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The possibility of this formula falling into the wrong hands is far too great to risk posting here on this blog. So, in an effort to document this momentous occasion I will put myself in deadly peril by undertaking the first Trans-Chronological Peregrination alone, whilst illustrating the fantastic images I come upon, in glorious pen and ink. I will venture into the unknown and return unscathed. (hopefully) Please return here, for future updates on my travels through the SPACE-TIME CONTINUUM. Dressed operators create particles, together with their gauge or gravitational fields which typically extend to infinity. This raises an important question of how well quantum information can be localized; one version of this is the question of whether soft charges fully characterize a given localized charge or matter distribution. This paper finds expressions for the non-trivial soft charges of such dressed operators. However, a large amount of flexibility in the dressing indicates that the soft charges, and other asymptotic observables, are not inherently correlated with details of the charge or matter distribution. Instead, these asymptotic observables can be changed by adding a general radiative (source-free) field configuration to the original one. A dressing can be chosen, perturbatively, so that the asymptotic observables are independent of details of the distribution, besides its total electric or Poincar\'e charges. This provides an approach to describing localization of information in gauge theories or gravity, and thus subsystems, that avoids problems associated with nonlocality of operator subalgebras. Specifically, this construction suggests the notions of electromagnetic or gravitational splittings, which involve networks of Hilbert space embeddings in which the charges play an important role. What the Edtech? E6: How AI and big data will transform research Cache Translate Page Our experts explore the fascinating (and mind boggling) world of artificial intelligence ( AI ), and how cloud computing is changing how we think about access to technology. In this episode Daniela Duca, who works with us as a senior co-design manager, and Kenji Takeda, director of the Microsoft Azure for research program, have a fascinating chat about some pretty big ideas - the equipment data project, post-quantum cryptography, big data, the Cambrian explosion, AI and cloud and quantum computing. We also hear from Miranda Mowbray, lecturer in Computer Science at University of Bristol, who dispels the magic surrounding machine learning. She also discusses her work identifying a tax on computer networks, discovering previously undetected malware. Like this podcast? Subscribe via iTunes or add the RSS feed to your favourite podcast app. You can also visit the Jisc website for more content.

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I may need to go there myself and see if they did the place any justice. . The next month, we scored a pair of cheap RT tickets to the Land of the Ivatan. But more than it’s undeniable beauty, Batanes had served as the setting for one of the happiest moments in my life. No theatrics, just me and him; the ocean and the sky and the incredible landscape as witnesses. So, much like Georgina and Pong, Dennis and I started something beautiful in Batanes. And no words would ever be enough, no photos sufficient, to replicate the magic of the moment and the place. Because, just like what Pong had declared: Ang Batanes ini-experience, hindi ginogoogle. I know that nine films are not enough and probably I will make another collab post with fellow travel bloggers soon (most of them were busy traveling when I asked them). What about you? Which Pinoy movie inspired you to visit a certain Philippine destination or encouraged you to explore the country. However, it is interesting to note that the last one I’ve seen was Claudine and Aga’s movie about Dubai, and what do you know. A timeshare resale on the secondary market can be rented for up to 50% off retail prices when booked online. Browse timeshares for sale and rent by owner today! She was bitten by that radioactive spider mere moments after Peter was. Established genre filmmakers and newcomers alike delivered some terrifying, deeply unsettling pictures that had us biting our nails, covering our eyes, and losing hours of sleep. It tells of a strange sickness that hits a small town, a sickness that may be connected to a mysterious Japanese man that lives in the mountains. There’s atmosphere to burn in this tense-as-hell outing, which manages to infuse a good bit of humour and drama for good measure. Get to it. Not only was it a surprise financial hit, it was actually a fun, creepy and jump-filled little pic that had us aching for our childhood night lights.

