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O Relatorio Territorial da Regiao do Medio Xingu (IPEA, 2015) apresenta uma analise dos conflitos fundiarios na regiao. A gente quer sobreviver, a gente quer poder pagar nossas contas, poder dar estudo pros nossos filhos. Eles estao tentando nos encurralar. (. A gente ta sabendo da jogada deles. Como a relacao e dialetica, o “exterior” e condicao indispensavel do interior, constitutivo do proprio capitalismo. In: Environmental inequalities, economics and politics. In: Governanca global e integracao da America do Sul (Orgs) Andre Rego Viana, Pedro Silva Barros, Andre Bojikian Calixtre. Brasilia: IPEA, 2011. 318 p CEDLA, CENTRE FOR LATIN AMERICAN STUDIES AND DOCUMENTATION. Small-scale gold mining in the Amazon: the cases of Bolivia, Brazil, Colombia, Peru and Suriname. Exemplos nos Rios Tapajos, Juma e Madeira no Sudoeste da Amazonia Brasileira. (No prelo) FRANKS et all.

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So I posted on my facebook, what movies to check out by him and, the majority said check out all of his films. I decided to watch Eraserhead. Holy shit. That was great. I've never been so creeped out. I like the way it was shot and how there was very little dialogue. I'm going to start watching the rest of his work now. I didn't know much about the story before watching it which is probably the best way to go into it. It's a brutal movie with a few scenes that make you squirm. You're in for it. Lynch's world is wonderful, nightmarish, and exciting. Be sure to watch Twin Peaks the series before you watch Fire Walk With Me. Don't expect anything on par with Eraserhead though.


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Theon was introduced as a young man who’d been a slave for most of his life, (even a kind master is still a master) and who longed for family, love, acceptance and power. Oh, and I believe Theon (ironically but also very “Game of Thronesy” now that he doesn’t want it) could become a great leader. I think I’m already going to know the plot of season 7. If Tyene is killed in public at Cersei’s behest, and Bronn happens to be watching, will he care. Yes, I am also very interested how Tyenne’s fate will effect Bronn, but IMO Bronn will not be witnessing that in person. I only know what I read about the leaks, which wasn’t super clear in the way it was written. What do you call a moron who takes a whiz on the self-proclaimed King of the Iron Islands and the North from a balcony as he rides below. I’m afraid, Team Dany’s utter incompetence given their overwhelming force will be quite annoying to watch next season. I don’t know that people were expecting nudity, so much as saying that if you looked at this issue purely from what the characters (e. . Cersei and Euron) would do, they probably would be. Well, showing a lack of enthusiasm may be a matter of survival for the small folk, when Qyburn’s little birds fly around too. Just like to join in the appreciation for what must be by far the most bad ass horse we’ve seen.


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The rare horror sequel that stands full well on its own, Origin of Evil ties cleverly into the original's premise by mining the history of Lin Shaye's character's past. Shaye was easily the most interesting part of the first installment, and while she is absent from this movie (excepting the post-credits shot), her character takes center stage. Played by Annalise Basso, young Lina Zander navigates a struggling family whose youngest daughter becomes enamored of the titular spirit board. As the child exhibits supernatural abilities and horrifying changes in character, Lina and her mother seek answers and help. Sound familiar? Perhaps the better question: Did you expect anything else. Most of the scares aren't even unique, though I'd argue that their opaque nature is aggressively surprising. The filmmakers have stuffed so many visible, tangible monsters into this haunted house that any guise of subtlety or subversion is gone. It's a nice change from the oeuvre of recent possession films, where a good half of the movie focuses on the scary things we can't quite see. I'm not saying that more is better, but it does make for an entertaining change in style, especially when the gags aren't good enough to be anything but jump-scares at best. Even with its cinematic equivalent of pounding you over the head with its scares, Origin of Evil works by serving up a square helping of heart with its horror. Director Mike Flanagan ( Oculus, Hush ) never loses sight of his actors, and focuses his energy on letting them carry the film. While he infuses the film with an entrancing sense of time and place (the 1967 period work is charming), he seems keenly attuned to the relationships between the three leading women.