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Rotten Tomatoes 85. 2. The Host (2006) Rotten Tomatoes 93. 3. In this Korean horror classic, a group of teenage girls call on the powers of a ouija board to curse their school bulliesbut they get more revenge than what they bargained for. One day, YooJin and her two bullied friends, uses an Ouija Board to put a curse on their bullies Check out these these 10 Korean horror films will keep you up ALL night. Horror films can create a visceral experience for the viewer, with levels of fear resulting in This movie is so great, it too me a while to find it, but I did and it was so worth watching. This is the first KoreanAsian horror movie I seen and I'm starting to like it. Bunshinsaba reminds me of when I was in 1st grade, Korean horror movie bunshinsaba rotten it goes really A list of the Best Korean Horror Films, voted on by scary movie fans like you. If a particular favorite is not at the top A list of the Best Korean Horror Films, voted on by scary movie fans like you. Pamain:nina cozo, rayn wijaya,anya geraldine,ira rai. Sisi (nina cozo) seorang vloger tempat-tempat mistis,yang selalu total untuk mendapatkan vlognya serta dengan segala resikonya bersama mayang (anya geraldine,Arik (rayn wijaya) berusaha berusaha menemukan kembali sisi kakaknya yang telah menghilang. Segera ajak teman-teman kamu buat menyaksikan petualangan menyeramkan Mayang, Sisi, dan Arik di Lubang Buaya. Sisi adalah seorang vlogger yang rajin mengunjungi tempat-tempat angker dan mendokumentasikannya, dengan dibantu oleh adiknya, Arik.

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Diakses tanggal August 8, 2011. Diarsipkan dari versi asli tanggal December 13, 2007. National Archives. Diarsipkan (PDF) dari versi asli tanggal August 9, 2006. Diarsipkan dari versi asli tanggal August 8, 2005. National Security Archive Electronic Briefing Book No. 162. George Washington University. Diarsipkan dari versi asli tanggal September 19, 2007. The strike report said 30,200 ft, the official history said 31,600 ft, Commander Parson's log entry was 32,700 ft, and the navigator's log was 31,060 ft—the latter possibly an error transposing two digits. A later calculation using the indicated atmospheric pressure arrived at the figure of 32,200 ft. Similarly, several values have been reported as the altitude of the Little Boy bomb at the moment of detonation. Published sources vary in the range of 1800 hingga 2000 ft (550 hingga 610 m) above the city. The device was set to explode at 1885 ft (575 m), but this was approximate.

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Deep space is a part of mise-en-scene, placing significant actors and props in different planes of the picture. Directors and cinematographers often use deep space without using deep focus, being either an artistic choice or because they do not have resources to create a deep focus look, or both. Other auteurs choose to use it consistently throughout the movie, either as a stylistic choice or because they believe it represents reality better. Filmmakers such as Akira Kurosawa, Stanley Kubrick, Kenji Mizoguchi, Orson Welles, Masahiro Shinoda, Akio Jissoji, Terry Gilliam, Jean Renoir, Jacques Tati, James Wong Howe, and Gregg Toland all used deep focus as part of their signature style. This is because the size of the sensor or film gauge dictates what particular lens focal length would be used in order to achieve a desired viewing angle. Smaller sensors or film gauges will require an overall range of shorter focal lengths to achieve any desired viewing angle than larger sensors or film gauges. Because depth of field is a characteristic of lens focal length (in addition to aperture and focus distance setting), it is easier to achieve a deep-focus look with a smaller imaging sensor or film gauge. For example: a 40mm lens will give a 30-degree horizontal angle of view in the Super35 format. A 13mm lens inherently has much more depth-of-field than a 40mm lens. To achieve the same depth of field with a 40mm lens would require a very small aperture, which in turn would require far more light, and therefore time and expense. Miami Vice ( Michael Mann, 2006) is among the many big budget movies that have been shot digitally in recent years. With this invention it was possible to have one plane in focus in one part of the picture and a different plane in focus in the other half of the picture. This was and still is very useful for the anamorphic widescreen format, which has less depth of field. The lens can focus on a plane in the background and the diopter on a foreground.

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Leo then relays the info to Viola and Usopp who was getting agitated at the citizens coming after them, but Viola tells him that the citizens will not harm them. King Riku then comments that Doflamingo will not kill Mansherry since he needs her ability just as much as they do. At the Royal Palace, a guard is seen feeding food to Mansherry who is kept in a room crying her eyes out for Leo to save her. Viola discovered Mansherry's cell and sends the info to Leo, who remembers that room from when Scarlett was alive. Meanwhile, Luffy's group is now fighting against the giant nutcrackers as Faurl is injured in the process as they can't defeat the nutcrackers. Usopp then hears from Viola that Sugar has revived and his friends are in trouble. Sugar, who is now scared of anyone long-nosed, swears revenge against Usopp and his friends. Usopp was horrified by the fact that he forgot about Robin when she was turned into a toy and asks for Viola and Kanjuro's help in sniping at her. Once reaching the third level, Robin's group is attacked by Gladius. He causes Robin and Bartolomeo to plummet downward while Rebecca presses forward. Law wants the key to his handcuffs so he can join the fight, but Robin says it is with Rebecca. She tells Luffy and company to keep going towards the next level while she and Bartolomeo prepare to fight Gladius and the giant toys. Now that Rebecca has reached the flower field, Leo leaves with Kabu to rescue Mansherry. Rebecca stays to waits for Luffy, but her brief respite turns to horror when she sees her mother's killer, Diamante, standing before her.