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The climax of the ironborn arc in AFFC is the Kingsmoot, but there is one final chapter: The Reaver. This chapter is essentially a teaser trailer for The Winds of Winter. The format of the chapter is this: Victarion defeats Talbot Serry and his men take the Shield Islands. Victarion bangs the dusky woman, thinks regretfully about his wife, and contemplates killing Euron. At the victory feast, Euron declares that the Ironborn will sail for Meereen the next day. Rodrik the Reader challenges him in front of all the captains, claiming that all 1000 ships could never survive the dangerous voyage to and from Meereen. Instead, the Ironmen want to attack the Arbor (except Rodrik). Because the confrontation is public, Euron is forced to retreat. Vic finds him standing by an open window, naked except for a sable cloak. We can take Euron's conversation with Victarion line-by-line to see all the hints and signposts for Euron's character. Here and there in A Feast for Crows and A Dance with Dragons there are scattered discreet little glimpses of magical foreshadowing. These glimpses can be added up and compared to other parts of the story to create a pretty coherent picture of Euron’s identity and goals. One important thing to note is the difference between our ability to understand what Euron is saying and Victarion's ability to do the same. Victarion is somewhat dull and he has no access to the other POVs. Euron is of course a pirate captain and employs a classic pirate tactic - telling the truth. He's not lying to Victarion; he's simply telling him the truth because he knows Victarion won't believe him. Mullroy: What's your purpose in Port Royal, Mr. Smith? Murtogg: Yeah, and no lies. Jack Sparrow: Well, then, I confess, it is my intention to commandeer one of these ships, pick up a crew in Tortuga, raid, pillage, plunder and otherwise pilfer my weasely black guts out.

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From director Yorgos Lanthimos, the film has garnered phenomenal critical acclaim on the festival market with many praising the darkness of its themes and within its comedy. Did we expect this? Of course, but it is still a whopping achievement for a horror film. According to THR, the show’s pilot drew in a respectable 1. million viewers, but that figure dropped to 800,000 for subsequent episodes, even with DVR. Once again, it looks like this is going to be a darkly funny and haunting tale where Mark Duplass is going to shine in his terrifying way. The cast additionally features Gary Oldman and It’s Owen Teague. The Shallows’ scribe Anthony Jaswinski is writing the script. But it looks like a new king of extreme is looking to take reign and it’s not going down without a fight. To get you hungry, we’ve got the new trailer and poster for you. The man who arguably had more influence over modern horror than any other filmmaker will never be forgotten however, thanks to an untouchable cinematic legacy. It shows a couple of the Creeper’s latest victims, who do their best to run but, as always, the Creeper comes out on top. It’s a strange clip, because it doesn’t quite sell Jeeper’s Creepers 3’s scares. The plot is an interesting one as it follows two priests (one formerly possessed, the other currently possessed) as they head to a mythical island off the coast of Ireland. MacLachlan joins the already impressive cast that features Cate Blanchett and Jack Black. Titled Timestalker, the film will follow its leading lady Agnes as she is reincarnated each time she falls in love with the wrong person. Over on YouTube Adeel of Steel shared the video which pits Batman versus Pennywise, in an idea that actually looks more entertaining than Batman vs Superman. To download and subscribe to Gobbledygeek by Paul Smith and Arlo J. Earwolf and Paul Scheer, June Diane Raphael, Jason Mantzoukas View in iTunes. So now is the perfect time to take a look at the horror films that will be be unleashed on DVD and Bluray this February.

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I can't think of a better analogy to the Trump administration than this. So many people are talking out of seventeen sides of their mouths, becoming a clusterfuck of bent rhetoric and non-transparent ideology. Kurosawa's tale of a crime splintered looks quite baroque compared to the double speak of today. Watch this one again for an extremely jaded outlook on things. And it's one of Toshiro Mifune's best roles, which is saying alot for his long, illustrious career. That being the current administration will eventually step over an imaginary boundary that seems to be pushed further ahead every day and finally commit some sort of treasonous act that requires impeachment. And if that day comes, Alan Pakula's film (based on the brilliant book by reporters Bob Woodward and Carl Bernstein) serves as a tremendous reminder of the sweat and tears that goes into a journalistic investigation to get the facts sound and accurate. Mr. Smith Goes To Washington - Frank Capra was Hollywood's most humanist director. He routinely found goodness in most people's actions, thoughts and reactions. I doubt there ever will be a Mr. Smith in our present government, but if there is one, now would be the time for him to step up and whisk us all away into his Capra-esque fantasy and wipe clean the (now daily) mounting improprieties of the Trump Regime. Placed alongside the other nihilistic, sardonic and utterly prescient films on this list, I include Capra's film solely because of its illusion of decency and innocence. Lord knows we all can use some rays of hope nowadays, and this film provides it. Tomas (Andre Hennick) sees a beautiful tall blonde Leyla (Nina Hoss) sharing his swimming pool and tries to start up a conversation. She ignores him but begins to slowly creep up into his life. She's there when his brother chats up a random girl having lunch at the same cafe. She eventually agrees to go out with him, leaving him breathlessly wondering where she went after a night of simple and unassuming exhausted sleep on his couch. The story abruptly shifts away from their relationship when Leyla begins working at a vaguely realized halfway house, again slowly but assuredly encroaching into the universe of one of the men housed there. Lurking, overweight and giving off the sense of a human teddy bear who often doesn't understand his own strength, Blum (Sven Pippig) can't help but notice Leyla's unsolicited flirtations.

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