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Shots of a framed photo of Vogelâ€™s two daughters tell us he really, really wants to finish this and go home. She flees through the jungle, leaps off a cliff, plunges into a torrential river, grabs ahold of a rusty WWII bomber at the brink of a waterfall, parachutes into more jungle, and then kills her tracker with a headlock. An attack on Vogelâ€™s camp to steal a satellite phone takes an unexpected turn when Vogel puts a gun to the head of none other than Lord Richard Croft, an evasive semi-crazed cave-dweller on the island for the past seven years. The plot delivers a revisionist twist to Himikoâ€™s resume and a lot of action inside the raided tomb, much in debt to Indiana Jones films. Her father once warned: â€śTrinity is everywhere. €ť As Croft executive Ana (Kristin Scott Thomas) reminds Lara: â€śJust think what you can do for the world, with your potential, with your wealth. €ť At a pawn shop Lara arms herself with more than headlock, looks into the lens, and grins. Cue end credits of this diversion distributed by Warner Bros. In his video to Lara, her father reveals her death inspired a quest: â€śI began searching the world, desperate for a hint of another realm, for proof the supernatural, anything to feel her with me again. €ť. Richard cites a Swiss archer of old. â€śWilliam Tell was a myth, dad,â€ť corrects Lara. â€śWell, all myths have foundation in reality,â€ť he counters. Richardâ€™s point is underscored when that line recurs later in an audio montage. Opening the coffin, they are taken aback when the queenâ€™s corpse sits up. Vogel points to the gears and levers beneath her: â€śSee. Unsophisticated epidemiologists, her contemporaries had turned to the supernatural. â€śThey thought it was magic,â€ť divines Lara. Einstein explains nearly everything in this fantasy adventure from Walt Disney Studios thatâ€™s rated PG â€śfor thematic elements and some perilâ€ť by the MPAA. An ambiguous agenda in the filmâ€™s Cold War era source novel, however, does not make its way to the screen.
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Then, in Sinister, encounter an ancient pagan deity who is determined to trap you for all eternity in the sordid shadow world of the dead. Namely, turning low-budget flicks â€” think â€śParanormal Activity,â€ť â€śThe Purgeâ€ť franchise and indie sensation â€śWhiplashâ€ť -- into blockbuster hits. Blumhouse CEO Jason Blum outlined it in a conversation with Peter Kafka at Recodeâ€™s Code Media conference at The Ritz-Carlton in Dana Point, Calif. Blumhouse also doesnâ€™t decide on whether a movie is going to the big screen or straight through digital until itâ€™s finished. Everyone does: some story youâ€™d like to capture on film. But if you looked at movies as a pure investment, where the only thing you cared about was making money, then what kind of movie would you make. Well, it turns out there is only one sensible answer: horror. Today, weâ€™re going to look at an American production house called Blumhouse, who have produced some of the highest grossing horror films of all time. Weâ€™ll compare their model to that of other, non-horror studios and see why their genre has such a shocking return on investment. Wanna learn more about business theory and history. Be sure to like and subscribe to be notified of our next segment. After a soul-searching journey traveling around the world, she returns home to Vancouver, still floating in limbo. Instead of settling down, she camps out in an empty vacation home owned by her friendâ€™s rich family. A house waiting to be sold when the price is right. Jean moves in, vowing to finish her travelogue about her journey. She thinks sheâ€™s finally found the perfect quiet time - away from any kind of commitment, no phone calls, no job, no friends - she should have no problem focusing on her writing at long last. To her surprise, sheâ€™s actually not the only occupant in the house. She finds out that if she wanted to stay, sheâ€™d have to share the place with some former occupants whoâ€™ve turned into bad squatters. A cynical college professor(Alex Zahara), his bitter sister (Emilie Ullerup) married to a devoted husband(David Richmond-Peck), a disgruntled cab driver(Zahf Paroo) and a washed-up drifter (Zak Santiago) - all of whom are not even supposed to be there, because theyâ€™re actually dead. As Jean reluctantly confronts these souls as tormented as herself, they inevitably end up in an entangled mass of secrets and lies.
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Meanwhile, Lopez will be working on a new dance show called World Of Dance for NBC. She is also playing Colombian drug lord Griselda Blanco for HBO. Better days: The knockout with Smart at the premiere of The Perfect Match at in Hollywood in March. Thatâ€™s when theyâ€™re not scaring the bejesus out of those who donâ€™t take the â€śscaredy catâ€ť route through the side yard. In recent years, Menaldiâ€™s house has been a must-see for those in search of a truly harrowing Halloween experience. It has become so popular that the wait time for the free event can sometimes stretch for hours. Menaldiâ€™s house will shake from the vibrations of 50 speakers pounding music, while strobe lights, black lights and smoke add a kind of visual dystopia. Rooms are crowded with apparitions, body parts and mannequins. Or are they? You might not know until one jumps out and grabs you. The master of the mayhem is Menaldi, a security company supervisor, construction worker and carpenter, bodyguard, power-lifter and former occasional bear wrestler. The 300-pound gleeful boogeyman hopes to give you bad dreams for weeks. Menaldi has also made the news several times over the years for battling with the city over the color and several lions heads and shields that adorned a wall on his property along Magnolia Avenue, or the time the house was invaded by rats from the ASCON landfill site across the street. And then there were the bear wrestling matches, the last of which was in 1999, when Menaldi fought a grizzly named Dakota who was reportedly more interested in cookies and Sarah Brightman songs than engaging with Menaldi. Until he began transforming a typical southeast Huntington Beach tract home into a one-of-a-kind castle, Menaldi had never really been into the whole Halloween thing. In 2002, he bought the house on the corner of Bermuda Drive and Magnolia. Menaldi said he was working security at a rock company at the time and was allowed to take home whatever he wanted. That was when the castle idea came. â€śI didnâ€™t like stucco, so I started putting castle rock up,â€ť he said. Next came the gargoyles and the griffin, and then Halloweeners drawn by the growing spookiness of the house.