for home. But before they’ve travelled very far, they receive more startling news: Maggie Whitney has been found murdered, and Mouse is the prime suspect. In Cradle to Grave, Eleanor Kuhns returns with the clever plotting, atmospheric historical detail, and complexly drawn characters that have delighted fans and critics in her previous books. Learn more about the book and author at Eleanor Kuhns's blog and Facebook page. Writers Read: Eleanor Kuhns (July 2013). --Marshal Zeringue.

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They're still losing fights 1v1, but they overwhelm Unsullied in numbers. That is the truth of pretty much any martial combat, and is actually incredibly accurate historically. The fight that Selmy and Grey Worm lost-ish they were outnumbered something like 20 to 6. That's actually borderline unrealistic that they would do so well. For close quarters, daggers are drastically superior to a spear. Why the Unsullied are not fighting with short swords and shields -- something they're also supposed to be proficient in -- is lazy writing to me, but I digress. One rather modern example is how Israel kicked the shit out of Syria in the Six-Day war in their bunkers. Israeli troops were armed with Uzis and other compact weapons, while the Syrians were outfitted almost exclusively with AK-47s. While the AK-47 is a superior weapon for open terrain combat, in close quarters and inside structures it's size was a huge detriment while the Uzi was light, portable, and effective. That's basically the same thing happening in game of thrones. Then you will have controversial characters like Stannis, Khaleesi, Hound, Jaime, Jorah, Varys. here it's pretty much split down the middle. Is Tywin significantly different in the books vs the show. I never really thought of Tywin the same breath as Ramsay, Roose or some of the others. Not that I thought he was good, I just never thought of him as horribly evil. I thought the show depicted him accurately as a terrible father to Tyrion, loyal only to the extent that it served his interests, and cowardly (i. . his part in the Red Wedding). I'm not sure what positive traits he possesses other than his intelligence and adaptability.

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