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In my view, it is the best of the twelve typefaces of the graduation class. In 2010, Bernd Volmer and Ateleir Carvalho Bernau published the free typeface Jean-Luc, which is named after Jean-Luc Godard. Some speculate it could have been Godard himself---Godard's interest in graphic design and typography is clear, with many of his other films employing such strong typography-only titles and intertitles. They are almost a self-sufficient entity, another character in the movie, another comment. This style of lettering is so interesting to us because it is such a clear renunciation of the pretty, classical title screens that were common in that time more conservative films. It has a more vernacular and brutishly low-brow character; this lettering comes from the street. David, and first seen in France at the 1878 Exposition Universelle, where it found broad appeal and rapid adoption. In 2015, Perrine Winkler and Bernie Diril co-designed Brigitte, Karina and Pierrot, three typefaces based on the credits of Jean-Luc Godard's movies. Brand identity designer in Subotica, Serbia, b. 1990, who created the bare bones free sans typeface Nikoleta (2016), which is based on Bebas Neue. In 2017, he designed Somber Sans (rounded sans), Chester Sans, Balmy Brush, Geometrica Sans, Bosk (a free hand-crafted typeface), and Big Stem ( free demo ), which is a condensed movie credit sans. He also created the free brush script typeface Slopes (for Latin and Cyrillic). Designers of Beverly Hills Cop (2001), The GodFather (2001), Fiddums Family Font (2001). At the London College of Communication in 2010, Borna Izadpanah (b. Iran) created a modular pair of typefaces, one for Latin and one for Farsi. In 2015, he graduated from the MATD program at the University of Reading. His graduation typeface, Lida, blends Latin and Perso-Arabic in a multi-font family that includes Lida Sans, Lida Serif, Lida Avestan (for the Avestan script), and various styles of Lida Arabic that produce beautiful yet readable Naskh calligraphic texts.

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The lamp's design was conceived around an existing 5-DoF robotic arm, and is aimed to evoke a personal relationship with the human partner without resorting to human-like features. This week, it will take its first stab at performing alongside human actors in MIT Dramashop's Playwrights in Performance. That's right, a robot, on stage, live, with nothing but an emergency button to save it. The performance mixes different video clips that people have sent them of lines being drawn, along with live content, in order to tell the story of a seamless line which never ends. The two performers use custom software to seemlessly mix together a large series of live and pre-recorded linear expression into a ceaseless, evolving, whimsical landscape, in which one line leads to the next. From a line of simple pixels, to a hand drawn line, to a horizon line, to a line of text, the performance is not at all about getting to a final destination, but completely about the delight of traveling. For information on what kind of material and where and how to send it, click here. I like their work, because it is characterized by economy of expression without being generalized or simplistic. What? more, they frequently extend this aptitude to create feedback systems that require the same streamlined response from their audience. The result is very clean and eloquent communication mediated by or in the form of websites, installations, sculptures and photographic prints. Creative Commons licensing plays a critical role in their work, because it provides a set of pre-established rules for use of their work so that they don? have to. In short, it simplifies the conversation, and facilitates the elegance that defines their art. Part II is a live performance in which the audience confronts a lone single performer Michael Schumacher, master improviser and former dancer with William Forsythe's Frankfurt Ballet, experiencing the traumatic transition period between death and rebirth. Utilizing wireless sensor networks in the room and on the dancer's body, Part II creates a stage environment where light, sound and objects take on their own choreography, performing with Schumacher, breathing, and behaving alongside him. What happens in the threshold where body and room merge, mutually influencing and transforming each other.


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Single-ul Fame, realizat n colaborare cu JohnLennon, a ajuns number one n topurile ameri-cane i a aprut pe urmtorul su LP, YOUNGAMERICANS. Colaborarea cu Eno aluat sfrit dup albumul din 1979, LODGER. owie a jucat apoi n filmul The Elephant Mani a realizat SCARY MONSTERS, cu RobertFripp, album ce conine celebra pies Ashes ToAshes. BLACK TIE WHITE NOISE din 1993 a fost celmai bun album din ultima vreme, coninndpiese ca Dont Let Me Down And Down, piesaCream I Feel Free i cea a lui Morrissey I Know ItsGoing To Happen Someday. Compus din Wanya Squirt Morris (n. 974), Michael Bass McCary (n. 1972), ShawnSlim Stockman (n. 1973), i Nathan Alex-Vanderpool Morris (n. 1972), care s-au ntlnitn Philadelphia High School Of Creative AndPerforming Arts, grupul a luat fiin n anul1988. Prima trup n care a cntat a fostcea a lui Bobby Byrd, Gospel Starlighters, cares-a transformat apoi n Flames. Din 1967 a nceput s cnte cuClyde Stubblefield (drums) i a nregistrat Say ItLoud Im Black And Im Proud (1968), MotherPopcorn (1969) i Get Up (I Feel Like Being A) SexMachine (1970). A urmat apariia sa n filmul TheBlues Brothers, iar n 1980 a prsit casa dediscuri Polydor. A fosteliberat n 1991, Brown avnd o grmad depiese scrise n nchisoare. A mai colaborat cu grupul lui John Laura Branigan 52 Mayall, Bluesbreakers i cu Manfred Mann, dupcare, mpreun cu Ginger Baker i Eric Clapton, anfiinat Cream. Tot n aceast perioad a cntat lavoce pe albumul ESCALATOR OVER THE HILL alCarlei Bley, care a devenit membr a trupei JackBruce Band, n 1975. Cu toate acestea, Bruce a rmas n istoria muziciica cel mai bun basist rock. FLYING COLOURS din 1988 a fost celmai bine vndut album al lui.


