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Sad she had to go, but what an awesome way to go out. Captivating scene. Overall I really loved this episode. This was supposed to be a private moment between them where we finally saw their relationship grow a bit, would've been a bit weird from a dramatic standpoint if she had a bunch of guards. Anha ray char m'ave yeri lajakoon hakeso, vezh adothrae nakhaan rhaesheseri. Hoshora ma mahrazhi aqovi affin mori, atihi mae hash tihi, anha vazhak maan firikhnharen. So if he comes seeking me out, you chill the fuck out and let him come to me. There's an inferno building up in my loins, and only ice can put it out, if you get my drift. I wish it was like Turkish television drama a 120 to 150 minutes an episode. I don't see any way the writers would deprive us of Drogon vs White Walker badassness. If for nothing else, to send shockwaves to the viewers to remind everyone they aren't invincible. Although with the speed that everyone travels lately, they could have The Hound, Berric,Thoros make it there in half in episode if they truly wanted. If he does indeed wind up being the one to defeat his brother, I'm thinking he'll wind up dying in the process, as Beric foreshadows. I think Jon is a very good fighter, I'd bet on him. Could be a Typical GOT Battle, where they’re surrounded on all sides and things look grim until a third party arrives to save everyone. The only main cast member in Seville at the moment seems to be Maisie. That won't necessarily translate into screen time allotments in Season 8, since Maisie and Kit have been doing a lot of fight training for action scenes, but that's who seems to be filming the most. Of course, if she is at Winterfell until it burns down and then is subsequently killed or captured by Cersei as so many have speculated, she wouldn't have much call to be doing much filming in 2018 when they're shooting exteriors and battle scenes. Sophie is pretty easy to keep track of thanks to her fanbase, so we'll have to see if she shows up in Belfast for any length of time over the next two (three? months.

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When they reach Regan? room, they f ind her thrashing about, and they (again, as in the hospital) attempt to restrain her. Prone on her back, Regan? neck begins to swell to the size of a cantaloupe, as if in a delayed allergic reaction to the needles plunged into her throat in the preceding scene. (Recall the Connecticut gay exorcism, where church members yelled for the pastor to “rip the demon” from the young man? throat). Regan then proceeds to kneel and hike her dress (light blue, of course, the same shade as the hospital sheet) above her waist. While staring at the doctors and thrusting her hips she yells, “Fuck me. Fuck me! More than simply an act of shocking lasciviousness, the possessed Regan unmasks and mocks the insidious underpinnings of the doctors. Here we find another abjection — the demon girl takes what should be hidden and brings it to the surface. Part Fr eud, part Foucault, part Butler — the devil, it seems, may be the best deconstructionist in town. Indeed, these two scenes (one in the hospital, one in the child? bedr oom) both chronicle acts of possession and acts of penetration. As I have noted, the penetration and medical possession o f Regan? body in the hospital is just as bodily and just as visceral as the demonic possession that will occur later in the film. The essential difference between these two sequences is that the first occurs when Regan is under the complete control of the visible doctors: helpless, alone, and frightened. In the second, it is Regan (or “possessed Regan,” though one begins to wonder at the distinction) who is paradoxically in control of her bodily emissions. By vomiting on the priest who seeks to exorcise her, she essentially re- enacts the scene of her earlier victimization with violent agency. In this way, the priests who have come to rescue Regan become aligned with the me dical profession which seemed so invasive and so impotent: their task, to diagnose and tr eat the girl, offers little distinction from the doctors who put Regan through test after test at the hospital.

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I first saw this when it was a scifi movie of the week. It was one of the few movies on said station that was actually entertaining because it was well made and not because it was silly, lol. Also, Centurion by Marshall is worth watching too. The film follows a former alcoholic re-entering the dating world after a trying time with her ex — a fellow who just happens to have been a notorious mass murderer that’s just escaped policy custody. Wingard smartly turns the serial killer genre on its head by paying the same attention to detail in scenes of domesticity as he does to the moments of nervous terror; the film’s dating scenes are treated as they would be if this was Half Nelson, in a naturalistic attempt to explore the characters’ very real emotional world. Be one of the very first to catch this unique horror hybrid. Steven Thrower being a former member of Coil and Cyclobe. SPOILER: I will tell you this, as a boob afficianado. Ain't It Cool News: The best in movie, TV, DVD, and comic book news. ( ) my friend keeps telling me to watch lake mungo, think i'll check it out tonight. Leigh Whannell doesn't like it all that much either and he wrote the damn thing. The official Blog of Leigh Whannell ( ) Hey. dug Dead Silence. It would be impertinent to reveal much about the kills, but with its ruthless treatment of its fodder, Urban Explorer proves itself to be a stunningly nihilistic piece of work delivered on a wave of shocking brutality and unremitting bleakness. Watching “Burke and Hare” is like listening to your grandfather tell the same joke for the 14th time. Ouch. How about a third video in their Trick 'r Treat themed series featuring everyone's favorite Halloween demon, Sam, ushering the kiddies back to school. FEARnet and creator Mike Dougherty brought back Sam in April to remind us that we were halfway to Halloween. Then Sam set out to celebrate Dads across the world. As you'd expect, the videos were a hit with fans, and now lo and behold, it's time for round three.

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