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Of the numerous high points in Miles' career, this one is the one that shines darkest, and loudest. Technical note: There exist numerous editions of this album, and several of them sport different mixes. Fans seem to agree that the original (Japanese) vinyl mix is the best, as it has an extremely wide stereo spectrum in which the individual instruments remain remarkably discernible throughout, even if this occasionally results in a multi-faceted, at times confusingly multi-voiced sound. I've never heard the Japanese original, but this one, the European edition on CBS, has the wildest mix that I've heard so far. The guitars are very much in the front here, and they sound searing and intense as they form a multi-layered pattern, of which every detail can be heard well. The Japanese Blu-spec CD from 2013 comes closest to this original vinyl sound. The Japanese Master Sound edition from 2000 is extremely dynamic and more bass-heavy, but less rich in detail; the result is a punchy, straighter, more rhythmic sound that is somewhat reminiscent of hard rock. Thankfully, there are plenty of recorded encounters between Miles Davis and John Coltrane. The leader's trumpet playing is adventurous, and gave the Swedish crowd their money's worth, if not exactly what they expected to hear. But Coltrane uses this familiar book of routines to explore playing entire chords on the tenor sax (a trick suggested by Monk 3 years earlier). Some of the solos here are the start of his avante-garde period. Coltrane could have just blown chord changes at high speed, but he used a hip but relatively traditional rhythm section to fuel his explorations. Remarkably, none of the four albums has Contractual Obligation Album written all over it, even though that's exactly what they are. Relaxin' and Cookin' the first two released, are the best of the bunch, even though they are very different in mood. Relaxin' is, as the name implies, extremely relaxed and laid back. It is also the only Miles Davis album ever released to contain some studio banter, apparently to demonstrate how relaxed the sessions were. The set consists mostly of standards, typically performed by Miles with the muted horn. It's surprising how radically different he would sound only a year later. It's not hard to see how with these albums Davis was responding to Clifford Brown, who at the time was setting completely new standards in trumpet playing. Even though they may seem somewhat conventional, the selections are nevertheless very good and extremely enjoyable.

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Always having too much to write about, her work has appeared in publications globally including Little White Lies, Kill Your Darlings, SBS Sexuality, 4:3, and bMag, as well as on her own blog Monumental Pictures; writing about film, TV, pop culture, dance, and other areas of the arts. She was a participant of the Critics Campus at this year’s Melbourne International Film Festival. I finally have the bag I've been lusting after forever. I'm sure that all of you knew what I was going to be puling out of this box today, and i am absolutley in love. I was also sent this beautiful bag from the brand Lollo Vita. I picked out the style Electra1002 in white and it is absolutely the cutest little mini bag. It also comes in a few other colors in this style, as well as many other designs. I'm sure you guys know how in love I am with my new Gucci bag, I have been carrying it non-stop since it came out of the box. Hope you guys enjoy this video, and I'll catch you in my next one. You as a consumer do not pay any more or less as a result of using them. They do help support my channel, and I really appreciate if you do! --Katherine. The Graphic Equalizer Studio contains precise comparison functions to provide an accurate and reliable statement about the frequency response of any given. You can run the. From PAS-Products: you can run any windows sound application or DVD Player software above the Equalizer. The Equalizer will correct the audio stream automatic and will include the Limiter and the compressor to be sure, that the audio signal is not to loud or not to low. Graphic Equalizer Studio is an automatic Calculation of Band Frequencies with Octave selector DSP Normalization of Wave files Programmable Frequency selection with independent Band Calculator Programmable Q-Factor for fine-tuning separate configurations Configurations saved in 2 convenient. Graphic Equalizer Studio - Graphic Equalizer works together with Winamp, iTunes in realtime, Batch Restoration Tool for your MP3 files, Correlations Meter, RMS Level Meter and Peak Level for the Input and Output, Mixer Play List (use it like Windows Media Player) Download Graphic Equalizer Studio 2017 free. A small utility which lets you easily analyze and edit your audio files. Free Download Graphic Equalizer Studio 2017 - Analyze WAV files and alter frequency levels with this audio editing application, which also features.

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That is why it will be bad or heartbreaking if he finds out she is lying to him. I dont think Jon will be legitimized or that she is trying to legitimize him. I think she might have given him the cloak because she felt guilty about lying to him. As a side note there was so much happening in this episode it is difficult to remember the small things, but it was amusing to see Jon stumble like a typical man when she asked him what he thought about her dress. Brienne herself isn’t exactly smiles and sunshine, either. Right before he was stabbed he was also very demoralized after seeing the Nights King raising the dead. Jon is not an unreasonable type, if she explained to him all that Littlefinger has done, and how he has brought her to the Boltons, then I am pretty sure he would trust her judgement on Littlefinger. I can’t see why Jon wouldn’t respect her opinions. I do think she is right about not trusting Littlefinger. But in general when you tend to lie to the people closest to you it tends to backfire at some point. She met her before that and she was in her mothers charge and her persistence have to count for something. In any case like I said, its more than trust issues and more of don’t bring Jon into it until he needs to know. Right now, he doesn’t need to know what she is planning for LF and she may need the army eventually. I dont think Jon will be legitimized or that she is trying to legitimize him. think she might have given him the cloak because she felt guilty about lying to him. There was so much happening in this episode but it is difficult to remember the small things, but it was amusing to see Jon stumble like a typical man when she asked him what he thought about her dress. Remember, you and I know him better than she does at the moment. And then in turn, Sam told Jon when he returned to CB. Sam did tell Jon about seeing Bran, iirc (or maybe it was alluded to happening off screen too), so it stands to reason Bran would want Jon to know the two of them were alive and well. I’m sure the topic of Bran and Rickon being alive came up in Jon and Sansa’s off screen chat, so if Jon knew where they where, he would most likely tell Sansa.

