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Last week's show was one of those where bales of stage money is the prime requisite, in which particular a number of wheel shows are in the same class. At one point Rose ran oTut of phoney dough and peeled off a regular bank note from his role. Her numbei near the close would have been funny had the house not been so chilly. Sol Fields, who stages the show, worked things up to a fine pitch the chorus came oh In bunches of three and four at a time and every time a new flock entered the whole bunchwont through evolutions—and then the Oriental dancer failed to supply a tiny thrill. Miss Hargls is a plump miss, of neat appearance and the general Impression was the new people in the show added pep and youth. The book hasn't been changed from the way the chorus girl hit was done. Miss Lorraine talks about being in trouble, having an. ver-due board bin, limousine on the Bum, etc. and then says as a chorister she only draws f 20 Ser week. In these days of the Chorus Iquity Association, that is, a salary to. In theory the show should have a pretty good looking bunch since the attraction does not leave town. The second section Is divided Into three scenes, the first supposed to be a household Interior, but whloh looks more like a hotel set than the first scene; the second a house drop, and the third a freshly painted and fine looking exterior. The first 26 minutes runs to dialog,, entertaining and holding several good laughs. Sadie Banks as the slangy picture vamp has most ol the fat lines here and handles them for sure results. Assisting Watson in the comedy-department, and lending real aid are fcawrence Brooke in the first part a conventional. estern bad man, with black mustache, guns, etc. and Alfred Dupont who does one of those burlesque FrencHmen, miles away from the character in dialect and mannerisms, but funny. WatSon also seems unnecessarily rough in his vocabulary throughout the show.

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Kildaire, The Big Valley, Profiles in Courage, Felony Squad, and Run for Your Life. Darren McGavin offered up one of the better private eyes of the 1960s as Ritchie’s The Outsider, an ex-con who takes the job of tailing Edmond O’Brien’s secretary, who may be robbing funds. When she ends up dead, shot with the detective’s gun, the case gets rougher than the TV norm of the era. The pilot for the short-lived McGavin series of the same name, this film was much more involving than many of the detective features of the times. Shirley Knight co-starred with Nancy Malone, Audrey Totter, Ann Sothern, and Ossie Davis. Roy Huggins, who wrote The Outsider, also produced and penned the source story for The Sound of Anger, which became the pilot film for The Lawyers segment of The Bold Ones. Guy Stockwell and James Farentino played brothers in a law firm defending a young man in the murder of his girlfriend’s wealthy father. Dorothy Provine also starred with Lynda Day, Dana Elcar, and Jay C. The finest achievement of Ritchie’s career was The Positively True Adventures of the Alleged Texas Cheerleader Murdering Mom. It was a marvelous fit all the way around for Ritchie’s sardonic sensibility as his cameras covered a modern, Texas-grown, middle-class family amid a way-warped problem. This was a series of actual events, recreated in Jane Anderson’s script, that were based on court transcripts that would be difficult to put over as reality if they weren’t true. Sears never let the edge go dull as this uncompromising portrayal focused on the pettiness, venality, and social one-upmanship of the characters. Ritchie assembled a truly game cast that caught the eerie nature of the basic plot by a Houston area woman and her brother to hire a hit man to kill the mother of the 13-year-old school cheerleading rival of her daughter. Wanda Holloway eventually was released from prison in 1991 after serving six months of a 10-year sentence for soliciting murder. Holly Hunter inhabits Wanda in one of TV’s outstanding incarnations of twisted motherhood, a brimming and striking performance. Beau Bridges has never been better than as the brother, Terry Harper. The scene in which these siblings hatch the murder plot in the front seat of his truck is an all-time classic. Positively True Adventures of the Alleged Texas Cheerleader Murdering Mom earned Emmy Awards for Hunter, Bridges, and Anderson.

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Terrible. It's also the episode where Ned confronts Cersei. On the one hand it all seems plausible enough to be things the show would do, but there's definitely some bits I'd rather not see be real. They downloaded the files and got Game of Thrones season 5. I hope they have a good explanation for the hair cut. I am 99% sure that he will say nothing new about TWOW but the posts do offer some insight in regards to his past year. It was originally one large post but it got deleted so he's broken it up into a bunch of smaller less satisfying posts (sound familiar? and has not finished uploading them all yet. No one should ever base their hopes on vague comments from foreign language editors. 5th hand information about an author who probably doesn't even know himself when he will be finished writing is not worth much. Though I like the bit in the end, Dorne and Tyrells united against someone. I hope that someone is Euron with Slayer blasting in the background or it won't make sense. I can't see anything that could possibly motivate that. As for what role he would play in the Iron Islands, it could just be that they didn't feel comfortable having a plot that was just Yara and Euron, and wanted one of their main characters there. It may be that the show Kingsmoot is merging the Feast Kingsmoot with some future event where Asha brings Theon back to invalidate Euron's election, so he'll be there speaking for Yara in the show. Kill off a smaller character rather than letting them come into a bigger role, and then pass that bigger role on to an already major character. Ray Stevenson (the only Victarion there ever could have been) is playing Blackbeard in Black Sails season 3. Perhaps something that would inform book readers of spoiler-y topics that may be reached in the show?