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In the book, the fate of Lord Octesian is left unclear, although he presumably died on Dragon Island; in the film Eustace finds his skeleton. Wolverine Publicity: Much like the last film, the trailer gives the impression that the White Witch is a villain in this film. (To a certain extent she is, at least as far as Edmund is concerned. And you can't help but wonder how many times Edmund has to smack her down before she gets the message and stops trying to tempt him. Wrong Genre Savvy: Eustace assumes a rowboat will row itself on command, and is surprised when it doesn't. Xenafication: As with Susan in the other movies, and Prince Caspian especially, Lucy is now far more violent than in the book. The cinematography is gorgeous and the fusion of CGI (computer generated images) and real characters seamless. Directed by Michael Apted, “Dawn Treader” reflects a marked departure from the style of director Adam Adamson’s approach to “Prince Caspian” (2008) that chose action over story. Walden Media and Disney partnered for “The Lion, the Witch and the Wardrobe” (2005) and “Prince Caspian” (2008). When Disney withdrew from the current film, Twentieth Century Fox stepped up. In “The Lion the Witch and the Wardrobe” the four Pevensie children, Lucie (Georgie Henley), Edmund (Skandar Keynes), Susan (Anna Popplewell) and Peter (William Moseley) are evacuated from London to the country home of a relative during World War II. Led by the youngest, Lucy, the children venture through a closet to discover Narnia. It is a parallel world where the children encounter new creatures; temptations; goodness; magic; a witch; and Aslan, who teach them and Narnians sacrificial love. “Prince Caspian” has the four children back in Narnia, this time to help Prince Caspian regain the throne of Narnia from a usurper, his uncle King Miraz -- and prevent the extermination of the Narnians. Peter is at university and Susan is touring America with her parents. Lucy and Edmund are staying with relatives once again, and their stuffy cousin Eustace (Will Poulter) is especially trying. The children enter Narnia through a painting of the ocean hanging on the wall.


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The wight thing is just stupid beyond belief and goes against everything we were told in the books. Also remember that the showrunners are following an outline that GRRM gave them so please stop the over the top criticism even if some of the plot points sound bad. They could have her resoundingly defeated on the battlefield in a matter of weeks. They could have Jaime depose her and take the Lannister forces north. And they have chosen this, frankly, bizarre turn of events. Remember, Sam noticed they weren’t decomposing, hence they were brought back to be examined. They were already wights, but were “playing dead. Just like the dead Wildling girl from the opening scene, who’s pinned against the tree then walking around not long after. If the White Walkers had the ability to reanimate corpses across the Wall, well, the magic of the Wall would be pretty shitty. I mean, like “Since we’re all here and we know people out there are leaking scenes, let’s just do one scene from those fake spoilers and have some fun setting the fandom on fire”. If you were really trying to convince people that wights and Walkers are real, wouldn’t having an undead wight that they’d recognize be the best way to do it. But “convincing Cersey” is not a reasonable motivation. She is not interested in survival, she is interested in vengeance and vengeance alone. She would be happy to burn the entire Westeros, and if she can’t afford that, she would be even happier to freeze it. Dany will lose the battle apparently, but it’s legit to assume that Cersei’s army will suffer major losses too and she won’t be in the position to oust Dany from Dragonstone or to cause major problems to Jon and his allies in the Vale and the Riverlands. So, Cersei may pretend to agree on some compromise and then start a game of “go god-knows-where, bring god-knows-what”. She might win time this way, her rivals may (and most probably) will suffer losses, and if they manage to make it through alive and bring a wight, she will prepare one or two surprises for the Dragonpit.


