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An early partici-pant in Egyptian radio in 1934, he became di-rector general of the Misr studios the following year. In 1939 he resigned to write, direct, and star in his fi rst personal fi lm. Tears African Feature Filmmakers 115 of Happiness, completed by Fatine Abdel Wa-hab. Introduced to the cinema by Ahmed Galal, whose assistant he became in 1948. He also appeared as an actor in a number of fi lms. His most striking fi lms were made from scripts by Naguib Mahfouz. Feature fi lm: A Far Off Place (English, 1993) Samama Chikly, Albert (b. 1872; d. 1934). Pio-neer Tunisian fi lmmaker. An enthusiast for all aspects of western scientifi c development, he organised the fi rst fi lm screenings in Tunisia in 1897, explored radio and x- ray technology, 116 Dictionary of African Filmmakers shot fi lm from a balloon and underwater. Dur-ing the 19141918 war he was a photographer with the French army, shooting fi lm at the front at Verdun in 1916. A life- long photographer, documenting all aspects of Tunisian life, his fi lm work comprises a pioneering short, Zohra (1922) as well as a fi rst feature. Both fi lms were made in close collaboration with his daughter, who wrote the scripts and starred in both, as well as being in charge of the editing. On his re-turn to Senegal in 1964 he worked for the Min-istry of Information. One of the pioneers of Senegalese cinema, his fi rst feature explores the conventional opposition between tradition and modernity, while the second, through its pio-neering treatment of the role of the griot and its narrative cut loose from restraints of time and place, anticipates later developments in franco-phone African fi lmmaking. Studied at the In-stitut Africain dEducation Cinmatographique (INAFEC) in Ouagadougou and at the Sor-bonne in Paris. His only feature fi lm is one of the largely Burkinab- fi nanced educa-tive features which have not received Euro-pean distribution.

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The digital version by Frantisek Storm (2000, Storm Type Foundry ) is called Solpera. He designed the fonts on the banknotes of the Czech National Bank. With Frantisek Storm, he designed Josef Sans in 2013, in the hope of adding a new sans family to Tyfa's Roman (Tyfa Antikva). Areplos (Book and Text), published in 2005 by Storm Type Foundry based on a 1982 original by Solpera. Circo (1971, H. Berthold AG). This Western style slab serif phototypeface was later carried by Lettergraphics as Cirque. For a digital version, see Harold Lohner's free typeface Flying Circus. Comenia Sans (Storm Type Foundry), Comenia Script, Comenia Serif, Comenia Text. At the ATypI in Prague, Frantisek Storm said about Jan Solpera: Solpera always plays with the alternates. At that meeting, Storm described Solpera as a precise and patient man, who insisted on having many alternates (in his types). Celebrated American sign painter and type designer (b. Downer earned a BA degree in Fine Art from Washington State University, and both an MA degree and an MFA degree in painting from the University of Iowa. John Downer has been a journeyman sign painter since 1973, and a type designer since 1983. He teaches hand lettering regularly and lectures widely at educational institutions and professional conferences. Downer's professional activities include sign painting, lettering, glass gilding, type design, typography, and logo design. His typefaces: Ironmonger (1991-1992), Roxy (1990), SamSans (1993) at FontBureau. At Emigre: Triplex Italic (1985; many weights were done by Zuzana Licko), Brothers (1999, a polygonal and almost octagonal family with wood type influences: Its inspiration came from a bright chromolithographed letterhead designed around the turn of the century for the Cole Brothers traveling shows, an extravaganza of acrobatic and circus acts that included trained horses with bareback riders.

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