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Obviously Manchester just can t handle it, so let s do the music. It s not the first time, however, Bieber has asked fans to pipe down. At another recent Purpose show, in Birmingham, England, Bieber asked the crowd to quiet down and said, Screaming is just so obnoxious. Still, Bieber insisted that rumors that he s angry with his fans are false. All I was simply doing was wanting people to listen; to kind of hear me out a little bit, he added. He concluded by thanking the fans, and those who have come out to his concerts. (RTRS) THE HAGUE: A bed first made famous by Vincent van Gogh s 1888 painting The Bedroom, may today still be lurking in a home or attic in a small Dutch town, an art historian claimed on Sunday. Britain-based Van Gogh expert Martin Bailey said the bed on which Van Gogh slept while living in the scenic southern French city of Arles may have ended up in a home in Boxmeer in The Netherlands after World War II. Bailey based his belief on his discovery of a letter written in 1937 by Van Gogh s cousin, Vincent Willem, in which he said he still possessed the bed of his famous uncle, who committed suicide in 1890. This was a key letter that showed that the bed had survived and had been taken to The Netherlands, Bailey told Dutch public broadcaster NOS. That was (also) not known to Van Xuefei Sun Above and below: Models display creations by Xuefei Sun, Xinkun Wei, Wen Chen, Shengyi Liu and Tanya Wang at China Fashion Week in Beijing on Oct 31, 2016. (AFP) Wen Chen Gogh scholars, said Bailey, who started off on an intriguing search to trace historic pieces of furniture. Bailey contacted Johan van Gogh, the elderly son of Van Gogh s cousin and he actually, to my astonishment remembered the bed. Johan van Gogh, 94, said the bed Xuefei Sun stood in his father s house in Laren until 1945, when it was sent to Boxmeer, around 120 kms (75 miles) to the south, as part of a donation to help Dutch who Tanya Wang lost their possessions during the war.

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Please contact our archivists to see whether we can assist. Materials date back to the 16th century, however the strength of the collections lies in the late 18th and 19th centuries. McIntosh, Athena Savas, and Lynette Foucher, among others, include books, pamphlets, and ephemera relating to the culinary history of New England, including many thousands of cookbooks published by church and community organizations. Although the literary collections focus largely on New England writers, SCUA houses fine collections of the works of Charles Lamb, William Morris, and William Butler Yeats, signed first editions of works by Thomas Mann, and collections of French and Scottish writers. We are stewards of the papers of several writers from New England and collect their works comprehensively, including Andrew Coburn, Mary Doyle Curran, Mary McGarry Morris, Raymond Mungo, Jodi Picoult, and Harvey Swados. These include an array of election, ordination, installation, dedication, fast-day, mission, farewell, and funeral sermons; Fourth of July orations; and addresses to or by benevolent, cultural, and civic organizations in the Commonwealth. The New England Yearly Meeting of Friends collection contains thousands of books, pamphlets, and periodicals relating to Quaker history from the seventeenth century to the present. With an emphasis on New England Quakerism, these collections include the libraries of Moses and Obadiah Brown and libraries amassed by several monthly and quarterly meetings. SCUA also collects works printed in small towns and rural districts of Massachusetts from the eighteenth and nineteenth centuries. During its relatively brief period of operation, its best-known student may have bene the abolitionist and feminist Lucy Stone, who enrolled in 1841 to prepare for entrance examinations at Oberlin College. In 1856, the school was purchased by the town to serve as the local high school. In addition to a school catalogue for 1847, the collection includes two issues — apparently all that were printed — of the student literary periodical, the Quaboag Quarterly Offering (1845); eight programs for school exhibitions (1842-1854); a flier announcing the spring term 1848; and two writing exercise books kept by Mary Ann Moore (later Richardson) while a student at the Seminary. Founded in Orange, Massachusetts, in 1840, the company was incorporated in 1873. Still an active concern, it continues to sell its products in international markets.