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But the only reason the Qataris, the Russians, the Saudis and the North Koreans began hacking and leaking emails is because of media collusion. When the son of a Democrat official hacked into Sarah Palin’s email, the media gleefully searched through her inbox for any damaging material without caring about the ethics of it. Instead of boycotting the hackers, the media republished many of the stolen emails, and destroyed the career of studio head, Amy Pascal. But there would be no “emergency” if the media just stopped reporting on and publishing stolen emails. Instead the media calls for all sorts of emergency measures, for a crisis it claims is worse than Pearl Harbor, but won’t stop running the stolen emails. The red-green alliance manifested as the Washington Post was allowing Qatar to use its pages to promote the overthrow of the Saudi regime. And the Post ’s dirty deal may have backfired on Bezos as the shadowy underworld of internet information operations bit the biggest internet billionaire around. Bezos didn’t just betray his wife, he betrayed every basic principle of ethics. His Medium post and his spin doctors claim the ultimate privilege, that of the abuser from retaliation. A Talent Acquistion Manager will be responsible for recruiting and onboarding all dealership positions for our Greater Toronto Area businesses. This position will require you to get creative while sourcing candidates via a variety of means. After ten years, you’ll get FIVE weeks of vacation. If you’d love to become a part of the Go Auto family, apply online today at GoAuto. a. Please check out our new Facebook Careers Page to stay up to date on all new jobs and fun events happening at Go Auto. The largest automotive network in Western Canada, Go Auto is comprised of more than 40 locations across Alberta, BC, Ontario, and the Northwest Territories. Our 30-Day Exchange Privilege, Loyalty Rewards Program, Guaranteed Price Policy, and large-scale purchasing power are just a few of the reasons why we are recognized as an industry leader in customer satisfaction.


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. the old prison barracks were set up as homes, and food was lifted in fishing nets. At the time, he had just returned from deployment in Vietnam, enrolled in San Bernardino Valley College, and moved in with his girlfriend, Fenicia Lou Ordonez. When he learned of the landing on Alcatraz, he suggested they join in. Rather, the activists’ tactic of establishing a critical mass on the island, and showing the nation why it was deservedly theirs, had succeeded. Fearing a public backlash, federal authorities called off the Coast Guard from intervening in these voyages. He pointed out that if they truly wanted to make a case for the Native American right to reclaim unused land, they urgently needed to reshape the narrative. On his drive to the Bay Area, Trudell had seen national papers like The New York Times and San Francisco Chronicle running stories portraying the occupation as a Native American theft — rather than a reclamation of what was stolen from them. He asked himself: “How would the tribes communicate best, and make their message known? . This is John Trudell, welcoming you on behalf of the Indians of All Tribes, from Indian Land Alcatraz Island. . It was called Radio Free Alcatraz, and Trudell typically began episodes by describing challenges on the island. There were many: Alcatraz had shaky electricity, a dearth of clean water, and it was frequently hit by strong offshore storms. And Saturday, we were stranded on the island because of bad weather. . It was experienced daily by native tribes everywhere.


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The violence of the cross drawed with shit symbolizes the violence that the portuguese poet endured in his last years of life in a portuguese city marked by an intense catholicism together with a high intolerance to difference. In this movie we can also find poems by Alba, as well as the director, Ricardo Leite. There is a cross between body and essence, fecal matter and relatives in a tragic and cruel poetic game. When he is 13, enticed by his father, he stars reading various classical novels. When he is 21 he joins the army of Continente Geral in Boane, about 13 miles from Lourenco Marques. He works as a reporter and gets acquainted with the depths of Mozambique. Two daughters are born out of this wedlock, Sonia and Neide. In 1983 he leaves Mozambique to go back to Braga with his family. His life starts degenerating at this point, living in rental rooms, drinking, as well as not having a steady job. He gets a divorce in 1993, and his life keeps sinking. People start searching for him looking for and interview or just to talk to him. He lives in shelters and in church doorsteps, walking around town, drinking and writing. When human feels loosing his soul by the everyday circuit of life. Might be not on the expected way or not as we did it in a happier period. Maybe our environment makes us being who we really are. How do we know that we are in the right environment. How do we know that we are good enough for ourselves for others around us.


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There are still a few more spaces in the workshop; use PORTIGAL15 for a discount. There are still a few more spaces in the workshop, so if you can join us, use PORTIGAL15 for a discount. I posted a summary of links and other resources here. Here’s a roundup of links to various bits connected with the book. If you haven’t already, you should buy a copy here. It would be fantastic if you wrote a quick review on Amazon here. I’ve been interviewing these folks over the past few weeks and I’ll be starting this workshop with what I’ve heard from them, but then structuring the day so they are prioritizing the issues and creating possible solutions together. I’m pretty excited about this expanded version of the workshop. Read more here and sign up, using PORTIGAL15 for a discount. I can confirm that I’ve found donut, taco and BBQ options near where I’m staying, too. Right now I’m working on lining up a couple of additional sponsors. Back a few days and already the transcripts are pouring in. Meanwhile, it’s coming up soon as part of Enterprise UX. Use discount PORTIGAL15 to save when you register for my workshop about Soft Skills coming up in San Antonio in mid-May. It’s part of the Enterprise UX conference but you can register separately. I’ll be doing a session on listening, alongside Julian Treasure, author of Sound Business. Here are the 80s.


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