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Arguably, their experiments with form and constraint—especially Paranormal 2 —are as rigorous as other contemporary films considered experimental or, at the least, challenging, such as Ten (Abbas Kiarostami, 2002; two mounted digital cameras), Russian Ark (Alexander Sokurov, 2002; one continuous 96-minute shot), or Timecode (Mike Figgis, 2000; screen divided into four quadrants, each showing simultaneous action in real time with no cuts). Unlike the French New Wave or Italian Neo-Realism or the Film Culture movement, there is no one to claim that films like The Blair Witch Project or the Paranormal films are experimental, and therefore they are not. The avant-garde has always depended on publicity to achieve and police its once-notorious place at the edges of the canon. In the post-cinema world, the proliferation of social media outlets has resulted in not more discourses across platforms, but less. Filmmakers are, by and large, publicists rather than agents of disaster. It’s not that capital has thoroughly commodified cinema (this doesn’t seem to be the case), but rather that post-cinema lacks the powerful meta-narrative to swim upstream against the currents of unorthodox publicity. Where are the voices that proclaim the avant-garde post-cinema as the avant-garde post cinema. In particular, I just want to underscore what interests me the most in Steve’s elaborations in the Film-Philosophy excerpt from Steve’s book, “Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales. Mainly, I like the attention he pays to the inter-connections among technology (specifically new digital modes of production), capital, and affect. Just as the old Hollywood continuity editing system was an integral part of the Fordist mode of production, so the editing methods and formal devices of digital video and film belong directly to the computing-and-information-technology infrastructure of neoliberal finance. (3). For example, the fixed security camera footage forces me to scan the frame continuously because I realize that the camera will not pick out action or details that I should focus on.


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At a recent Supreme Court hearing, activists presented the judges with the stones in a plastic bag. The only outcome of their efforts has been that Soni Sori remains in jail while Ankit Garg, the Superintendent of Police who conducted the interrogation, was conferred with the President's Police Medal for Gallantry on Republic Day. We hear about the ecological and social re-engineering of Central India only because of the mass insurrection and the war. Some sections of the media have done what they could to bring public attention to what is happening in Central India. However, most of the Indian mass media is made vulnerable by the fact that the major share of its revenues come from corporate advertisements. If that is not bad enough, now the line between the media and big business has begun to blur dangerously. As we have seen, RIL virtually owns 27 TV channels. Some media houses now have direct business and corporate interests. For example, one of the major daily newspapers in the region— Dainik Bhaskar (and it is only one example)—has 17. million readers in four languages, including English and Hindi, across 13 states. It also owns 69 companies with interests in mining, power generation, real estate and textiles. Whether or not it has attempted to influence the outcome is not germane.

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. This topic is incredibly devisive and so this informaiton is offered only for your consideration. Last week when VT published information gotten during the interrogation of a Turkish intelligence agent, Sawash Yeldiz, captured by Popular Party of Kurdistan (PPK) militia inside Syria, information tying Turkish President Erdogan to the Brussels terror attacks, we saw how real leaks are dealt with. This is what Wikileaks was and is, as exposed by VT and Zbigniew Brzezinski in December 2010. Related - David Wilcock: The Panama Toilet Papers Related: Panama Papers: A Bogus Sting Operation To Smear Putin And Assad When a German newspaper received this dump over a year ago, they turned, unknowingly, to an organization actually run by intelligence agencies, in fact those with the most to risk from the leak itself, the International Consortium of Investigative Journalists. There is no international authority without an agenda to serve drug cartels and money launderers. Russian wealth is only a tiny minority of the money hidden away with the aid of Mossack Fonseca. In fact, it soon becomes obvious that the selective reporting is going to stink. The Guardian reports this too and helpfully lists those countries as Zimbabwe, North Korea, Russia and Syria. And the Guardian is quick to reassure that “much of the leaked material will remain private. . The dirty secrets of western corporations will remain unpublished.

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Still, it’s it’s been a while since we’ve visited the Seven Kingdoms, so before we get the final piece of HBO ’s epic hit series, here’s a quick rundown of everything you need to know before you watch Game of Thrones Season 8. Game of Thrones has used “ Winter is coming” as its ominous tagline since 2011, and Season 7 finally delivered on that promise. That's why this picture of the two actors soaking up rays together seems so odd. And you’ve got to admit: all these stand-ins look so similar to the show's famous leads that it's actually kinda difficult to tell them apart at first glance. As important as the actors are in bringing the world of Game of Thrones to life, so too are the crew members. Naturally, a story this epic in scope and length requires hundreds of professionals working tirelessly at their craft. Among the most important of these crew members is Deborah Riley, who serves as the series' lead production designer. One of the reasons the show has caught on with so many people is because it feels so real. Of course, it feels so real because much of it is: many of the grand locales are shot on location, rather than on a stage or studio backlot. But this illusion is further cemented by the intricate, but subtle, set decoration and design, which captures the viewer's attention without being so dazzling as to distract from the drama of the story or the performances of the actors. Keep watching the video to see set moments that will change everything about Game of Thrones! All The Details You Missed In The 'Game Of Thrones ' Season 8 Trailer.