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Wu is no longer in the restaurant every day, full retirement is not on her agenda anytime soon. “I’m still going to be behind the whole operation,” she said. “It’s still early days. . In between swooning over his gorgeous photos on Instagram, we've gotten glimpses of Sam's sense of humor over the years. Read on to see all of the times Sam made us laugh instead of cry for a change. Warning: his laugh is so adorable, it's actually contagious. She wasn't happy with the person who was looking back at her, so she started doing her research to find the most effective — and most sustainable — way she could get healthy and lose weight. POPSUGAR caught up with Lashara about her 40-pound weight-loss journey, and her story is bound to inspire anyone. The keto diet, which focuses on high-fat and low-carb foods, might be controversial among some experts, but it has proven to be very effective for many women. She even ran the London marathon earlier this year. Lashara loves seeing how far she has come in her fitness level. We can't wait to see what else Lashara accomplishes for herself. You delight in tearing open envelopes to reveal sparkling photos of your friends and family. You remark at their cute coordinated ensembles or how much their youngest has grown. You laugh at their sometimes silly photos and smile at the highlights they've shared in a rhyming recap of the past 12 months. But inevitably, each year, there are a handful of cards which, despite how perfectly everyone is posed, arrive with one glaring error that halts the Christmas music in your head and makes you want to tear wrapping paper into a million tiny pieces: Apostrophes. Misplaced apostrophes as glaring as mall Santas with fake beards on the front of envelopes or permanently letter-pressed on the face of thick cardstock have become so common that maybe you don't even notice them anymore, or if you do, you brush it off for the sake of holiday cheer. I'm not a grammar nerd, but I know enough to know this has to stop. We must do something to save all these accidentally possessive families.

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I started with them and shot out of sequence to make sure their energy levels were still up and strong. We needed to come back to them many hours later and they were still focused and ready to go. We finished off the day with a late family style lunch my wife had catered of Teriyaki chicken and Smoked salmon orzo salad. YUM! GEAR: Much of this is new gear and I'm still getting a feel for it. I still haven't been able to adjust the flange on the RedRock M2, so infinity focus is still not working correctly, so wide shots were a problem. The new smallHD monitor was fantastic, vibrant and clear. I was using the Omni-tracker Dolly on a custom made platform with adjustable legs so I could go from 24 in to 5' in a snap. I really love it the more I get used to it and would recommend it to any friends looking for an alternative style dolly in an instant. And perhaps the dark side is just past the surface of our conscious, waiting to emerge if given the chance. SFX I did a lot of preplanning for the special effects plates for this film, and while I won't know how precise they sync until I start adding the SFX, I think we will have a nice mesh. If there is anything I need to reshoot for the SFX plates, the location is still available to me day or night. Actually, he's very excited about this kind of thing. He asked about compensation because he have to schedule this on top of all the other events that are happening in the next coming months. I also told him about our fallback plan of recording your mother's choir. He was happy that there are now 2 groups of choir to work with. Didn't bring out the wireless because there was no need for them. Just from reading the screenplay, it looked like I had to cover lots of people at the same time. DAY 1: My allergy kicked in bad when nightfall came. So I had to leave at around 10PM to get home in time for my rest.


