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A notable example is both Spanky's and Alfalfa's stupidity in Canned Fishing. Stymie and Dickie tried this in Fish Hooky to get past truant officer Mickey Daniels. Johnny Downs and younger Mickey Daniels did this when posing as Santa Claus in Good Cheer. Farina and Pleurisy tried it in Election Day in order to get past the other kids. Verbal Tic Name: Uh-huh is named that because it's the only thing he (usually) says. The Voiceless: Buckwheat and Porky in their earliest appearances. Where the Hell Is Springfield? The Little Rascals' hometown of Greenpoint. But some of the shorts show Greenpoint resembling parts of New York City. White Like Me: A kind of horrifying gag in Baby Brother. So Farina, the one black kid in the gang, takes his baby brother, paints his face white, and gives him to Joe. Women Are Wiser: The adult women in this series (usually mothers or teachers) tend to be kinder and more grounded than the men, who are often bumbling or pompous at best and downright abusive at worst. Would Hurt a Child: The step-mother in Dogs is Dogs. You Meddling Kids: The gang occasionally battled evil grown-ups.

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Throughout her work, the shortness of the lines and line groups serves to focus attention on the levels of word and syllable. Her lineation and arrangement of lines consistently show great care both for sound and for shape on the page. To describe accurately the forms of the poetry that emerged from Niedecker’s “condensery,” we must resort to oxymorons. Her poems are folkyliterary, oral-silent, aural-visual, song-speech, condensed-expansive, metrical-free verse. They show her to have drawn, in the manner of Rich’s “emerging groups,” on a variety of formal sources, popular as well as literary. Far from the mechanical adherence to inherited form that Rich labels “format,” they manifest her vital engagement with and resistance to these sources. This essay will examine a few of the ways in which she modi? d and combined them, and consider some of the resultant e? cts. In her own poetry, Niedecker worked in a variety of forms. Conspicuous among these are stanzaic forms: couplets; tercets, notably stepped tercets reminiscent of but distinct from Williams’s stepped triadic line; quatrains, notably modi? d ballad stanzas; and, most common both as a form for whole poems and as a stanza, quintains. Niedecker’s quintains were probably inspired by Japanese haiku sequences (renga), where haiku alternate with two-line units, or by tanka. She also wrote poems in verse paragraphs and with various patterns of indention.


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JACK SHEA b. August 1, 1928, New York City Movie: The Strange Monster of Strawberry Cove (1971, two parts, Disney) Shea directed episodes of Hawaii Five-O, Sanford and Son, The Jeffersons, The Waltons, Punky Brewster, Designing Women, The Golden Girls, Full House, and other series. Shea, who was president of the Directors Guild of America from 1997 to 2002, directed the heist film Dayton’s Devils (1968) with Rory Calhoun and Leslie Neilsen, and the sci-fi feature The Monitors (1969). As an actress, Shea graced such titles as Preppies (1984), Hollywood Hot Tubs (1984), and Psycho III (1986). Kim Greist and Costas Mandylor starred in Last Exit to Earth, one of Roger Corman’s no-budget specials. Sharing the Secret was a thoughtful character study of a bulimic teenage girl (Alison Lohman) who believes that she has to be perfect for her family, friends, and boys. In Sanctuary, which Shea also adapted from the Nora Roberts novel, Melissa Gilbert plays a photographer who’s stalked to a vacation island retreat. Vogel) Shear began directing in network TV’s infancy, including on Joseph Schildkraut Presents and Vacation Playhouse through The Man from U. . . . . Daniel Boone, It Takes a Thief, Tarzan, Julia, Hawaii Five-O, The Streets of San Francisco, Get Christie Love, City of Angels, Starsky and Hutch, Police Woman, Joe Forrester, etc. Shear’s features include Wild in the Streets (1968), The Todd Killings (1971), Across 110th Street (1972), and The Deadly Trackers (1973), written by Samuel Fuller and starring Rod Taylor and Richard Harris.

