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It also has a planned reboot of Steven Spielberg’s “Amazing Stories” in the works, among other projects. Martin McDonagh’s “Three Billboards Outside Ebbing, Missouri” followed behind with nine nods and “Dunkirk” with seven. The rest of the category was rounded out by “Call Me By Your Name,” “Darkest Hour,” “Get Out,” “The Phantom Thread,” and “The Post. . Those who, like me, were raised on a steady diet of His Dark Materials and Fringe will find much to enjoy in Counterpart, the new Starz drama starring J. . Simmons as two same-but-different men on either side of an interdimensional divide. All the component parts of a good split-reality tale are there—the gradual, patient worldbuilding via context clues; the wide-eyed wonder of discovery, mirrored by an audience proxy; the philosophy-lite hypothetical taking nature versus nurture to its logical extreme—grafted seamlessly onto the plot and tropes of a spy thriller. Counterpart is the kind of slickly entertaining fare that’s often lost in the chasm between popcorn and prestige aspiration; if the term weren’t so frequently misused as an insult, it’d be tempting to deem the show “middlebrow. Counterpart, which premiered this past Sunday, is worth keeping an eye on, particularly for fans of the genres that creator Justin Marks (The Jungle Book) freely picks and chooses from in his fusion of science fiction and spycraft. Departments have names that are either blatantly euphemistic or merely overbroad, like “Housekeeping” and “Interface. Supervisors give promotions and enforce strict codes of conduct without apparent rhyme or reason.

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Once you turn the lights out and go to bed, that's when you think about the film and do your head in a bit. I found myself just waiting for the next 'night scene' to see what happens as everything else just seemed like filler. A couple of freakish scenes towards the end but not enough to make up for the rest of the film. Everyone needs their buttons pushed in a different way. I find a lot of popular comedies unfunny, just like some people are not scared by the style of fear used in movies like this and blair witch. I personally prefer the natural low key and realistic style of these movies than the fancy 'boo scare' style of the majority of 'scary' movies these days. Really enjoyed how the crowd all tensed up and freaked out at the same time:D. He's a skeptic, and I can relate to that, I would be the same. But near the end, when it's definitely not something easily explainable, he should've at least been a bit more compassionate to the chick. For the record, I thought the theatrical ending was very effective. Having the screaming suddenly cut off, then the overly loud thudding of the 'person' climbing the stairs and the long pause at the top, in the pitch black, before the body comes hurling out. I really didn't relish the idea of coming into a dark house alone:D.

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