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The 4. 0 from Paddington put Friend in charge of a Miss Marple presentation fronted by Joan Hickson. All Passion Spent dramatized Vita Sackville-West’s novel about an elderly widow who ruminates on a life spent dutifully serving her husband, an envoy. Peter Buckman’s dramatization is beautifully served by Wendy Hiller in one of her last great performances as the 88-yearold Lady Slane, whose friendship with a rich man near his demise makes her the beneficiary of his fortune and the subject of scandal. This outstanding production received four BAFTA nominations for best drama serial, Hiller’s performance, John Dailley’s camerawork, and the lighting. Friend’s excellent cast included Harry Andrews, Phyllis Calvert, Maurice Denham, Geoffrey Bayldon, Faith Brook, Graham Crowden, and John Franklyn-Robbins. A Summer’s Lease found John Mortimer adapting his own novel for Friend, about a vacation in Tuscany by a philandering husband, his dutiful wife, three daughters, and their grandfather, Haverford Downes, a randyminded, cigarette-puffing, retired left-wing political columnist. John Gielgud animates this crusty coot to life in one of his great late-career performances. The summer activities include exploring the countryside and town, and an abiding mystery concerning the landlord. The entire cast is splendid, including Gabrielle Anwar, Annette Crosbie, Susan Fleetwood, Michael Pennington, Jeremy Kemp, Rosemary Leach, and Frederick Treves. A Summer’s Lease aired in America on PBS’s Masterpiece Theatre. Mortimer and Friend tried another of the writer’s adaptations of his own novels, Titmuss Regained, starring David Threlfall and Kristin Scott Thomas. In Love on a Branch Line, Michael Maloney stars as Jasper Pye, who plans to break out of his boring life after one final job, dismantling a research station in an old mansion, where Lord Flamborough’s three daughters spice up his existence. Cuts is a satire on the TV industry as a writer (Peter Davison) is hired to develop a show with themes that run counter to his moral outlook. He falls in love with an executive (Pippa Haywood), then is stabbed in the back by her and the whole company. Love or Money is another TV story as a couple of beautiful people (Emma Cunliffe, Steven Duffy) are selected to marry each other on TV, then must 185 live together for six months to collect on the one million pounds in prize money. Winter Solstice brings together a group of unhappy people at Christmastime supposedly for some good cheer in the adaptation of Rosamunde Pilcher’s novel by William Corlett. He directed the feature Tarzan’s Deadly Silence (1970) with Ron Ely. Frost directed episodes of Adderly, Street Legal, Sweet Valley High, Road to Avonlea, Melrose Place, The New Addams Family, and Wind at My Back. In Two of Hearts, lovers Gail O’Grady and Rob Stewart meet at the wedding of their former spouses.

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Lili is also a film composer in her own right, with ten feature films to her scoring credit, and a Film Composing Fellowship to the prestigious Sundance Film Institute. Above all, Lili believes that music has the power to uplift and heal, and she’s very excited to share her new music with you. The group, led by artistic director and conductor Christopher Rountree, unites around the belief that no music is off limits, and that a concert space should be as moving as the music heard in it: small, powerful and unlike anything else. Their projects are meant to bring people together, defy convention and address the need for heart-wrenching, mind-bending experiences. His most recent work as a director includes 2013’s Disney fantasy film Oz the Great and Powerful. Recently, Raimi produced The Possession, and the latest remake of The Evil Dead. He is currently working on a film adaption of the critically acclaimed video game The Last of Us. Other Credits: World Premieres of Adam Szymkowicz’s Hearts Like Fists and Bill Robens’ Rio Hondo (Theatre of NOTE). You can also see his work as part of the theatrically immersive Halloween hit Wicked Lit running now. Kraft also was the creative director and producer of the highly acclaimed Disney’s The Little Mermaid In Concert at The Hollywood Bowl. He was an Executive Producer of the Grammy nominated Danny Elfman and Tim Burton 25th Anniversary Music Box. Richard Kraft started his career representing his musical heroes including Jerry Goldsmith, Elmer Bernstein, George Delerue, John Barry, and Henry Mancini. Comprising New York’s most omnivorous young musicians, and members of groups such as Alarm Will Sound, ACME, and Ensemble Signal, the orchestra presented its first concerts over two sold-out nights in January 2008 under conductor Brad Lubman, with the U. . premiere of Jonny Greenwood’s Popcorn Superhet Receiver, on a program with music of Gavin Bryars and John Adams. Also in 2009, the orchestra recorded with Tyondai Braxton for Central Market, the composer’s solo debut on Warp Records, and went on tour the following year with Braxton to Alice Tully Hall in New York, the Library of Congress in Washington, D. . and Walker Art Center in Minneapolis. Also in 2014, the orchestra makes its Australian debut with Max Richter at the Sydney Opera House and Melbourne Recital Centre. Kraft and Engel executive produced the Danny Elfman and Tim Burton 25th Anniversary Music Box which was nominated for a Grammy Award.

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