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N. D. Attorney-General Alvin C. Strutz has sent a request to secretaries of 10 North Dakota fairs to co-operate with peace officers in enforcement of the State's anti -gambling laws. He informed that one or two State inspectors would be on the grounds at each of the fairs, consisting of Hamilton, Jamestown, Mandan, Grand Forks, Lang - don, Burke County, Minot, Carrington, Fargo and New Rockford. HENRY J. LUND, who has been appointed managing director of the St. Paul Winter Carnival, will continue to serve as publicity superintendent of Minnesota State Fair, with which he has been connected 20 years. Tupelo Adopts Co -Op Set -Up TUPELO, Miss. May 25. Holding of a successful 1940 Mississippi -Alabama Fair here appeared assured this week after representatives of several civic groups and Chamber of Commerce approved a co-op plan for continuation under the present set-up. An Amusement Corp. of America unit will be on the midway, it was announced. STARDUST REVUE, produced by Charles Collins, Detroit, is being booked for Canadian fairs, chiefly thru Western Canada Fairs Association.

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THE CITY OF LOST CHILDREN is a wonderful movie, but it wasn’t foremost in our minds when working on the sequence. We pretty much had free reign to design the shots, working with Angus. Personally, my biggest visual reference came from the finale of RAIDERS OF THE LOST ARK. The mist is supposed to represent the forces of evil encroaching upon the crew of the Dawn Treader. The ghostly trails were created in Houdini and proprietary fluid simulations tools. Animations were blocked out in Maya for each tendril shot. We decided to use eels to represent the fingers of the mist. The sinister appearance of these eels naturally lent themselves to the movement of the mist. Once the block out animation was approved, the team were able to derive fluid simulations from the data, produce numerous lighting passes and animate the fluids to interact with the live-action elements in the plate. This meant rotoscoping the mist around the cast and props on the deck to ensure that it was realistically interacting with the live-action environment, which had been shot in front of a blue screen stage. Can you explain the creation of the environment around the Dawn Trader. For the sequence involving the tendrils of mist the Dawn Treader has ventured into what looks like an underground cavern, except the rocks and columns are all made of moving, glowing mist. This cavern was initially blocked out in Maya, therefore we were able to establish a continuity for the columns of mist across the entire sequence. Once the layout was approved, the scene file could be passed over to the 2D artists, who used the 3D aspects of Nuke to create the mist environment for their shots.


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However, the Chalcedon creed was not accepted by all Christians, because Saint Augustine died in 430 he did not participate in the Council of Ephesus in 431 or Chalcedon in 451, but his ideas had some impact on both councils. On the other hand, the major theological figure of the Middle Ages. The Third Council of Constantinople in 680 held that both divine and human wills exist in Jesus, with the divine will having precedence, leading and guiding the human will. John Calvin maintained that there was no element in the Person of Christ which could be separated from the person of The Word. Balthasar argued that the union of the human and divine natures of Christ was achieved not by the absorption of human attributes, thus in his view the divine nature of Christ was not affected by the human attributes and remained forever divine. Mediumship is the practice of certain people —known as mediums— to purportedly mediate communication between spirits of the dead and living human beings. There are different types of mediumship including spirit channeling, and ouija, humans have been fascinated with contacting the dead since the beginning of human existence. Cave paintings by indigenous Australians date back 28,000 years, some depicting skulls, bones, spirits, Other cave paintings in Indonesia date back a further 10,000 years. Mediumship gained popularity during the century, when ouija boards were used by the upper classes as a source of entertainment. Scientific researchers have attempted to ascertain the validity of claims of mediumship, an experiment undertaken by the British Psychological Society led to the conclusion that the test subjects demonstrated no mediumistic ability. Other forms involve materializations of the spirit or the presence of a voice, the practice is associated with several religious-belief systems such as Vodun, Spiritualism, Spiritism, Candomble, Voodoo, Umbanda and some New Age groups. In Spiritism and Spiritualism the medium has the role of an intermediary between the world of the living and the world of spirit. Mediums claim that they can listen to and relay messages from spirits, or that they can allow a spirit to control their body and speak through it directly or by using automatic writing or drawing. Spiritualists classify types of mediumship into two categories, mental and physical, Mental mediums allegedly tune in to the spirit world by listening, sensing.