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Believe it or not, Ornette Coleman received a Pulitzer prize for this album. Heading into the album, I assumed that the prize was given mainly as a lifetime achievement award. Much to my surprise, this album actually lives up to the hype and deserves all the accolades it has received. The title alone is shocking to modern sensibilities. Yet this was a very influential song in the history of vocal ragtime, and it is worthy of at least studying its history. The song was in fact written by an African-American songwriter called Ernest Hogan. His compositions helped to create the style of music that came to be known as ragtime. This song was written in the earliest days of the new music, around 1895. It helped popularize what was known as the 'coon' song. This style of song used African-American musical styles to paint highly racist and stereotypical portraits of Black Americans. This style became enormously popular and literally hundreds of these songs were released every year in the early twentieth century. Many Black Americans came to resent the popularity of this kind of music and Hogan eventually regretted using the racial slur in the title of this song. It is performed by Arthur Collins in vocal ragtime style. He is accompanied on banjo by five-string banjo master Vess Ossman. If you ignore the lyrics, the song and the performance are both outstanding. Indeed one music critic has rated it as amongst the most spirited and authentic of all early ragtime recordings.

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