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William McNeill (Oxford, UK: Blackwell, 1992), 15E. 12. Martin Heidegger, Being and Time, trans. Joan Stambaugh (Albany: State University of New York Press, 1996), 387. I have translated Heidegger’s Dasein as “human being” and, possibly even more controversially, sidestepped through ellipses his discussion of “Being-toward death” and “fate” in the above passage. Subsequent references appear in the text. 16. Walter Benjamin, “A Berlin Chronicle,” in One-Way Street and Other Writings, trans. Edmund Jephcott and Kingsley Shorter (London: New Left Books, 1979), 314. Subsequent references appear in the text abbreviated One-Way Street. 17. Walter Benjamin, “Eduard Fuchs, Collector and Historian,” in One-Way Street, 352. 18. One-Way Street, 352. 19. The reference is to Paul Klee’s painting Angelus Novus, which Benjamin uses as his own allegory for our duty to the past, in Thesis IX of “Theses on the Philosophy of History,” in Walter Benjamin, Illuminations: Essays and Re?

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But as soon as there’s a camera in the room, you’ll see Paul come to life. Sure, it wasn’t a heavy dramatic part in the sense of Tennessee Williams or something like Cool Hand Luke, but that didn’t mean that it was an easier role to perform. WARD: Exactly, everything’s done perfectly and subtly: Paul’s facial expressions, the way he looks at his cards, the way he turns and looks at Lonnegan’s thug, the way he explodes, and the way he fakes his drunkenness. Some critics have speculated about the lack of typically beautiful female performers in The Sting, and they’ve even suggested that this was done intentionally to focus on the good looks and charisma of Redford and Newman. WARD: Yes, I’ve always felt that idea was pretty ridiculous. If she was too conventionally beautiful, the audience might not have believed that she was a murderer-for-hire. In today’s world, that idea would seem much more acceptable to a contemporary audience, but back then, it was the first time that audiences saw a female hit man, and I think George was definitely right to cast someone who wasn’t typically beautiful. After the film was shot, were you at the wrap party where Paul Newman, a notorious practical joker, had George Roy Hill’s new sports car literally blowtorched in half. WARD: No, I missed that party, but I do know that Paul is a huge practical joker, so I’m not at all surprised. He likes to work psychologically, and he’s going to come up to you, and want to discuss his character. But everything you say, he’ll later bring up with me, and he’ll drive me crazy. So I don’t want you talking to Paul on the set. ’ So there I was, this young kid, suddenly on the set with the legendary Paul Newman, and every time he walked in my direction, I’d turn around and go in the other direction. It was very awkward, and it seemed that I was spending all my time on the set trying to avoid Paul Newman. Both are carefully plotted and elaborate deceptions, and Edward Shores, in his book on George Roy Hill, discusses the analogy at length. Was this extended analogy on your mind when you were writing the script.

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Thanks for taking the time to listen to the podcast. 45:00 September 26, 2018 Interview: Robert Kirkman Talks About His New Series OBLIVION SONG The creator of THE WALKING DEAD, Robert Kirkman has a new ongoing comic book series hitting your local comic book store on March 7, OBLIVION SONG. If you enjoyed the interview, comment, review, and subscribe. 12:00 February 5, 2018 Exclusive Interview: I, TONYA Producers Bryan Unkeless and Tom Ackerley Welcome to a special edition of the Movie Show on Monkeys Fighting Robots. I, TONYA starring Margot Robbie hits theaters nationwide this week and here to talk about the film are producers Bryan Unkeless and Tom Ackerley. Unkeless also has an update on BRIGHT 2 from Netflix. Thanks for listening. 24:00 January 4, 2018 'Justice League' Interview With Ray Fisher aka Cyborg 'Justice League' is in theaters now, Ray Fisher took the time to chat with us about Cyborg. He is an expert on all things Cyborg from comics to the original animated series. Enjoy the interview and comment with your feedback. Thanks for listening. 13:00 November 17, 2017 NYCC Interview: Todd McFarlane If you were to ask the average comic book reader walking around New York Comic Con to list the most prominent creators of the modern age of comics, odds are the majority of them would include Todd McFarlane. Best known as one of the co-founders of Image Comics, where he created Spawn, McFarlane also had stints at DC and Marvel. It was at the latter where he also left his indelible thumbprint on The Amazing Spider-Man, co-creating Venom — one of Marvel’s most popular characters of the last three decades — with writer David Michelinie. We caught up with McFarlane at New York Comic Con this weekend to learn more about the new Spawn movie he’s working on, his thoughts on its predecessor 20 years later, the 30th anniversary of Venom, and what he’s up to at McFarlane Toys. Reviews are greatly appreciated - How to Rate and Review a Podcast in iTunes 24:00 October 12, 2017 Episode 134: 'Blade Runner 2049' Review and Interviews Welcome to the Movie Show, today is a sci-fi spectacular with 'Blade Runner 2049.

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