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It is the motivating aspect of the body and mind to direct the power of human brain into the endless sources of imagination. The whole content is an equvalent of purifying journey to deliver a fundamental psychedelic experience on its own right. Re-mastered and re-edited by Klaus Wiese himself, this masterpiece rediscovers one of the finest moments in Wiese's discography and his entire music career. The perfect introduction for those who haven't yet discovered the beauty of the ambient music. Nothing more happens for a half of an our (Positive Zero 1) and nearly 23 minutes (Positive Zero 2). Soon you would forget that the record is playing and you would start thinking about the things important for you. Short untitled tracks - true KW style of ambient music. The album works as backround ambient music but don't wait for too much. Their third record builds a new space for the band to experiment and play with new sounds and electronic rhythms. It is the band’s most experimental album and at the same time the most accessible.

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Like a lot of gonzo black comedies, this one never 100% figures out what it wants to be, but thankfully it’s pretty successful at everything it dips its toe into: it’s effectively sad, funny, scary, dark, gross and just plain crazy. If that sounds like something of interest to you, you should probably check this out. I was never a huge fan of the Mads’ storyline, even during the original run, but this time around it’s nearly unwatchable. Not only has his voice radically changed, but so has his entire personality. It moves at a breakneck pace, leaving no time for the audience to absorb a joke before they’re already in the middle of the next quip. This improves as the season goes on, thankfully, but it’s extremely off-putting at first. Once the rhythm stabilizes, there are some really huge laughs in some of these episodes. Not surprisingly, the riffing style is closer to the classic Joel era than anything else, but that is by no means a bad thing. Cry Wilderness and Carnival Magic were the standout episodes for me. Overall, I’m very glad this exists, but I’d still choose a good Rifftrax any day of the week.

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Like they were trying to intellectualize a moment so hard it just felt forced. Even the color scheme of this movie felt jarringly different and so saturated, like the colors were turned up to the max. The first film had a color story that made sense its grey and depressing when Bob is working, explosion of color once you get to Nomanasan. Theres a development of color that is both metaphoric and makes sense. This films color story felt childish, which would be fine if it was just a childrens movie. But its apart of a franchise thats first film was an iconic masterpiece with mature yet fun themes, and in that respect it is seriously disappointing and difficult to watch. lot Most predictable plot ever made. As soon as you see it, you know the siblings sister will turn out to be bad, and that shes controlling screen slaver. They are literally fighting people who can be calmed down if they just remove goggles. Even that scene with Dash where he cant pronounce decimals, which was supposed to be family friendly and cute, was just irritating and felt dumb for his character.

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While the creepy-crawly paranoia that comes from watching a good horror flick is something most anybody can relate to, what’s interesting is how differently fear manifests itself in the films that come from varying cultures. The customs and traditions that form different cultures shape what a certain society will value, and also what they fear. The superstitious and deeply religious nature of Filipino society embeds the horror films in Filipino cinema with a strange likeness for things in the supernatural world. Whether it’s through cursed religious items or monsters hiding in Balete trees, it’s clear that the occult has a stronghold in Filipino horror. If you love campy horror films, psychological thrillers, and supernatural spooks, here are a few of my favorite supernatural horror movies from my home country you’ll love just as much as I do. These beliefs evince themselves through various items that many Filipinos cherish and worship. Most notably, Bagua mirrors—pictured in the poster above—are said to bring good luck and expel bad spirits. Though unfortunately for Joy Ramirez (Kris Aquino), the Bagua she finds is cursed. The mirror initially seems to spark a series of fortunate events for her—she gets the promotion she’s been seeking and wins a grand prize. Though she soon realizes that behind the facade of luck lies a gruesome curse that leads those who look into the mirror to meet horrible deaths all somehow related to their Chinese Zodiac.