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Of the numerous high points in Miles' career, this one is the one that shines darkest, and loudest. Technical note: There exist numerous editions of this album, and several of them sport different mixes. Fans seem to agree that the original (Japanese) vinyl mix is the best, as it has an extremely wide stereo spectrum in which the individual instruments remain remarkably discernible throughout, even if this occasionally results in a multi-faceted, at times confusingly multi-voiced sound. I've never heard the Japanese original, but this one, the European edition on CBS, has the wildest mix that I've heard so far. The guitars are very much in the front here, and they sound searing and intense as they form a multi-layered pattern, of which every detail can be heard well. The Japanese Blu-spec CD from 2013 comes closest to this original vinyl sound. The Japanese Master Sound edition from 2000 is extremely dynamic and more bass-heavy, but less rich in detail; the result is a punchy, straighter, more rhythmic sound that is somewhat reminiscent of hard rock. Thankfully, there are plenty of recorded encounters between Miles Davis and John Coltrane. The leader's trumpet playing is adventurous, and gave the Swedish crowd their money's worth, if not exactly what they expected to hear. But Coltrane uses this familiar book of routines to explore playing entire chords on the tenor sax (a trick suggested by Monk 3 years earlier). Some of the solos here are the start of his avante-garde period. Coltrane could have just blown chord changes at high speed, but he used a hip but relatively traditional rhythm section to fuel his explorations. Remarkably, none of the four albums has Contractual Obligation Album written all over it, even though that's exactly what they are. Relaxin' and Cookin' the first two released, are the best of the bunch, even though they are very different in mood. Relaxin' is, as the name implies, extremely relaxed and laid back. It is also the only Miles Davis album ever released to contain some studio banter, apparently to demonstrate how relaxed the sessions were. The set consists mostly of standards, typically performed by Miles with the muted horn. It's surprising how radically different he would sound only a year later. It's not hard to see how with these albums Davis was responding to Clifford Brown, who at the time was setting completely new standards in trumpet playing. Even though they may seem somewhat conventional, the selections are nevertheless very good and extremely enjoyable.

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That is why it will be bad or heartbreaking if he finds out she is lying to him. I dont think Jon will be legitimized or that she is trying to legitimize him. I think she might have given him the cloak because she felt guilty about lying to him. As a side note there was so much happening in this episode it is difficult to remember the small things, but it was amusing to see Jon stumble like a typical man when she asked him what he thought about her dress. Brienne herself isn’t exactly smiles and sunshine, either. Right before he was stabbed he was also very demoralized after seeing the Nights King raising the dead. Jon is not an unreasonable type, if she explained to him all that Littlefinger has done, and how he has brought her to the Boltons, then I am pretty sure he would trust her judgement on Littlefinger. I can’t see why Jon wouldn’t respect her opinions. I do think she is right about not trusting Littlefinger. But in general when you tend to lie to the people closest to you it tends to backfire at some point. She met her before that and she was in her mothers charge and her persistence have to count for something. In any case like I said, its more than trust issues and more of don’t bring Jon into it until he needs to know. Right now, he doesn’t need to know what she is planning for LF and she may need the army eventually. I dont think Jon will be legitimized or that she is trying to legitimize him. think she might have given him the cloak because she felt guilty about lying to him. There was so much happening in this episode but it is difficult to remember the small things, but it was amusing to see Jon stumble like a typical man when she asked him what he thought about her dress. Remember, you and I know him better than she does at the moment. And then in turn, Sam told Jon when he returned to CB. Sam did tell Jon about seeing Bran, iirc (or maybe it was alluded to happening off screen too), so it stands to reason Bran would want Jon to know the two of them were alive and well. I’m sure the topic of Bran and Rickon being alive came up in Jon and Sansa’s off screen chat, so if Jon knew where they where, he would most likely tell Sansa.

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Its focus on the psychology of grief was unusually strong for a film featuring a supernatural horror plot. Another notable film is The Wicker Man (1973), a British mystery horror film dealing with the practice of ancient pagan rituals in the modern era. Representative films include: Twitch of the Death Nerve, Deep Red and Suspiria. Romero satirized the consumer society in his zombie sequel, Dawn of the Dead (1978). Meanwhile, the subgenre of comedy horror re-emerged in the cinema with The Abominable Dr. Phibes (1971), Young Frankenstein (1974), The Rocky Horror Picture Show (1975), and An American Werewolf in London (1981) among others. Next, was his third published novel, The Shining (1980), directed by Stanley Kubrick, which was a sleeper at the box office. At first, many critics and viewers had negative feedback toward The Shining. However, the film is now known as one of Hollywood's most classic horror films. Murder and violence were no longer the main themes of horror films. In the 1970s and 1980s, psychological and supernatural horror started to take over cinema. Another classic Hollywood horror film is Tobe Hooper 's Poltergeist (1982). Poltergeist is ranked the 20th scariest movie ever made by the Chicago Film Critics Association. Both The Shining and Poltergeist involve horror being based on real-estate values. It stars James Brolin and Margot Kidder as a young couple who purchase a home they come to find haunted by combative supernatural forces. The Changeling is a 1980 Canadian psychological horror film directed by Peter Medak. Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big-budget Hollywood film. In 1979, Don Coscarelli 's Phantasm was the first of the Phantasm franchise. Sleepaway Camp (1983) is known for its twist ending, which is considered by some to be one of the most shocking endings among horror films. My Bloody Valentine (1981) is a slasher film dealing with Valentine's Day fiction.

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