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The film points out that although the orders came from the top of the administration, the people who carried out the orders (some went terribly overboard) were the only ones to get punished for it. For a lot of people, having soldiers overseas in Iraq and Afghanistan made them money and lots of it. It is a documentary that will make you angry and upset at all the people out there in the world cheating the system and profiting off of the misery of others. The documentary illuminates federal government-level corruption. Tillman's death was covered up by the Bush administration. It shows how the administration was anxious to use the heroic NFL player as a recruiting tool and make Tillman out to be a figure in death that he had never been in life. For example, there's a scene at the funeral ceremony where Tillman is made out by the Army to be a God-fearing patriot who never questioned the mission. The truth is that Tillman was an atheist and didn't support the war in Iraq. He fought in Iraq for just a few weeks before he was shot and returned home into a ruined body. You learn about his struggle to live a normal life, to endure constant pain, and to manage relationships, love, and life, while physically decimated. But, it is an important film that shows how so many soldiers came home this way. It tells you their collective story through this one soldier. A few years after this documentary was released, Young died from complications as a result of his war wounds. Whether its readership has expanded proportionately is a moot point but what unquestionably has expanded, partially beyond recognition, is the perceived corpus itself. Very many more of the documentary holdings of moving image archives are now easily available. It’s no small achievement that both will find much to enjoy and learn from here. Above all, Chapman is broad-minded and fair, avoiding the judgementalism, verging on sectarian partisanship, inflecting much of the literature with respect to John Grierson in particular. Each has its exits and entrances, its merits and corresponding limitations and above all its specific explanatory context. Stylistically, Chapman is adept at cutting from long-shot summary to telling close-up details, and at blending information and insights harvested from previous writers with his own research and arguments so fluently that the joins are almost invisible.

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The research found that people experiencing Cosmic Consciousness show distinctive EEG patterns during activity that suggest the maintenance of transcendence with waking processes. Specifically, Travis looked at the brain’s “preparation response” during a simple task and a complex task, that is, the brain’s activity immediately preceding a mental task. High frontal EEG coherence distinguishes the practice of the Transcendental Meditation technique from just sitting resting with one’s eyes closed, and Travis found that high frontal EEG coherence was lowest in the nonmeditating group during tasks and highest in the Cosmic Consciousness group. Although the TM group offers a certain internal consistency, many of their findings are not inconsistent with other researchers studying HSC. For instance, a study by Lazar et al. (2005) showed permanent changes in brain physiology as a result of Buddhist Insight meditation. The research was done on 20 subjects who were very experienced in this type of meditation. Compared to matched controls, the subjects showed increased thickness in cortical regions related to sensory, auditory, and visual perception, as well as internal perception. These regions included the prefrontal cortex and right anterior insula. Together, these studies suggest that research is now documenting the existence of higher states of consciousness, such as those described by Bucke. The measurable changes in brain function support the idea that these individuals have an ongoing experience and perception that is different from the norm. In summary, the research and theory discussed previously, both soft and hard, suggest the existence of higher states of consciousness and that these can be seen, given the right circumstances, as a natural development beyond the formal operational stage previously thought to be an endpoint. These higher states are characterized by, among other things, the experience of universality and boundlessness, of a transcendence of space and time, and of a heightened sense of well-being. These are not vague, subjective experiences, but rather are empirically defined levels of functioning (Alexander et al. 1987). In Alexander’s view, they can be developed through a specific meditative practice that allows the mind to go beyond thought to a thoughtless state that is the experience of pure consciousness—that is, consciousness without an object of perception. This state of transcendental consciousness is not an end in itself but a means of systemically developing the permanent experience of higher states of consciousness. He acknowledges that other postrepresentational techniques or cultural amplifiers from other cultures may have traditionally had the same end. We now consider the question of whether a cultural amplifier might include electronically mediated communications vehicles such as the Internet.

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I’m just having a hard time believing that they’ll be able to finish the story in 20 episodes in a way that wouldn’t feel rushed. But you’re right, we don’t know yet how major storylines and how much screentime these new characters will get. That does not mean that they didn’t meet earlier: but we never are told that, say, Howland Reed was a ward of Jon Arryn’s. Reed did fight with Ned during the War, and he seems to have saved Neds life at one critical time. If they are going to do something like they did this year, where they hang a major gun for a the arc of one of the main characters in a flashback, then this would be a good way to go about it. However, I have also noticed over the years that what fans call “rushed” is called “good pacing” by critics and general audiences. I predict that next year (and Winter) is going to be about the characters casting their lots in with the primary claimants for the Iron Throne: and the primary source of conflict is that the main characters will either have to side with someone that they dislike against someone they dislike more, or side against someone they like because they cannot get two claimants that they like to reconcile. Which Stark scion gets Winterfell probably will tag-team on this: look for the three surviving Starks to wind up on three different sides. Now, it’s going to be White Walkers vs R’hllor vs. Trees. None of these sides are “good” or “evil”: quite frankly, they probably have their own morality systems that view humans as little more than talking monkeys, anyway. Now, the main characters are going to have to work out which side they should take because: 1) they cannot stand idly by and get runover by these forces; and, 2) any of these sides “winning” could be bad for humans. It will be intense, and fans will call it “rushed” but the other 99% of the audience and the critics might well call it brilliant. The public wants to fit their viewing into their schedules, not make their schedules around TV. The descriptions included a lot less info this year- again, I’m guessing they learned from their previous mistakes. The casting breakdowns always leak, so this time they only gave out basic info and hinted at some roles being important. But I can tell you that these aren’t open auditions. You generally have to have an agent who gets you in to see the casting agency for a specific role, and it’s not easy. Last season all the big roles were in the first cast list.

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