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The spirited cast included Joun Houseman, Geraldine Fitzgerald, James Broderick, Richard Backus, and John Randolph. ROBERT KALFIN Theatre of America: The Prince in Homburg (1977, codirected with Kirk Browning) Kalfin was the director of the stage production on which The Prince of Homburg was based. GARSON KANIN b. November 24, 1912, Rochester, New York; d. March 13, 1999, New York City Hallmark Hall of Fame: Born Yesterday (1956, with, uncredited, George Schaefer) Kanin was nominated for Academy Awards for writing with his wife Ruth Gordon the screenplays for A Double Life (1947), Adam’s Rib (1949), and Pat and Mike (1952). Kanin directed the features The Great Man Votes (1939), Bachelor Mother (1939), My Favorite Wife (1940), They Knew What They Wanted (1940), The True Glory (1945), and others. A miscast Mary Martin played the bimbo, the role for which Judy Holliday won her 1950 Oscar. Paul Douglas, in one of his most memorable performances, recreated his stage original of the overbearing junk dealer, and Arthur Hill was the tutor. HAL KANTER b. December 18, 1918, Savannah, Georgia Movie: For the Love of It (1980) In a writing career that goes back to the primordial ooze, Kanter has made generations laugh via the radio, TV, films, books, and the stage—for Vaudeville, the Army, and Bob Hope, too, and practically everyone in between, including Academy Awards shows in double figures. Kanter directed a few features including Once Upon a Horse. (1958) with Dan Rowan and Dick Martin yet a decade away from TV stardom, and an installment of Bob Hope Presents The Chrysler Theatre entitled The Reason Hardly Nobody Ever Seen a Fat Outlaw in the Old West Is as Follows. The one TV movie he directed was a screwball chase comedy with Deborah Raffin and Jeff Conaway as an unlikely pair unwittingly carrying state secrets while various pursuers are on their heels, including a busload of Elvis impersonators. BETTY KAPLAN Movie: Almost a Woman (2001) Kaplan directed Argentine films, notably guiding Antonio Banderas and Jennifer Connelly in Of Love and Shadows (1994), Donald Freed’s adaptation of the Isabelle Allende novel.

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The collage is taken from a very unpleasant webpage which is Islamophobic in nature and content which was sent in reply to a set of photographs put up on the internet from an art project of young children’s reactions to certain photographs. Date not given but as the President referred to is Bush Snr, assume old. During a summer workshop, the artists Ondrej Brody (CZ), Ivars Gravleis (LAT), Kristofer Paetau (FIN) and Avdey Ter-Oganian (RUS) planned to introduce a group of children into the practice of contemporary art, thereby referring to the longtime project “School of Contemporary Art” initiated by Avdey Ter-Oganian with teenagers in Moscow in the 90s. Our project didn’t turn out as expected: We didn’t manage to find a steady group of children to work with, so we decided to go to the nearest playground in order to try to attract children to participate in this project. Beyond all else this fair and just Islamic system must elicit the most profane perturbations of ponerology ever exhibited in the known universe. Both were viewed by Jews as the successor philosophies to Europe’s liberal democracies, which had failed to deliver on peace and prosperity in the wake of WWI. He is an American poet and writer and writes Why I Am Not A Zionist. Subsequently, I and the poet I was to read with at the J Street conference, wrote a response to being censored. People from all over the country wrote to us supporting free speech, supporting art as a tool for change, supporting real talk about the degradation of Palestinians, and people wrote to let us know they disagreed. We read our poems and during the question and answer period, no one was shouted down. Not the Israeli army refusenik, not the liberal Zionist apologist, not the Palestinian student who asked us to include more about the Palestinian people in our poems, not just the land or idea of nation-state, a point beautifully made and incredibly profound. No one shouted down moderator Laila al-Arian, a brilliant journalist and activist, whose father was a Palestinian political prisoner in America, now freed because of his daughter’s persistence. Both were viewed by Jews as the successor philosophies to Europe’s liberal democracies, which had failed to deliver on peace and prosperity in the wake of WWI. .

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