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Its focus on the psychology of grief was unusually strong for a film featuring a supernatural horror plot. Another notable film is The Wicker Man (1973), a British mystery horror film dealing with the practice of ancient pagan rituals in the modern era. Representative films include: Twitch of the Death Nerve, Deep Red and Suspiria. Romero satirized the consumer society in his zombie sequel, Dawn of the Dead (1978). Meanwhile, the subgenre of comedy horror re-emerged in the cinema with The Abominable Dr. Phibes (1971), Young Frankenstein (1974), The Rocky Horror Picture Show (1975), and An American Werewolf in London (1981) among others. Next, was his third published novel, The Shining (1980), directed by Stanley Kubrick, which was a sleeper at the box office. At first, many critics and viewers had negative feedback toward The Shining. However, the film is now known as one of Hollywood's most classic horror films. Murder and violence were no longer the main themes of horror films. In the 1970s and 1980s, psychological and supernatural horror started to take over cinema. Another classic Hollywood horror film is Tobe Hooper 's Poltergeist (1982). Poltergeist is ranked the 20th scariest movie ever made by the Chicago Film Critics Association. Both The Shining and Poltergeist involve horror being based on real-estate values. It stars James Brolin and Margot Kidder as a young couple who purchase a home they come to find haunted by combative supernatural forces. The Changeling is a 1980 Canadian psychological horror film directed by Peter Medak. Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big-budget Hollywood film. In 1979, Don Coscarelli 's Phantasm was the first of the Phantasm franchise. Sleepaway Camp (1983) is known for its twist ending, which is considered by some to be one of the most shocking endings among horror films. My Bloody Valentine (1981) is a slasher film dealing with Valentine's Day fiction.


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Sementara aku satu-satunya yang bisa ngantar, pas balik ke Indonesia itu, entah gimana mataku sakit kena virus jadi nggak berhenti mengeluarkan cairan. Akhirnya aku harus menjadi kurir pengantar dua koper gede berisi sabun, dengan mata belekan non-stop, nggak banget deh pokoknya. Aku ingat banget aku berangkat first flight in the morning ke Singapore, ngasih sabun, 3 jam kemudian balik lagi ke Jakarta, tentunya dengan kacamata hitam yang nggak pernah dicopot, hahaha. Aku belajar banyak dari perspektif Yasmin, terutama karena dia seorang ibu dan punya tanggung jawab yang kupikir relatif lebih besar daripada aku. Ada value dari bapakku yang aku pegang teguh sampai sekarang. Yang paling nempel di aku, dia (Bapak) mengajarkan kalau semua keputusan itu harus reasonable, jelas alasannya, dan bisa dipertanggungjawabkan. Ibuku itu kalau mengerjakan apapun pasti niat banget. Jadi, untuk semangat dan keniatan aku banyak mencontoh Ibuku. Dari keponakan-keponakanku juga aku belajar tentang curiosity. Untungnya Nadya punya pergaulan yang luas, kami jadi punya banyak kesempatan untuk sering bertemu orang-orang yang bisa diajak diskusi. Tiap kali ketemu orang, pasti selalu ada hal yang bisa dipelajari. Selain itu kami juga terafiliasi dengan GEPI, yang menjembatani Wangsa Jelita dengan angel investor kami. Kami juga belajar cukup banyak dari orang-orang yang ada di GEPI. Menurutku, ketika aku merasa punya value atau pendapat, aku akan cukup kuat mempertahankan itu, cukup tidak tergoyahkan. Di satu sisi, aku percaya itu bagus, tapi di sisi lain, kadang-kadang aku jadi sulit untuk melihat perspektif orang lain seperti apa. Kayaknya aku masih perlu banyak belajar bagaimana caranya tetap teguh pendirian terhadap value yang aku miliki, tapi tetap respectful sama aspirasi atau value orang lain, hehe. Jadi, people management adalah yang paling susah sejauh ini buatku. Tapi jauh lebih fleksibel dan kami bisa menciptakan culture yang kami inginkan. Misalnya, di Wangsa Jelita, kami menekankan bagaimana caranya keluarga itu menjadi prioritas, tapi tetap harus balance sama pekerjaan. Aku dan Yasmin berpendapat kalau kami harus bisa menjadikan Wangsa Jelita enabler buat siapa pun di tim untuk mempunyai dua roles or even more.

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