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Kids were so frightened by these films that they wet themselves in terror. Hand, has a primal shock that still haunts oldsters who saw it 40, 50, 65 years ago. Pretending to audition women for a TV show, he finds Asami (Eihi Shiina), who will both bring his lust to boiling and knock his fantasies into agonizing reality. “Words create lies,” Asami sagely says. “Pain can be trusted. She tests that trust by severing a foot with piano wire and employing a method of needle probing we might call eye-cupuncture. The crafty, impossibly prolific Takashi Miike — he has directed 75 movies and TV films since 1971 — is a master of the grotesque in many genres. (Catch his comix fantasy Fudoh: The New Generation, his yakuza drama Gozu and the indescribably strange family epic Visitor Q. But unlike Saw and its imitators in the genre of torture porn, Audition doesn’t go for gore-ific money shots. Miike’s films live inside their characters, taking the temperature of their longings, the ridiculous ambitions they chase so obsessively and their need to experience the extreme to prove they’re alive. Director Rupert Julian’s lavish subterranean nightmare (best seen on Milestone’s two-disc set) is a tribute to the artistry and masochism of Lon Chaney, the “man of a thousand faces” who endured extraordinary pains to scare audiences and burrow into the sad hearts of characters like Quasimodo, Mr. Wu and the phantom. This film was remade many times, most recently as V for Vendetta. He also authored the best of the Roger Corman films based on Edgar Allan Poe stories. In the ’70s heyday of TV films, Matheson wrote some classics of preternatural dread, including Steven Spielberg’s debut feature, Duel, and The Night Stalker, that tart cocktail of vampire, cynical journalist and Las Vegas. But the telefilm any aging kid will recall with a shudder is Trilogy of Terror, starring Karen Black and produced and directed by House of Dark Shadows ’ Dan Curtis from three Matheson stories. The keeper was the third story, “Amelia,” in which Black brings home a small African totem, a Zuni fetish doll, that comes to demonic life and does everything it can to kill her. An intense battle of tiny monster and resolute human, “Amelia” is perhaps the all-time scariest half-hour of original prime-time television — unless it’s tied with another Matheson teleplay, The Twilight Zone ’s 1963 “Nightmare at 30,000 Feet,” with William Shatner’s visions of a gremlin on the airplane wing.

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She has barely talked to this dead kid and she already wants to give birth to him. Well, it's a no go for Jim and Linda raising David anyway, because David doesn't like Jim. And he assures Linda that yes, he knows how to hold a grudge. It appears that may be the case, as people around the young couple start dying in mysterious but brutal ways, ways that seem to involve a hatchet. The hammers he and his co-workers use don't have claws on the back to remove nails, they have hatchet blades. And some spirit uses just such a hatchet to cut ropes holding up heavy objects and to slash throats. How similar the tool Jim is familiar with is to the murder weapon doesn't escape the attention of a magic-loving local detective. The deaths aren't the only troubling thing that goes on. The more Linda uses the Ouija board on her own, the more her attitude and demeanor change. Realizing that something is very wrong here, Brandon begins to suspect that Linda is experiencing progressive entrapment, a process through which an evil spirit will lure a person in by at first being nice and helpful, but then will start to terrorize the person, breaking them down and ultimately possessing them. Using the Ouija board alone has made her more susceptible to being influenced by an evil spirit. A spirit which may be David, or another one pretending to be David. Bringing Zarabeth into the situation doesn't do much other than provide the spirit with another victim, but it does introduce an intriguing word into the mystery. Malfeitor. A Portuguese word meaning someone who's trouble, a wrongdoer. Evil. David wasn't Portuguese, so why did this word come to Zarabeth's mind. As things intensify with Linda and the violent spirit, which makes its existence very clear to Jim, Jim and Brandon have to put their differences aside so they can work together to get to the bottom of what's going on and find a way to save Linda before it's too late.