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Move on Irina Ratcu It's true, the leaks came out months ago and most large lines are correct, the wight hunt, the frozen lake attack, the battle between the Lannisters and the Tyrells, then the Targaryen ambush on the Lannister army, they're all being filmed as we speak. Now the Dany x Jon sex scene, LF's death by Arya Jon's Targaryen name and all the other smaller scale stuff are hard to prove since they're all being filmed indoors but so far the leaks have proven to be 100% correct. I just hope they don't rush b shit way too fast as they have in the past or worse since there are only 7 eps. Striker163 It's clear some of this true, but also some of it is bs, and some of it is completely miss interpreted FonkeyMonkeyFox No bs it seems. Jeffxd Sounds like crappy fan fiction bio drando Not fan fiction believe me Margaret Choffel why would Jon give up his title. Do they send an instant ravengram to Dany for a rescue. Who brings the White back if Jon is hurt, and the rest have ridden off on Dany's dragons. Then who does the presentation of the White and who is going to listen to Jon if he is no longer King. So what what Sam finds out about Jon's heritage if he has given it all up. These spoilers should only be taken with a huge bucket load of salt. Oh and is it Cersie or Dany that Jon refuse to bend a knee to. Benjamin Limb I kinda would love jon snow vs euron 1 on 1 fight to the death to save yara and get mad respect from yet another female cast member. Kritz Great vid. Channel was recommended and I gotta say I enjoyed watching enough to subscribe lol. It's more fitting that he be called Aemon, after Maester Aemon at the wall. Jon was close to him, and Aemon obviously recognised something in him. When Jon was younger, at Winterfell, he always pretended to be Aemon the Dragonknight. If he knew his own heritage, he would realise she's his AUNT. Just because Jon has Targaryen blood doesn't mean he would be comfortable with incest - he's far too honourable for that.

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roken agreement. Cognitive Psychology 23: 45-93. Eberhard, Kathleen. 1999. ? he accessibility of conceptual number to the processes of subject-verb agreement in English. Journal of Memory and Language 41: 560-578. Franck, Julie, Gabriella Vigliocco and Janet Nicol. 2002. ? ubject-verb agreement errors in French and English: The role of syntactic hierarchy. Language and Cognitive Processes 17(4): 371-404. Langacker, Ronald. 1991. Concept, image and symbol. Vigliocco, Gabriella, Brian Butterworth and Merill Garrett. 1996b. ? ubject-verb agreement in Spanish and English: differences in the role of conceptual-constraints.

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They are mentioned in the first few lines of dialogue as threatening the flowering trees of the city of Agra (the city which is the home of the Red Fort and the Taj Mahal, two major symbols of the Muslim Mughal Empire in India). The film deals with a Muslim owner of a small shoe factory. He decides to stay in Agra, but his brother moves to Karachi and gradually life becomes very difficult for the brother left behind. Garam Hava proved controversial even after more than 20 years since the events depicted. It had a delayed release because of fears of communalist violence. It was supported by the government agency, the NFDC and submitted as India’s entry for Best Foreign Language Oscar. The interview in 2014 was conducted at the time of the film’s re-release. (You need to click on the link and watch the interview directly on YouTube). The director Deepa Mehta was born in Amritsar in Punjab in 1950. She moved to Delhi as a child and graduated from the University of Delhi. In 1973 she migrated to Canada and started a film career as a writer and documentarist. She directed her first feature in 1991 and as well as English language features in Canada she has returned to India to make four features. All three films were controversial ( Fire addresses lesbianism and Water, the treatment of widows in traditional Hindu culture). Her 2012 adaptation of Midnight’s Children was less successful (but still well worth watching). The music is by A. R. Rahman and the actors include the current Bollywood superstar Aamir Khan in an early role. Like Train to Pakistan its focus on Punjab means that the complexity of religious, social and cultural relationships are explored in some detail. The kite-flying is a joyful competition which ironically underlines how the community will later be divided by the violence of the communal violence in the lead up to Partition.

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