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103 minutes. M. aSalle. The well-written, well-acted story will charm you from the beginning and is suitable for young teenagers. Not rated. 96 minutes. In Portuguese with English subtitles. The focus is narrow, but the film is successful within its scope. Rated R. 106 minutes. M. aSalle. In the franchise, the shape-shifting Autobots and Decepticons are sentient machines who engage in extreme warfare. Thanks to a vast store of intellectual property, the company can afford to think big — Marvel-size big. And it is starting to take a more active role in producing and financing some of its projects. In the past, the company has acted as a non-financing producer on movies based on its toys and games, partnering with studios and other production houses. Hasbro doesn't license its brands to Hollywood studios, choosing instead to participate in the development, writing and marketing processes. The company also has big plans to team up with Paramount again on movies featuring a rebooted G. . Joe with a revamped look intended to appeal to younger audiences.

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Jon had seen Ghost’s eyes blazing red the same way, when they caught the light just right. He turned back to the red priestess. He glanced up through the bars, and there she stood in shimmering scarlet with her great ruby at her throat, her red eyes gleaming as bright as the torch that bathed her. “Melisandre,” he said, with a calm he did not feel. Her red eyes blazed like twin fires, and seemed to stare deep into his soul. They could be the result of Melisandre’s illusion magic, certainly, or even a legacy of possible father, Bloodraven, but I favor the notion that they are a primarily a reflection of some kind of internal fire, the same one which makes her skin so warm to the touch and makes her impervious to cold. Through fire transformation, of course, as we have discussed. The fire was inside her, an agony, an ecstasy, filling her, searing her, transforming her. Shimmers of heat traced patterns on her skin, insistent as a lover’s hand. She was weeping, and her tears were flame. Dany dreams of having her her blood boil, the black dragons have burning black blood, and people speak of the more metaphorical “black blood” of the Night’s Watch. But I want to speak in literal terms here about Mel’s specific fire transformation process. She doesn’t seem to have the loss of memory, will, or sense of self that Beric does, nor does she have any of the death symbols which are draped all over Beric like a starry cloak. This seems to be corroborated by Mel’s inner monologue on her lack of need for sleep, which also indicates a gradual process taking place. One day, Melisandre prayed, she would not sleep at all. R’hllor provided her with all the nourishment her body needed, but that was something best concealed from mortal men. A Winter queen. Ice made flesh. A sorceress who was transformed by ice magic. Interestingly, Martin may also be hinting at a similar, parallel process with ice in the prologue of A Game of Thrones when Gared is talking about frostbite.

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There's a dark period in Disney animated history, near the end of Michael Eisner's tenure as Chairman and CEO and after the company had run out of animated classics to release on VHS, that the studio began to cannibalize itself by making direct-to-video sequels to its films. The first movie to take this approach was The Return of Jafar, a sequel to Aladdin. And it was financially successful enough that Disney did the same to their other contemporary movies. We got The Lion King II: Simba's Pride, starring Simba's daughter Kiara. We got The Little Mermaid II: Return to the Sea, starring Ariel's daughter Melody. And eventually, Disney started going even back further into the archives. They made Bambi II, and they were even in the process of making a Pinocchio II before upper management put a stop to it. John Lasseter (formerly of Pixar) became the chief creative officer of Disney Animation in 2006, and he saw the sequels as detrimental to the company's brand. To clarify: Movies like The Little Mermaid II and Mulan II are not that weird; it makes perfect sense that Disney would attempt them. And if you liked this gallery, check out the weirdest live-action Disney movies too. 1. The Hunchback of Notre Dame II (2002) At the end of The Hunchback of Notre Dame, Esmeralda falls in love with Phoebus, and although Quasimodo doesn't get his dream girl, he does get the love and acceptance of Paris. It was a bittersweet ending that made sense, while keeping with the overall dark tone of the film. But for some people at Disney, maybe it was too much of a downer. For Hunchback of Notre Dame II, the animators decided to give Quasimodo a girlfriend: Madellaine (Jennifer Love Hewitt), the daughter of a circus troupe owner. She's initially put off by Quasi's appearance, but she comes to learn about his inner beauty. Along the way, we learn about a convoluted plot to steal Notre Dame's most prized bell, and we watch more cartoony gargoyle antics than you can shake a stick at. 2. Pocahontas II: Journey To A New World (1998) This felt like compounding controversy with more of it. When Pocahontas was released in 1995, Disney caught a lot of flack for creating fictionalized versions of real historical figures, and for making Pocahontas an adult woman rather than a young girl.