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folks: Steve Baty, Janna DeVylder, Rachel Hinman, and Gerry Gaffney. As designers increasingly become involved in using contextual research to inform their design work, they may find themselves holding onto a trove of raw data but with little awareness of how to turn it into design. How can designers and researchers work with user research data to create new things for business to do? Through the small screen, Turkey has begun to exercise a big influence at Arab dinner tables, in boardrooms and bedrooms from Morocco to Iraq of a sort that the United States can only dream about. Another consequence of the show: the sudden, spectacular boom in Arab tourism to Turkey. Turkish Airlines has started direct flights to gulf countries (using soap stars as spokespeople). Turkish travel companies charter boats to ferry Arabs who want a glimpse of the waterfront villa where “Noor” was filmed. If this seems like a triumph of Western values by proxy, the Muslim context remains the crucial bridge. “Ultimately, it’s all about local culture. People respond to what’s familiar. By which he meant that regionalism, not globalism, sells.

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And playing so much of the scene in distant and dorsal shots harks back, inevitably, to Mizoguchi. I’m only a little less late in mentioning the arrival of Matt Zoller Seitz’s newest addition to The Wes Anderson Collection: The Grand Budapest Hotel. The decision to base a big, luscious book on a single Anderson film gives this ambitious picture even deeper treatment than we saw in the Collection ’s individual chapters. From Seitz’s rich opening appreciation to the amiable list of contributors (The Society of Crossed Pens), the book is a serious divertissement, a wonder-cabinet of images, ideas, and semi-childish fun. We get production stills, script pages, set designs, storyboards, animatics, special-effects secrets, costume designs, and the now-celebrated photochrom images. Seitz has larded his captions with shrewd critical points about lenses, compositions, lighting, and staging—not the normal gee-whiz commentary of an “authorized” making-of. Anderson’s enjoyment of practical effects, his judicious use of digital tools, and his most complex voice-over narration yet come through vividly. His interviews are crowded with information about Anderson’s inspirations, which seem endless. Of course there is Stefan Zweig, who is given several pages of intense discussion. We also learn of Anderson’s interest in the exiled directors like Lubitsch and Wilder, who gave us both a Europeanized Hollywood and a Hollywoodized Europe. There are homages to The Red Shoes and Colonel Blimp and Letter from an Unknown Woman.

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Upon knowing that his friend is in a predicament, Killua rushes to his aid, arriving just to see a hopeless Gon utterly destroying Pitou's head and then the body when it reanimates and rips his arm off. Reaching the center of palace, Meruem attempts to remember while Pouf and Youpi struggle to prevent him from remembering Komugi after the king remembered Pitou upon they were mentioned by name. Meruem then displays his new power by using his En to detect the intruders, intercepting Knuckle and Meleoron as they fled and brings their unconscious bodies into the palace within seconds. While Palm and Ikalgo take Komugi with them to Bizeff's underground bunker, Pouf convinces Meruem to make a game where he and Youpi find Pitou before the king finds the other intruders. Required to use En one time as a handicap, knowing the two are still hiding something from him, Meruem accepts the challenge on the condition that his subordinates must reveal their secret if he win while giving Pouf time to commence the selection process. Instructing Youpi to hide himself and wait for Pitou, having used up six sevenths of his cells to heal the king, Pouf reforms his body to commence the selection. Ikalgo and Palm send Welfin to set up a hostage exchange with Mereum for their friends, Ikalgo calling Welfin by his original name while revealing they and Blooster were originally Gyro's subordinates. Ikalgo also reveals to Welfin that he believes Gyro is reborn as a Chimera Ant. Welfin meets Youpi and relays the message, only to decide to interrogate the Royal Guard after learning he has no memory of being human. Having finally finished the selection while realizing something is wrong as Pitou's corpse puppets ceased function, Pouf finds Youpi dead and flies to alert Meruem. Meanwhile, noting their questionable methods are proof of their humanity, Palm and Ikalgo hide Komugi in a safe place as the former reveals to Ikalgo that they are stalling for time as Meruem is slowly dying of radiation poisoning from being exposed to the Miniature Rose.

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But 20th Century Fox Home Entertainment and Fox Innovation Lab President Mike Dunn told Variety that it isn’t meant to be a one-off. “This is our first swing at the plate,” he said. “Our intention from the moment we developed our business plan was to be in the commercial VR business. That’s notably different from the way many others in the entertainment industry have approached VR. And Dunn promised that there is going to be a lot more to come. “We have a slate against our tentpole films going forward and we are going to work with global partners to bring them to market,” he said. “It is going to be an exciting year. . The concert features local and regional performers and a variety of musical styles including bluegrass, classical, country, Celtic, and folk. This year's musicians will include The Schlitz Creek Bluegrass Band, Double Strung, Megan Dooley, Bride of Fleckenstein, Whiskey Before Breakfast, and the Guitar Parlor Ensemble. The event will be held in the Trinity Lutheran Church at 504 South Westnedge.

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