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Duncan is upset at the perceived handling of his son, Chris Duncan, by both the Cardinals media and front office. Tony LaRussa's right-hand man since 1983 has also lost influence with the front office, no longer being consulted on decisions and not seeing his philosophy mesh with the minor league philosophy. Duncan insists any decision will come in the off-season and be a professional, not personal decision. Color us skeptical. Duncan is possibly the best pitching coach in the game now that Leo Mazzone has retired. It would be a blow to the Cardinals' future as fantasy owners would no longer be able to pick up Cardinal pitchers and see them morph into world-beaters on a regular basis. -Rotoworld Duncan has certainly had his share of success. Not sure why he'd go elsewhere over something so minor, but needless to say, on the open market, he might get more than many managers. Hard to believe an administration whose entire strategy involves tax and spend is having trouble eliminating a type of spending. To quote Letterman; please, please, no wagering. 1. Who has played the most 2B this year? 2. Corey Hart B. Jason Kendall C. Mat Gamel 4. With a runner at 3B and less than 2 outs, which two regulars have got the runner in most often? 5. Prince has been walked intentionally the most. ho is 2nd and 3rd?

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There’s been a little bit of stumbling around, some legal stumblings. I don’t know. I assume it’ll be in the first quarter, but I can’t say more than that. Advertisement Midnight: Jaws (1975) Greg McLean knows monsters: giant outback reptiles, vengeful Anasazi spirits, and smiling Crocodile Dundee types who will turn you into a head on a stick. But as possibly the most seasoned director we spoke to for this feature, the Aussie genre pro also understands the value of not showing the monster—an approach he partially learned from one of the most famous creature features of all time. With the Wolf Creek miniseries now in full swing, a third Wolf Creek movie in development, and the death-match thriller The Belko Experiment coming soon to theaters, we spoke with McLean about the movie that made the whole world afraid to go swimming. Greg McLean: Jaws was one of the first movies that I saw where it did something to me, quite honestly, that I’m sure it did to many people around the world. The fear in the movie was so profound and so well-done that it made me scared of going in the water. Even in the bath or the shower, because it’s psychologically so cleverly done that you have this fear of this unknown thing and it’s really because of someone’s skill with creating a fear of something in your mind. And it’s something in the shock—the emotion of what you can’t see below the water that’s really terrifying. And when I saw that movie, I realized the power of that. The power of implication and the power of suggestion. And what a brilliant filmmaker Spielberg was to be able to capture the essence of what the fear of a shark is. A pure terror. So obviously the movie is amazingly entertaining and has so many great aspects, from the characters to the story to the writing. But as a horror film, to be able to capture something that is so profoundly terrifying for everyone around the world is just an amazing feat. Advertisement AVC: How old were you when you first saw it. GM: I think it was early, because I was living in a small town in Australia. I’m trying to think of what year it came out. AVC: ’75.

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saw it more as Littlefinger rolling his eyes at the fact that the Maester of Winterfell not knowing what the longest winter of record is. It's like the tour guide at the Empire State Building not knowing how tall it is. First, because he didn't react until after the line about Maester Luwin keeping copies of every message (not after the line about not knowing), and second, because it was a pretty quick look backward, not an eye-roll. I think Littlefinger realized in that moment that, somewhere in the depths of Winterfell, there's a loose end. It sure seems like Cersei's getting way too overconfident. She's even letting her guard down with the servants re sleeping with Jaime. Granted at this point it really doesn't matter who knows. Also that can't possibly be the first servant to wind up in the loop. anearys said she'd been raped. Again, I don't remember that happening, unless you count her wedding night with Drogo. he was a less than willing partner. o more gross skin Jorah. But does he know where to go now to rejoin Danearys? (Who, by the way, does seem in dire need of competent military counsel. Her wedding night with Khal Drogo is what I thought of when she mentioned being raped. And I'm sure it's widespread knowledge in Westeros by now that Daenerys has set up camp on Dragonstone. I look forward to seeing Ser Jorah take his place as her Master of War and or heal of her Queensguard. Arya couldn't sit though a conversation with Cersei for that long without killing her. hat might be the perfect opportunity for Daenerys to set lots of her enemies on fire, and maybe take the gold. She's got to change tactics and start using the dragons sometime, preferably sooner rather than later.

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There will be no ties (of note: I’ve left out the Walking Dead, a show that pops up on a lot of lists and is extremely popular, but I’ve not seen. If you think it, or any other show should be included on this list, please explain why in the comments section). I know of few shows whose characters stir the emotions of the viewers (both positively and negatively) so strongly. Though the producers of Game of Thrones have an unfair advantage being able to use Martin’s characters from his books, they still do a brilliant job (mostly) staying true to what they are in the text (which not every adaptation of a book has done a good job with, have they Peter Jackson? . Now Breaking Bad has its own set of fantastic characters with Walt, Jessie, Saul, Gus, and Mike (who’s even better in “Better Call Saul”). The wire comes in 4 th because the show’s premise is “The System” more than it is the characters. The way Vince Gilligan connects each part of his five season drama, aligning every dot from start to finish has not been equaled. Of course, I’m a guy who wants all my questions answered (still waiting Lost! . So for those who don’t care as much about that, you might choose the Sopranos here. Any show that can humanize the Mafia the way the Sopranos does is doing exceptional work behind the camera. And The Wire is not that far from either of these two. Truth is, none of these shows would be getting mentioned without the excellent direction and writing. But Game of Thrones is not quite at the level the other three are in this area. The in-depth, balanced look into all facets from the criminals, the police, the politicians, the schools, the parents, and the media gives the viewer the realization that, much like real life, not every ending will be a happy one. I placed the Sopranos second here because of the acclaim actual mobsters gave the show for its realistic portrayal of mafia life. Breaking Bad is amazing, but I doubt any of our chemistry teachers became the top drug kingpin in North America and Europe. And while GoT does have the very realistic medieval times politics of noble houses and ill-fated conclusions for many of its characters, I cannot put a show with dragons, zombies, wargs and fireball throwing children ahead of realistic portrayals of American life. Whether it be “The Red Wedding,” The Purple Wedding,” Ned Stark’s beheading, “The Red Viper vs.

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